Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations

Detalhes bibliográficos
Autor(a) principal: Lima, Sabrina
Data de Publicação: 2021
Outros Autores: Kuhlmann, Paulo, Silva, Luan
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/31354
Resumo: Artistic creation is a human activity, based on the individual's relationship with the whole. From the studies on aesthetics, science of the sensitive, emotions, sensations and corporeality are introduced in the production of knowledge. In the field of international politics, studies on aesthetics cover alternatives for the perception and analysis of political and social phenomena, in which the arts can be considered elements of communication and expression. Thus, the text will bring the Theater of the Oppressed (TO) and its application in Rangel neighborhood, in João Pessoa/PB (Brazil), to analyze the potential of the arts in the transformation of conflicts. The investigation is structured based on a qualitative approach that incorporates action research, in particular through the use of participant observation as an analytical strategy.
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spelling Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations La política sensual : el Teatro del Oprimido y la dimensión estética en las Relaciones Internacionales A política sensual: o Teatro do Oprimido e a dimensão estética nas Relações InternacionaisEstéticaTeatro do OprimidoJogos teatraisAestheticsTheatre of the OppressedTheatre gamesEstéticaTeatro de los oprimidosJuegos teatralesArtistic creation is a human activity, based on the individual's relationship with the whole. From the studies on aesthetics, science of the sensitive, emotions, sensations and corporeality are introduced in the production of knowledge. In the field of international politics, studies on aesthetics cover alternatives for the perception and analysis of political and social phenomena, in which the arts can be considered elements of communication and expression. Thus, the text will bring the Theater of the Oppressed (TO) and its application in Rangel neighborhood, in João Pessoa/PB (Brazil), to analyze the potential of the arts in the transformation of conflicts. The investigation is structured based on a qualitative approach that incorporates action research, in particular through the use of participant observation as an analytical strategy.La creación artística es una actividad humana, basada en la relación del individuo con el todo. A partir de los estudios sobre estética, la ciencia de lo sensible, las emociones, las sensaciones y la corporalidad se introducen en la producción del conocimiento. En el campo de la política internacional, los estudios sobre estética abarcan alternativas para la percepción y análisis de fenómenos políticos y sociales, en los que las artes pueden ser consideradas elementos de comunicación y expresión. Así, el texto traerá el Teatro del Oprimido (TO) y su aplicación en el Barrio do Rangel, en João Pessoa/PB, para analizar el potencial de las artes en la transformación de conflictos. La investigación se estructura desde un enfoque cualitativo que incorpora la investigación-acción, en particular mediante el uso de la observación participante, como estrategia analítica.A criação artística é uma atividade humana, baseada na relação do indivíduo com o todo. A partir dos estudos sobre estética, ciência do sensível, introduz-se as emoções, sensações e corporeidade na produção do conhecimento. No campo da política internacional, os estudos sobre estética percorrem alternativas de percepção e análise dos fenômenos políticos e sociais, no qual as artes podem ser consideradas elementos de comunicação e expressão. Dessa forma, o texto trará o Teatro do Oprimido (TO) e sua aplicação no Bairro do Rangel, em João Pessoa-PB, para analisar o potencial das artes na transformação de conflitos. A investigação se estrutura a partir de uma abordagem qualitativa que incorpora a pesquisa-ação, em particular pela utilização da observação-participante, como estratégia analítica.Universidade Federal de Minas Gerais2021-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/3135410.35699/2237-5864.2021.31354PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 23 (2021): v. 11 n. 23: set-dez.2021; 358 - 386PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 23 (2021): v. 11 n. 23: set-dez.2021; 358 - 386PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 23 (2021): v. 11 n. 23: set-dez.2021; 358 - 3862238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/31354/29203Copyright (c) 2021 Sabrina Lima, Paulo Kuhlmann, Luan Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessLima, SabrinaKuhlmann, PauloSilva, Luan2023-10-19T14:11:29Zoai:periodicos.ufmg.br:article/31354Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2023-10-19T14:11:29Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
La política sensual : el Teatro del Oprimido y la dimensión estética en las Relaciones Internacionales
A política sensual: o Teatro do Oprimido e a dimensão estética nas Relações Internacionais
title Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
spellingShingle Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
Lima, Sabrina
Estética
Teatro do Oprimido
Jogos teatrais
Aesthetics
Theatre of the Oppressed
Theatre games
Estética
Teatro de los oprimidos
Juegos teatrales
title_short Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
title_full Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
title_fullStr Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
title_full_unstemmed Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
title_sort Sensual politics: the Theater of the Oppressed and the aesthetic dimension in International Relations
author Lima, Sabrina
author_facet Lima, Sabrina
Kuhlmann, Paulo
Silva, Luan
author_role author
author2 Kuhlmann, Paulo
Silva, Luan
author2_role author
author
dc.contributor.author.fl_str_mv Lima, Sabrina
Kuhlmann, Paulo
Silva, Luan
dc.subject.por.fl_str_mv Estética
Teatro do Oprimido
Jogos teatrais
Aesthetics
Theatre of the Oppressed
Theatre games
Estética
Teatro de los oprimidos
Juegos teatrales
topic Estética
Teatro do Oprimido
Jogos teatrais
Aesthetics
Theatre of the Oppressed
Theatre games
Estética
Teatro de los oprimidos
Juegos teatrales
description Artistic creation is a human activity, based on the individual's relationship with the whole. From the studies on aesthetics, science of the sensitive, emotions, sensations and corporeality are introduced in the production of knowledge. In the field of international politics, studies on aesthetics cover alternatives for the perception and analysis of political and social phenomena, in which the arts can be considered elements of communication and expression. Thus, the text will bring the Theater of the Oppressed (TO) and its application in Rangel neighborhood, in João Pessoa/PB (Brazil), to analyze the potential of the arts in the transformation of conflicts. The investigation is structured based on a qualitative approach that incorporates action research, in particular through the use of participant observation as an analytical strategy.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/31354
10.35699/2237-5864.2021.31354
url https://periodicos.ufmg.br/index.php/revistapos/article/view/31354
identifier_str_mv 10.35699/2237-5864.2021.31354
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/31354/29203
dc.rights.driver.fl_str_mv Copyright (c) 2021 Sabrina Lima, Paulo Kuhlmann, Luan Silva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Sabrina Lima, Paulo Kuhlmann, Luan Silva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 23 (2021): v. 11 n. 23: set-dez.2021; 358 - 386
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 23 (2021): v. 11 n. 23: set-dez.2021; 358 - 386
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 23 (2021): v. 11 n. 23: set-dez.2021; 358 - 386
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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