THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS

Detalhes bibliográficos
Autor(a) principal: Gomes, Christianne Luce
Data de Publicação: 2017
Outros Autores: Maia, Maria de Fátima Queiroz Costa, Silva, Mariana Rosalina Cordeiro Ferreira, Gontijo, Renata
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos do Lazer
Texto Completo: https://periodicos.ufmg.br/index.php/rbel/article/view/530
Resumo: This article aims to discuss and analyze how women are represented in the Brazilian fiction feature “Para minha amada morta”, and to identify possibilities of empowerment for the female characters. This film was launched in 2016. The methodology of this qualitative research included bibliographical research, interviews and analysis of the graphic layout of the fundamental elements of visual communication and design in some scenes of the film. The female characters are portrayed in an antagonistic way, reinforcing a traditional model of conduct established by patriarchy. Although the cinematographic narrative is constituted by several aspects that could favor the emancipation of the women, these possibilities are stopped to the detriment of an exclusively masculine perspective.
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spelling THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGSEL CINE COMO EXPERIENCIA DE OCIO Y LOS PERSONAJES FEMENINOS DE LA PELÍCULA “PARA MINHA AMADA MORTA”: ASIMILANDO VALORES, DESVELANDO SIGNIFICADOSO CINEMA COMO EXPERIÊNCIA DE LAZER E AS PERSONAGENS FEMININAS DO FILME “PARA MINHA AMADA MORTA”: ASSIMILANDO VALORES, DESVELANDO SIGNIFICADOSLazerMulherCinemaLeisureWomanMovie.OcioMujerCine.This article aims to discuss and analyze how women are represented in the Brazilian fiction feature “Para minha amada morta”, and to identify possibilities of empowerment for the female characters. This film was launched in 2016. The methodology of this qualitative research included bibliographical research, interviews and analysis of the graphic layout of the fundamental elements of visual communication and design in some scenes of the film. The female characters are portrayed in an antagonistic way, reinforcing a traditional model of conduct established by patriarchy. Although the cinematographic narrative is constituted by several aspects that could favor the emancipation of the women, these possibilities are stopped to the detriment of an exclusively masculine perspective.Este artículo tiene como objetivo discutir y analizar de qué manera las mujeres son representadas en el largometraje de ficción brasileño Para minha amada morta, buscando identificar posibilidades de empoderamiento para los personajes femeninos. La metodología de esta investigación cualitativa contó con investigación bibliográfica, entrevistas y análisis de la disposición gráfica de los elementos fundamentales de la comunicación visual y del diseño en algunas escenas de la película. Los personajes femeninos son retratados de forma antagónica, reforzando un modelo tradicional de conducta establecido por el patriarcado. Aunque la narrativa cinematográfica esté constituida por varios aspectos que podrían proporcionar espacios de emancipación para las mujeres, esas posibilidades son empequeñecidas en detrimento de una perspectiva exclusivamente masculina.Este artigo objetiva discutir e analisar de que maneira as mulheres são representadas no longa-metragem de ficção brasileiro Para minha amada morta, lançado em 2016, visando identificar possibilidades de empoderamento para as personagens femininas. A metodologia desta pesquisa qualitativa contou com pesquisa bibliográfica, entrevistas e análise da disposição gráfica dos elementos fundamentais da comunicação visual e do design em algumas cenas do filme. As personagens femininas são retratadas de forma antagônica, reforçando um modelo tradicional de conduta estabelecido pelo patriarcado. Embora a narrativa cinematográfica seja constituída por vários aspectos que poderiam proporcionar espaços de emancipação para as mulheres, essas possibilidades são tolhidas em detrimento de uma perspectiva exclusivamente masculina.ANPEL2017-03-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/rbel/article/view/530Revista Brasileira de Estudos do Lazer; v. 3 n. 2 (2016): v. 3, n. 2, mai./ago. 2016 | Dossiê Lazer e Cinema; p.3-192358-1239reponame:Revista Brasileira de Estudos do Lazerinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/rbel/article/view/530/360Copyright (c) 2017 Revista Brasileira de Estudos do Lazerinfo:eu-repo/semantics/openAccessGomes, Christianne LuceMaia, Maria de Fátima Queiroz CostaSilva, Mariana Rosalina Cordeiro FerreiraGontijo, Renata2019-07-25T05:14:11Zoai:periodicos.ufmg.br:article/530Revistahttps://periodicos.ufmg.br/index.php/rbelPUBhttps://periodicos.ufmg.br/index.php/rbel/oairbel.anpel@gmail.com || edilson@lcc.ufmg.br2358-12392358-1239opendoar:2019-07-25T05:14:11Revista Brasileira de Estudos do Lazer - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
EL CINE COMO EXPERIENCIA DE OCIO Y LOS PERSONAJES FEMENINOS DE LA PELÍCULA “PARA MINHA AMADA MORTA”: ASIMILANDO VALORES, DESVELANDO SIGNIFICADOS
O CINEMA COMO EXPERIÊNCIA DE LAZER E AS PERSONAGENS FEMININAS DO FILME “PARA MINHA AMADA MORTA”: ASSIMILANDO VALORES, DESVELANDO SIGNIFICADOS
title THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
spellingShingle THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
Gomes, Christianne Luce
Lazer
Mulher
Cinema
Leisure
Woman
Movie.
Ocio
Mujer
Cine.
title_short THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
title_full THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
title_fullStr THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
title_full_unstemmed THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
title_sort THE CINEMA AS A LEISURE EXPERIENCE AND THE FEMALE CHARACTERS OF THE FILM "PARA MINHA AMADA MORTA": UNDERSTANDING VALUES, UNDERSTANDING MEANINGS
author Gomes, Christianne Luce
author_facet Gomes, Christianne Luce
Maia, Maria de Fátima Queiroz Costa
Silva, Mariana Rosalina Cordeiro Ferreira
Gontijo, Renata
author_role author
author2 Maia, Maria de Fátima Queiroz Costa
Silva, Mariana Rosalina Cordeiro Ferreira
Gontijo, Renata
author2_role author
author
author
dc.contributor.author.fl_str_mv Gomes, Christianne Luce
Maia, Maria de Fátima Queiroz Costa
Silva, Mariana Rosalina Cordeiro Ferreira
Gontijo, Renata
dc.subject.por.fl_str_mv Lazer
Mulher
Cinema
Leisure
Woman
Movie.
Ocio
Mujer
Cine.
topic Lazer
Mulher
Cinema
Leisure
Woman
Movie.
Ocio
Mujer
Cine.
description This article aims to discuss and analyze how women are represented in the Brazilian fiction feature “Para minha amada morta”, and to identify possibilities of empowerment for the female characters. This film was launched in 2016. The methodology of this qualitative research included bibliographical research, interviews and analysis of the graphic layout of the fundamental elements of visual communication and design in some scenes of the film. The female characters are portrayed in an antagonistic way, reinforcing a traditional model of conduct established by patriarchy. Although the cinematographic narrative is constituted by several aspects that could favor the emancipation of the women, these possibilities are stopped to the detriment of an exclusively masculine perspective.
publishDate 2017
dc.date.none.fl_str_mv 2017-03-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/rbel/article/view/530
url https://periodicos.ufmg.br/index.php/rbel/article/view/530
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/rbel/article/view/530/360
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Brasileira de Estudos do Lazer
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Brasileira de Estudos do Lazer
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ANPEL
publisher.none.fl_str_mv ANPEL
dc.source.none.fl_str_mv Revista Brasileira de Estudos do Lazer; v. 3 n. 2 (2016): v. 3, n. 2, mai./ago. 2016 | Dossiê Lazer e Cinema; p.3-19
2358-1239
reponame:Revista Brasileira de Estudos do Lazer
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Revista Brasileira de Estudos do Lazer
collection Revista Brasileira de Estudos do Lazer
repository.name.fl_str_mv Revista Brasileira de Estudos do Lazer - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv rbel.anpel@gmail.com || edilson@lcc.ufmg.br
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