THE TIME
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Farol - Revista de Estudos Organizacionais e Sociedade |
Texto Completo: | https://revistas.face.ufmg.br/index.php/farol/article/view/6375 |
Resumo: | The image is a photo taken on the stairs of the Voltaire Hotel in Paris. Since the first time I saw it, I felt provoked by time, a remarkable dimension of our existence and still intriguing as a concept for analysis, especially of organizational phenomena. In this pleasant hotel, not only the stairs, but also the rooms, the reception and even the owners are references to the past and future, in a peculiar temporal convergence. The rooms, very colorful, with a modern look are the opposite of the corridors, which keep the probable decoration elaborated in another time. Ne entrance, a set of souvenirs from different countries, inheritances from trips or guests of various nationalities, tell the story of one or more generations of those who take care of the establishment. And about them... a couple of nice old people always willing to talk about current events and the situation in the guest's country. It is the time experienced in different ways: chronological, historical, objective and interpretative. The position of the photo, taken on the third of the six floors of the building, allows us to see the temporal whirlwind as we look down and a similar but less clear path as we look up. A metaphor for the connection of past and future in the present moment. As well as the stairs our reflection when elaborating a text, a class or a seminar, as well as the answers we find at the moment of an interview bring this connection. The thought, the ideas, the narrative, the answers of the present are built from the set of archived memories that are continuously reorganized with the glimpse of the future. Our encounter with time is continuous, but we still reflect little on it and its marks in the ways of thinking, narrating and acting. We embrace more consciously the whirlwind of time by looking at the past, reflecting the future and transforming the present. |
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THE TIMEEL TIEMPOO TEMPO-The image is a photo taken on the stairs of the Voltaire Hotel in Paris. Since the first time I saw it, I felt provoked by time, a remarkable dimension of our existence and still intriguing as a concept for analysis, especially of organizational phenomena. In this pleasant hotel, not only the stairs, but also the rooms, the reception and even the owners are references to the past and future, in a peculiar temporal convergence. The rooms, very colorful, with a modern look are the opposite of the corridors, which keep the probable decoration elaborated in another time. Ne entrance, a set of souvenirs from different countries, inheritances from trips or guests of various nationalities, tell the story of one or more generations of those who take care of the establishment. And about them... a couple of nice old people always willing to talk about current events and the situation in the guest's country. It is the time experienced in different ways: chronological, historical, objective and interpretative. The position of the photo, taken on the third of the six floors of the building, allows us to see the temporal whirlwind as we look down and a similar but less clear path as we look up. A metaphor for the connection of past and future in the present moment. As well as the stairs our reflection when elaborating a text, a class or a seminar, as well as the answers we find at the moment of an interview bring this connection. The thought, the ideas, the narrative, the answers of the present are built from the set of archived memories that are continuously reorganized with the glimpse of the future. Our encounter with time is continuous, but we still reflect little on it and its marks in the ways of thinking, narrating and acting. We embrace more consciously the whirlwind of time by looking at the past, reflecting the future and transforming the present.La imagen es una foto tomada en las escaleras del Hotel Voltaire en París. Desde la primera vez que lo vi, me sentí provocado por el tiempo, una dimensión notable de nuestra existencia y todavía intrigante como concepto para el análisis, especialmente de los fenómenos organizativos. En este agradable hotel, no sólo las escaleras, sino también las habitaciones, la recepción e incluso los propietarios son referencias al pasado y al futuro, en una peculiar convergencia temporal. Las habitaciones, bastante coloridas, de aspecto moderno, son lo contrario de los pasillos, que mantienen la probable decoración elaborada en otro tiempo. Ne entrada, un conjunto de recuerdos de diferentes países, herencias de viajes o invitados de varias nacionalidades, cuentan la historia de una o más generaciones de los que se ocupan del establecimiento. Y sobre ellos... un par de ancianos agradables siempre dispuestos a hablar de los acontecimientos actuales y de la situación en el país del invitado. Es el tiempo experimentado de diferentes maneras: cronológico, histórico, objetivo e interpretativo. La posición de la foto, tomada en el tercero de los seis pisos del edificio, nos permite ver el torbellino del tiempo mientras miramos hacia abajo y un camino similar, pero menos claro, mientras miramos hacia arriba. Una metáfora para la conexión del pasado y el futuro en el momento presente. Al igual que las escaleras, nuestra reflexión al elaborar un texto, una clase o un seminario, así como las respuestas que encontramos en el momento de una entrevista traen esta conexión. El pensamiento, las ideas, la narración, las respuestas del presente se construyen a partir del conjunto de memorias archivadas que se reorganizan continuamente con el vislumbre del futuro. Nuestro encuentro con el tiempo es continuo, pero todavía reflexionamos poco sobre él y sus marcas en las formas de pensar, narrar y actuar. Abrazamos más conscientemente el torbellino del tiempo mirando el pasado, reflejando el futuro y transformando el presente.A imagem é uma foto tirada nas escadas do Hotel Voltaire, em Paris. Desde a primeira vez que a vi, me senti provocado pelo tempo, dimensão marcante da nossa existência e ainda intrigante como conceito para análise, sobretudo dos fenômenos organizacionais. Nesse agradável hotel, não apenas as escadas, mas também os quartos, a recepção e até os proprietários são referências ao passado e futuro, numa convergência temporal peculiar. Os quartos, bastante coloridos, com visual moderno são o oposto dos corredores, que guardam a provável decoração elaborada em outra época. Ne entrada, um conjunto de lembranças de diferentes países, heranças de viagens ou de hóspedes de várias nacionalidades, contam a história de uma ou mais gerações daqueles que cuidam do estabelecimento. E sobre eles... um casal de simpáticos velhinhos sempre dispostos a conversar sobre fatos da atualidade e a situação no país dos hóspedes. É o tempo experimentado de diferentes formas: cronológico, histórico, objetivo e interpretativo. A posição da foto, tirada no terceiro dos seis andares do prédio, permite a visão do redemoinho temporal percorrido ao olhar para baixo e um percurso semelhante, mas menos nítido, ao olharmos para cima. Uma metáfora para a conexão de passado e futuro no momento presente. Assim como as escadas nossa reflexão ao elaborar um texto, uma aula ou um seminário, bem como as respostas que encontramos no momento de uma entrevista trazem essa conexão. O pensamento, as ideias, a narrativa, as respostas do presente são construídas a partir do conjunto de memórias arquivadas que são continuamente reorganizadas com o vislumbre do futuro. Nosso encontro com o tempo é contínuo, mas ainda refletimos pouco sobre ele e suas marcas nos modos de pensar, narrar e agir. Abracemos mais conscientemente o redemoinho temporal olhando o passado, refletindo o futuro e transformando o presente.Núcleo de Estudos Organizacionais e Sociedade (NEOS), FACE/UFMG2020-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.face.ufmg.br/index.php/farol/article/view/637510.25113/farol.v7i19.6375Farol - Revista de Estudos Organizacionais e Sociedade; v. 7 n. 19 (2020): Agosto; 494-496Farol - Revista de Estudios Organizacionales y Sociedad; Vol. 7 Núm. 19 (2020): Agosto; 494-496Farol - Journal of Organization Studies and Society; Vol. 7 No. 19 (2020): Agosto; 494-4962358-6311reponame:Farol - Revista de Estudos Organizacionais e Sociedadeinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://revistas.face.ufmg.br/index.php/farol/article/view/6375/3221Copyright (c) 2020 Sidinei Rocha-de-Oliveirahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRocha-de-Oliveira, Sidinei2020-11-19T20:54:00Zoai:ojs.pkp.sfu.ca:article/6375Revistahttps://revistas.face.ufmg.br/index.php/farolPUBhttps://revistas.face.ufmg.br/index.php/farol/oaisaraiva@face.ufmg.br || farol@face.ufmg.br2358-63112358-6311opendoar:2020-11-19T20:54Farol - Revista de Estudos Organizacionais e Sociedade - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
THE TIME EL TIEMPO O TEMPO |
title |
THE TIME |
spellingShingle |
THE TIME Rocha-de-Oliveira, Sidinei - |
title_short |
THE TIME |
title_full |
THE TIME |
title_fullStr |
THE TIME |
title_full_unstemmed |
THE TIME |
title_sort |
THE TIME |
author |
Rocha-de-Oliveira, Sidinei |
author_facet |
Rocha-de-Oliveira, Sidinei |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rocha-de-Oliveira, Sidinei |
dc.subject.por.fl_str_mv |
- |
topic |
- |
description |
The image is a photo taken on the stairs of the Voltaire Hotel in Paris. Since the first time I saw it, I felt provoked by time, a remarkable dimension of our existence and still intriguing as a concept for analysis, especially of organizational phenomena. In this pleasant hotel, not only the stairs, but also the rooms, the reception and even the owners are references to the past and future, in a peculiar temporal convergence. The rooms, very colorful, with a modern look are the opposite of the corridors, which keep the probable decoration elaborated in another time. Ne entrance, a set of souvenirs from different countries, inheritances from trips or guests of various nationalities, tell the story of one or more generations of those who take care of the establishment. And about them... a couple of nice old people always willing to talk about current events and the situation in the guest's country. It is the time experienced in different ways: chronological, historical, objective and interpretative. The position of the photo, taken on the third of the six floors of the building, allows us to see the temporal whirlwind as we look down and a similar but less clear path as we look up. A metaphor for the connection of past and future in the present moment. As well as the stairs our reflection when elaborating a text, a class or a seminar, as well as the answers we find at the moment of an interview bring this connection. The thought, the ideas, the narrative, the answers of the present are built from the set of archived memories that are continuously reorganized with the glimpse of the future. Our encounter with time is continuous, but we still reflect little on it and its marks in the ways of thinking, narrating and acting. We embrace more consciously the whirlwind of time by looking at the past, reflecting the future and transforming the present. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-11-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.face.ufmg.br/index.php/farol/article/view/6375 10.25113/farol.v7i19.6375 |
url |
https://revistas.face.ufmg.br/index.php/farol/article/view/6375 |
identifier_str_mv |
10.25113/farol.v7i19.6375 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.face.ufmg.br/index.php/farol/article/view/6375/3221 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Sidinei Rocha-de-Oliveira http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Sidinei Rocha-de-Oliveira http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Núcleo de Estudos Organizacionais e Sociedade (NEOS), FACE/UFMG |
publisher.none.fl_str_mv |
Núcleo de Estudos Organizacionais e Sociedade (NEOS), FACE/UFMG |
dc.source.none.fl_str_mv |
Farol - Revista de Estudos Organizacionais e Sociedade; v. 7 n. 19 (2020): Agosto; 494-496 Farol - Revista de Estudios Organizacionales y Sociedad; Vol. 7 Núm. 19 (2020): Agosto; 494-496 Farol - Journal of Organization Studies and Society; Vol. 7 No. 19 (2020): Agosto; 494-496 2358-6311 reponame:Farol - Revista de Estudos Organizacionais e Sociedade instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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Universidade Federal de Minas Gerais (UFMG) |
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UFMG |
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UFMG |
reponame_str |
Farol - Revista de Estudos Organizacionais e Sociedade |
collection |
Farol - Revista de Estudos Organizacionais e Sociedade |
repository.name.fl_str_mv |
Farol - Revista de Estudos Organizacionais e Sociedade - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
saraiva@face.ufmg.br || farol@face.ufmg.br |
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