The historical path of improvisation in ragtime and choro

Detalhes bibliográficos
Autor(a) principal: Albino, Cesar
Data de Publicação: 2011
Outros Autores: Lima, Sonia Regina Albano de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/41404
Resumo: This study aims at investigating to what extent improvisation and oral tradition allowed for the consolidation of ragtime and choro into musical genres which became popular in the turning of the nineteenth century. The choice was concentrated on the formal similarities existing between both kinds of music and in the paths taken by both of them in their process of consolidation. As far as the concepts of territorialization and de-territorialization coined by Gilles Deleuze and Félix Guattari, and incorporated in musical improvisation by Rogério Costa, it was possible to verify the type of improvisation used in these two genres. Historically, it re-states D. Bailey’s idea that improvisation is always present in the creation of new notational systems, genres and musical styles, even if it leaves the scene during the transmutation processes. This article derives from the first author’s Master of Arts dissertation (IA-UNESP, Brazil).
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spelling The historical path of improvisation in ragtime and choroEl recorrido histórico de la improvisación en el ragtime y el choroO percurso histórico da improvisação no ragtime e no choroRagtimeChoroImprovisationBrazilian popular musicNorth-American popular musicRagtimeChoroImprovisaçãoMúsica popular brasileiraMúsica popular norte-americanaRagtimeChoroImprovisaciónMúsica popular brasileñaMúsica popular norteamericanaThis study aims at investigating to what extent improvisation and oral tradition allowed for the consolidation of ragtime and choro into musical genres which became popular in the turning of the nineteenth century. The choice was concentrated on the formal similarities existing between both kinds of music and in the paths taken by both of them in their process of consolidation. As far as the concepts of territorialization and de-territorialization coined by Gilles Deleuze and Félix Guattari, and incorporated in musical improvisation by Rogério Costa, it was possible to verify the type of improvisation used in these two genres. Historically, it re-states D. Bailey’s idea that improvisation is always present in the creation of new notational systems, genres and musical styles, even if it leaves the scene during the transmutation processes. This article derives from the first author’s Master of Arts dissertation (IA-UNESP, Brazil).El artículo pretende investigar hasta qué punto la improvisación y la tradición oral permitieron la consolidación del ragtime y el choro como géneros musicales con aceptación popular a finales del siglo XIX. La elección se centró en las similitudes formales entre ambos y los caminos que ambos tomaron para esta consolidación. A partir de los conceptos de territorialización y desterritorialización creados por Gilles Deleuze y Félix Guattari, incorporados a la improvisación musical por Rogério Costa, comprobamos el tipo de improvisación utilizado en estos dos géneros. El relato histórico reafirma la idea de D. Bailey de que la improvisación está siempre presente en la creación de nuevos sistemas notacionales, géneros y estilos musicales, aunque en los procesos de transmutación salga de escena. El texto forma parte de la tesis de maestría defendida en el IA-UNESP (Brasil).O artigo teve como objetivo investigar em que medida a improvisação e a tradição oral permitiram a consolidação do ragtime e do choro em gêneros musicais com aceitação popular na virada do século XIX. A escolha concentrou-se nas semelhanças formais existentes entre ambos e nos caminhos percorridos por ambos para essa consolidação. A partir dos conceitos de territorialização e desterritorialização criados por Gilles Deleuze e Félix Guattari, incorporados à improvisação musical por Rogério Costa, verificamos o tipo de improvisação utilizado nesses dois gêneros. O relato histórico reafirma a ideia de D. Bailey de que a improvisação está sempre presente na criação de novos sistemas notacionais, gêneros e estilos musicais, ainda que nos processos de transmutação, ela saia de cena. O texto é parte da dissertação de mestrado defendida no IA-UNESP.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/41404Per Musi; No. 23 (2011): General Topics; 1-11Per Musi; Núm. 23 (2011): General Topics; 1-11Per Musi; n. 23 (2011): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/41404/31537http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAlbino, CesarLima, Sonia Regina Albano de 2023-01-25T11:56:04Zoai:periodicos.ufmg.br:article/41404Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:04Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The historical path of improvisation in ragtime and choro
El recorrido histórico de la improvisación en el ragtime y el choro
O percurso histórico da improvisação no ragtime e no choro
title The historical path of improvisation in ragtime and choro
spellingShingle The historical path of improvisation in ragtime and choro
Albino, Cesar
Ragtime
Choro
Improvisation
Brazilian popular music
North-American popular music
Ragtime
Choro
Improvisação
Música popular brasileira
Música popular norte-americana
Ragtime
Choro
Improvisación
Música popular brasileña
Música popular norteamericana
title_short The historical path of improvisation in ragtime and choro
title_full The historical path of improvisation in ragtime and choro
title_fullStr The historical path of improvisation in ragtime and choro
title_full_unstemmed The historical path of improvisation in ragtime and choro
title_sort The historical path of improvisation in ragtime and choro
author Albino, Cesar
author_facet Albino, Cesar
Lima, Sonia Regina Albano de
author_role author
author2 Lima, Sonia Regina Albano de
author2_role author
dc.contributor.author.fl_str_mv Albino, Cesar
Lima, Sonia Regina Albano de
dc.subject.por.fl_str_mv Ragtime
Choro
Improvisation
Brazilian popular music
North-American popular music
Ragtime
Choro
Improvisação
Música popular brasileira
Música popular norte-americana
Ragtime
Choro
Improvisación
Música popular brasileña
Música popular norteamericana
topic Ragtime
Choro
Improvisation
Brazilian popular music
North-American popular music
Ragtime
Choro
Improvisação
Música popular brasileira
Música popular norte-americana
Ragtime
Choro
Improvisación
Música popular brasileña
Música popular norteamericana
description This study aims at investigating to what extent improvisation and oral tradition allowed for the consolidation of ragtime and choro into musical genres which became popular in the turning of the nineteenth century. The choice was concentrated on the formal similarities existing between both kinds of music and in the paths taken by both of them in their process of consolidation. As far as the concepts of territorialization and de-territorialization coined by Gilles Deleuze and Félix Guattari, and incorporated in musical improvisation by Rogério Costa, it was possible to verify the type of improvisation used in these two genres. Historically, it re-states D. Bailey’s idea that improvisation is always present in the creation of new notational systems, genres and musical styles, even if it leaves the scene during the transmutation processes. This article derives from the first author’s Master of Arts dissertation (IA-UNESP, Brazil).
publishDate 2011
dc.date.none.fl_str_mv 2011-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41404
url https://periodicos.ufmg.br/index.php/permusi/article/view/41404
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41404/31537
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 23 (2011): General Topics; 1-11
Per Musi; Núm. 23 (2011): General Topics; 1-11
Per Musi; n. 23 (2011): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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