Different Teaching Approaches for Vocal Projection in Classical Singing
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/5217 |
Resumo: | There are different views about how to develop vocal projection in classical singing, although this feature is routinely emphasized in the practice of this style of singing. The objective of this research was to analyze different teaching approaches of vocal projection in classical singing, from the perspective of teachers who work in this area. According to the participants, the five aspects that involve body, breath, perception/proprioception, use of images in teaching and production of the voice can base the development of effective vocal projection in classical singing. |
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Different Teaching Approaches for Vocal Projection in Classical SingingDiferentes abordagens de ensino para projeção vocal no canto líricovocal projection in the singingvoice in classical singingsinging teacherprojeção vocal no cantovoz no canto líricoprofessor de cantoThere are different views about how to develop vocal projection in classical singing, although this feature is routinely emphasized in the practice of this style of singing. The objective of this research was to analyze different teaching approaches of vocal projection in classical singing, from the perspective of teachers who work in this area. According to the participants, the five aspects that involve body, breath, perception/proprioception, use of images in teaching and production of the voice can base the development of effective vocal projection in classical singing.Existem diversas concepções a respeito de como desenvolver a projeção da voz no canto lírico, embora o recurso seja corriqueiramente enfatizado na prática desse estilo. O objetivo da presente pesquisa foi o de identificar e analisar as principais formas de abordagem de ensino da projeção vocal no canto lírico, por professores atuantes nessa área. Segundo os participantes da amostra, cinco pontos de abordagem para uma efetiva projeção vocal no canto lírico são os aspectos que envolvem o corpo, a percepção/propriocepção do som, a utilização de imagens na didática e, principalmente, a respiração e a emissão da voz.Universidade Federal de Minas Gerais (UFMG)2018-05-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/521710.1590/permusi20163307Per Musi; No. 33 (2016): General TopicsPer Musi; Núm. 33 (2016): General TopicsPer Musi; n. 33 (2016): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5217/3241Sousa, Nadja BarbosaSilva, Marta Assumpção de Andradainfo:eu-repo/semantics/openAccess2020-01-23T19:14:08Zoai:periodicos.ufmg.br:article/5217Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T19:14:08Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Different Teaching Approaches for Vocal Projection in Classical Singing Diferentes abordagens de ensino para projeção vocal no canto lírico |
title |
Different Teaching Approaches for Vocal Projection in Classical Singing |
spellingShingle |
Different Teaching Approaches for Vocal Projection in Classical Singing Sousa, Nadja Barbosa vocal projection in the singing voice in classical singing singing teacher projeção vocal no canto voz no canto lírico professor de canto |
title_short |
Different Teaching Approaches for Vocal Projection in Classical Singing |
title_full |
Different Teaching Approaches for Vocal Projection in Classical Singing |
title_fullStr |
Different Teaching Approaches for Vocal Projection in Classical Singing |
title_full_unstemmed |
Different Teaching Approaches for Vocal Projection in Classical Singing |
title_sort |
Different Teaching Approaches for Vocal Projection in Classical Singing |
author |
Sousa, Nadja Barbosa |
author_facet |
Sousa, Nadja Barbosa Silva, Marta Assumpção de Andrada |
author_role |
author |
author2 |
Silva, Marta Assumpção de Andrada |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Sousa, Nadja Barbosa Silva, Marta Assumpção de Andrada |
dc.subject.por.fl_str_mv |
vocal projection in the singing voice in classical singing singing teacher projeção vocal no canto voz no canto lírico professor de canto |
topic |
vocal projection in the singing voice in classical singing singing teacher projeção vocal no canto voz no canto lírico professor de canto |
description |
There are different views about how to develop vocal projection in classical singing, although this feature is routinely emphasized in the practice of this style of singing. The objective of this research was to analyze different teaching approaches of vocal projection in classical singing, from the perspective of teachers who work in this area. According to the participants, the five aspects that involve body, breath, perception/proprioception, use of images in teaching and production of the voice can base the development of effective vocal projection in classical singing. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5217 10.1590/permusi20163307 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/5217 |
identifier_str_mv |
10.1590/permusi20163307 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5217/3241 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 33 (2016): General Topics Per Musi; Núm. 33 (2016): General Topics Per Musi; n. 33 (2016): General Topics 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711235634102272 |