On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/38411 |
Resumo: | The yãmĩy chants, constantly actualized by maxakali speaking indigenous groups, correspond to a myriad of extraordinary beings, which are related to a mythic sphere. Fixed, perennial, and showing little space for improvisation, the yãmĩy chants are marked by both a disposition to dissolution and a constant revision of form as the analytical angle expands. The flux that follows a densely quotational tapestry, with local and constantly re-signified polarizations, transforms the sequences of diachronic objects into true pulse zones, designed over a continuous background, in the mode of “internal differences” or “intensive superpositions of heterogeneous states” (VIVEIROS DE CASTRO, 2006). |
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On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)Dinamismo de los objetos musicales amerindios: notas de los cantos yãmĩy entre los maxakali (tikmũ'ũn)Dinamismo de objetos musicais ameríndios: notas a partir de cantos yãmĩy entre os maxakali (tikmũ’ũn)Amerindian music Yãmĩy maxakali/tikmũ'ũn chantsDynamism of musical objectsMúsica ameríndiaCantos yãmĩy maxakali/tikmũ'ũnDinamismo dos objetos musicaisMúsica amerindiaYãmĩy maxakali/tikmũ'ũn chantsDinamismo de objetos musicalesThe yãmĩy chants, constantly actualized by maxakali speaking indigenous groups, correspond to a myriad of extraordinary beings, which are related to a mythic sphere. Fixed, perennial, and showing little space for improvisation, the yãmĩy chants are marked by both a disposition to dissolution and a constant revision of form as the analytical angle expands. The flux that follows a densely quotational tapestry, with local and constantly re-signified polarizations, transforms the sequences of diachronic objects into true pulse zones, designed over a continuous background, in the mode of “internal differences” or “intensive superpositions of heterogeneous states” (VIVEIROS DE CASTRO, 2006).Los cantos yãmĩy, constantemente actualizados por los grupos indígenas de habla maxakali, corresponden a una miríada de seres extraordinarios queridos en una esfera mítica. Fijas, perennes, presentando poco espacio para la improvisación, las yãmĩy están al mismo tiempo marcadas por una disposición a la disolución o a la revisión permanente de la forma, a medida que se amplía el corte analítico. El flujo resultante de una apretada trama citacional, con polarizaciones localizadas y constantemente resignificadas, transforma las secuencias de objetos diacrónicos en verdaderas pulsaciones de zonas dibujadas ante un fondo continuo, a imagen de "diferencias internas" o "superposiciones intensivas de estados heterogéneos" (VIVEIROS DE CASTRO, 2006).Os cantos yãmĩy, constantemente atualizados por grupos indígenas de língua maxakali, correspondem a miríades de seres extraordinários caros a uma esfera mítica. Fixos, perenes, apresentando pouco espaço para a improvisação, os yãmĩy são ao mesmo tempo marcados por uma disposição à dissolução ou a uma revisão permanente da forma, à medida em que se amplia o recorte analítico. O fluxo decorrente de uma trama citacional cerrada, com polarizações localizadas e constantemente ressignificadas, transforma as sequências de objetos diacrônicos em verdadeiras pulsações de zonas desenhadas diante de um fundo contínuo, à imagem de “diferenças internas” ou “superposições intensivas de estados heterogêneos” (VIVEIROS DE CASTRO, 2006).Universidade Federal de Minas Gerais (UFMG)2015-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38411Per Musi; No. 32 (2015): General Topics; 1-45Per Musi; Núm. 32 (2015): General Topics; 1-45Per Musi; n. 32 (2015): General Topics; 1-452317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38411/29899Copyright (c) 2015 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRosse, Eduardo Pires 2022-04-07T22:45:43Zoai:periodicos.ufmg.br:article/38411Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-04-07T22:45:43Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) Dinamismo de los objetos musicales amerindios: notas de los cantos yãmĩy entre los maxakali (tikmũ'ũn) Dinamismo de objetos musicais ameríndios: notas a partir de cantos yãmĩy entre os maxakali (tikmũ’ũn) |
title |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) |
spellingShingle |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) Rosse, Eduardo Pires Amerindian music Yãmĩy maxakali/tikmũ'ũn chants Dynamism of musical objects Música ameríndia Cantos yãmĩy maxakali/tikmũ'ũn Dinamismo dos objetos musicais Música amerindia Yãmĩy maxakali/tikmũ'ũn chants Dinamismo de objetos musicales |
title_short |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) |
title_full |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) |
title_fullStr |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) |
title_full_unstemmed |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) |
title_sort |
On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn) |
author |
Rosse, Eduardo Pires |
author_facet |
Rosse, Eduardo Pires |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rosse, Eduardo Pires |
dc.subject.por.fl_str_mv |
Amerindian music Yãmĩy maxakali/tikmũ'ũn chants Dynamism of musical objects Música ameríndia Cantos yãmĩy maxakali/tikmũ'ũn Dinamismo dos objetos musicais Música amerindia Yãmĩy maxakali/tikmũ'ũn chants Dinamismo de objetos musicales |
topic |
Amerindian music Yãmĩy maxakali/tikmũ'ũn chants Dynamism of musical objects Música ameríndia Cantos yãmĩy maxakali/tikmũ'ũn Dinamismo dos objetos musicais Música amerindia Yãmĩy maxakali/tikmũ'ũn chants Dinamismo de objetos musicales |
description |
The yãmĩy chants, constantly actualized by maxakali speaking indigenous groups, correspond to a myriad of extraordinary beings, which are related to a mythic sphere. Fixed, perennial, and showing little space for improvisation, the yãmĩy chants are marked by both a disposition to dissolution and a constant revision of form as the analytical angle expands. The flux that follows a densely quotational tapestry, with local and constantly re-signified polarizations, transforms the sequences of diachronic objects into true pulse zones, designed over a continuous background, in the mode of “internal differences” or “intensive superpositions of heterogeneous states” (VIVEIROS DE CASTRO, 2006). |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38411 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/38411 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38411/29899 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 32 (2015): General Topics; 1-45 Per Musi; Núm. 32 (2015): General Topics; 1-45 Per Musi; n. 32 (2015): General Topics; 1-45 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236245422080 |