On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)

Detalhes bibliográficos
Autor(a) principal: Rosse, Eduardo Pires
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38411
Resumo: The yãmĩy chants, constantly actualized by maxakali speaking indigenous groups, correspond to a myriad of extraordinary beings, which are related to a mythic sphere. Fixed, perennial, and showing little space for improvisation, the yãmĩy chants are marked by both a disposition to dissolution and a constant revision of form as the analytical angle expands. The flux that follows a densely quotational tapestry, with local and constantly re-signified polarizations, transforms the sequences of diachronic objects into true pulse zones, designed over a continuous background, in the mode of “internal differences” or “intensive superpositions of heterogeneous states” (VIVEIROS DE CASTRO, 2006).
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spelling On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)Dinamismo de los objetos musicales amerindios: notas de los cantos yãmĩy entre los maxakali (tikmũ'ũn)Dinamismo de objetos musicais ameríndios: notas a partir de cantos yãmĩy entre os maxakali (tikmũ’ũn)Amerindian music Yãmĩy maxakali/tikmũ'ũn chantsDynamism of musical objectsMúsica ameríndiaCantos yãmĩy maxakali/tikmũ'ũnDinamismo dos objetos musicaisMúsica amerindiaYãmĩy maxakali/tikmũ'ũn chantsDinamismo de objetos musicalesThe yãmĩy chants, constantly actualized by maxakali speaking indigenous groups, correspond to a myriad of extraordinary beings, which are related to a mythic sphere. Fixed, perennial, and showing little space for improvisation, the yãmĩy chants are marked by both a disposition to dissolution and a constant revision of form as the analytical angle expands. The flux that follows a densely quotational tapestry, with local and constantly re-signified polarizations, transforms the sequences of diachronic objects into true pulse zones, designed over a continuous background, in the mode of “internal differences” or “intensive superpositions of heterogeneous states” (VIVEIROS DE CASTRO, 2006).Los cantos yãmĩy, constantemente actualizados por los grupos indígenas de habla maxakali, corresponden a una miríada de seres extraordinarios queridos en una esfera mítica. Fijas, perennes, presentando poco espacio para la improvisación, las yãmĩy están al mismo tiempo marcadas por una disposición a la disolución o a la revisión permanente de la forma, a medida que se amplía el corte analítico. El flujo resultante de una apretada trama citacional, con polarizaciones localizadas y constantemente resignificadas, transforma las secuencias de objetos diacrónicos en verdaderas pulsaciones de zonas dibujadas ante un fondo continuo, a imagen de "diferencias internas" o "superposiciones intensivas de estados heterogéneos" (VIVEIROS DE CASTRO, 2006).Os cantos yãmĩy, constantemente atualizados por grupos indígenas de língua maxakali, correspondem a miríades de seres extraordinários caros a uma esfera mítica. Fixos, perenes, apresentando pouco espaço para a improvisação, os yãmĩy são ao mesmo tempo marcados por uma disposição à dissolução ou a uma revisão permanente da forma, à medida em que se amplia o recorte analítico. O fluxo decorrente de uma trama citacional cerrada, com polarizações localizadas e constantemente ressignificadas, transforma as sequências de objetos diacrônicos em verdadeiras pulsações de zonas desenhadas diante de um fundo contínuo, à imagem de “diferenças internas” ou “superposições intensivas de estados heterogêneos” (VIVEIROS DE CASTRO, 2006).Universidade Federal de Minas Gerais (UFMG)2015-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38411Per Musi; No. 32 (2015): General Topics; 1-45Per Musi; Núm. 32 (2015): General Topics; 1-45Per Musi; n. 32 (2015): General Topics; 1-452317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38411/29899Copyright (c) 2015 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRosse, Eduardo Pires 2022-04-07T22:45:43Zoai:periodicos.ufmg.br:article/38411Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-04-07T22:45:43Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
Dinamismo de los objetos musicales amerindios: notas de los cantos yãmĩy entre los maxakali (tikmũ'ũn)
Dinamismo de objetos musicais ameríndios: notas a partir de cantos yãmĩy entre os maxakali (tikmũ’ũn)
title On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
spellingShingle On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
Rosse, Eduardo Pires
Amerindian music
Yãmĩy maxakali/tikmũ'ũn chants
Dynamism of musical objects
Música ameríndia
Cantos yãmĩy maxakali/tikmũ'ũn
Dinamismo dos objetos musicais
Música amerindia
Yãmĩy maxakali/tikmũ'ũn chants
Dinamismo de objetos musicales
title_short On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
title_full On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
title_fullStr On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
title_full_unstemmed On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
title_sort On the dynamism of Amerindian musical objects: notes from yãmĩy chants among the Brazilian maxakali (tikmũ’ũn)
author Rosse, Eduardo Pires
author_facet Rosse, Eduardo Pires
author_role author
dc.contributor.author.fl_str_mv Rosse, Eduardo Pires
dc.subject.por.fl_str_mv Amerindian music
Yãmĩy maxakali/tikmũ'ũn chants
Dynamism of musical objects
Música ameríndia
Cantos yãmĩy maxakali/tikmũ'ũn
Dinamismo dos objetos musicais
Música amerindia
Yãmĩy maxakali/tikmũ'ũn chants
Dinamismo de objetos musicales
topic Amerindian music
Yãmĩy maxakali/tikmũ'ũn chants
Dynamism of musical objects
Música ameríndia
Cantos yãmĩy maxakali/tikmũ'ũn
Dinamismo dos objetos musicais
Música amerindia
Yãmĩy maxakali/tikmũ'ũn chants
Dinamismo de objetos musicales
description The yãmĩy chants, constantly actualized by maxakali speaking indigenous groups, correspond to a myriad of extraordinary beings, which are related to a mythic sphere. Fixed, perennial, and showing little space for improvisation, the yãmĩy chants are marked by both a disposition to dissolution and a constant revision of form as the analytical angle expands. The flux that follows a densely quotational tapestry, with local and constantly re-signified polarizations, transforms the sequences of diachronic objects into true pulse zones, designed over a continuous background, in the mode of “internal differences” or “intensive superpositions of heterogeneous states” (VIVEIROS DE CASTRO, 2006).
publishDate 2015
dc.date.none.fl_str_mv 2015-11-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38411
url https://periodicos.ufmg.br/index.php/permusi/article/view/38411
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38411/29899
dc.rights.driver.fl_str_mv Copyright (c) 2015 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 32 (2015): General Topics; 1-45
Per Musi; Núm. 32 (2015): General Topics; 1-45
Per Musi; n. 32 (2015): General Topics; 1-45
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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