Music in Dark Times: Notes on the Musical Aesthetics in the III Reich
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/5161 |
Resumo: | In the Third Reich, music occupied a prominent role among the arts, being heavily used as an ideological tool. The aesthetic guidelines proposed by Goebbels in 1938 were based on an ideology already pointed out by Quantz and Wagner, but whose context, in order to fulfill other purposes, distanced from the original context. Departing from an analysis of these authors’ texts, this article seeks to demonstrate the appropriation of the central ideas and their transformations, as well the creation of a different category of music, namely, the musical monuments. |
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Music in Dark Times: Notes on the Musical Aesthetics in the III ReichMúsica em tempos sombrios: apontamentos sobre a estética musical no III ReichMusic in the Third ReichWagner and QuantzGoebbels and musical monumentsMúsica no Terceiro ReichWagner e QuantzGoebbels e monumentos musicaisIn the Third Reich, music occupied a prominent role among the arts, being heavily used as an ideological tool. The aesthetic guidelines proposed by Goebbels in 1938 were based on an ideology already pointed out by Quantz and Wagner, but whose context, in order to fulfill other purposes, distanced from the original context. Departing from an analysis of these authors’ texts, this article seeks to demonstrate the appropriation of the central ideas and their transformations, as well the creation of a different category of music, namely, the musical monuments.No Terceiro Reich, a música ocupou um papel de destaque entre as artes, pois foi maciçamente utilizada como instrumento ideológico. As diretivas estéticas propostas por Goebbels em 1938 tomavam por base um ideário já apontado em Quantz e Wagner, mas cuja reatualização distanciava‐se do contexto original para cumprir outros fins. A partir de análises dos textos dos autores citados, o artigo visa demonstrar a apropriação das ideias centrais e suas transformações, bem como a criação de uma outra categoria de música, a saber, os monumentos musicais.Universidade Federal de Minas Gerais (UFMG)2017-01-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/516110.1590/permusi20163505Per Musi; No. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; Núm. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; n. 35 (2016): Estética e Filosofia da Música2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5161/3204Tomás, Liainfo:eu-repo/semantics/openAccess2020-01-23T17:08:52Zoai:periodicos.ufmg.br:article/5161Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:08:52Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich Música em tempos sombrios: apontamentos sobre a estética musical no III Reich |
title |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich |
spellingShingle |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich Tomás, Lia Music in the Third Reich Wagner and Quantz Goebbels and musical monuments Música no Terceiro Reich Wagner e Quantz Goebbels e monumentos musicais |
title_short |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich |
title_full |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich |
title_fullStr |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich |
title_full_unstemmed |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich |
title_sort |
Music in Dark Times: Notes on the Musical Aesthetics in the III Reich |
author |
Tomás, Lia |
author_facet |
Tomás, Lia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Tomás, Lia |
dc.subject.por.fl_str_mv |
Music in the Third Reich Wagner and Quantz Goebbels and musical monuments Música no Terceiro Reich Wagner e Quantz Goebbels e monumentos musicais |
topic |
Music in the Third Reich Wagner and Quantz Goebbels and musical monuments Música no Terceiro Reich Wagner e Quantz Goebbels e monumentos musicais |
description |
In the Third Reich, music occupied a prominent role among the arts, being heavily used as an ideological tool. The aesthetic guidelines proposed by Goebbels in 1938 were based on an ideology already pointed out by Quantz and Wagner, but whose context, in order to fulfill other purposes, distanced from the original context. Departing from an analysis of these authors’ texts, this article seeks to demonstrate the appropriation of the central ideas and their transformations, as well the creation of a different category of music, namely, the musical monuments. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-01-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5161 10.1590/permusi20163505 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/5161 |
identifier_str_mv |
10.1590/permusi20163505 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5161/3204 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 35 (2016): Aesthetics and Philosophy of Music Per Musi; Núm. 35 (2016): Aesthetics and Philosophy of Music Per Musi; n. 35 (2016): Estética e Filosofia da Música 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711235561750528 |