Music as applied physiology: considerations from the late Nietzsche

Detalhes bibliográficos
Autor(a) principal: Rajobac, Raimundo
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5154
Resumo: The purpose of this study consists on presenting an interdependent relation between music and physiology in later Nietzsche. The productivity of such pretension lies on investigating the statute of physiology as a founding philosophical category of the art experience, in the specific case of music. We will focus on the reconstruction of the interpretation of some problems presented by Nietzsche against Wagner. After a hermeneutic effort, we will point the resulting philosophical outcome, capable of contributing to the core thesis in this essay: music is physiology applied to later Nietzsche, and this rule is established as a category for the criticism against Wagner’s music, integrating the broadest logic of criticism into modernity and traditional metaphysics.
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spelling Music as applied physiology: considerations from the late NietzscheMúsica como fisiologia aplicada: considerações a partir do Nietzsche tardiomusic and physiologyNietzsche and Wagnermúsica e fisiologiaNietzsche e WagnerThe purpose of this study consists on presenting an interdependent relation between music and physiology in later Nietzsche. The productivity of such pretension lies on investigating the statute of physiology as a founding philosophical category of the art experience, in the specific case of music. We will focus on the reconstruction of the interpretation of some problems presented by Nietzsche against Wagner. After a hermeneutic effort, we will point the resulting philosophical outcome, capable of contributing to the core thesis in this essay: music is physiology applied to later Nietzsche, and this rule is established as a category for the criticism against Wagner’s music, integrating the broadest logic of criticism into modernity and traditional metaphysics.O trabalho tem como objetivo apresentar a interdependente relação entre música e fisiologia no Nietzsche tardio. A produtividade de tal pretensão reside em investigar o estatuto da fisiologia enquanto categoria filosófica fundante da experiência da arte e, em nosso caso específico, da música. Nos deteremos na reconstrução interpretativa de alguns problemas apresentados em Nietzsche contra Wagner e, a partir de um esforço hermenêutico, apontaremos para os desdobramentos filosóficos daí resultantes, capazes de contribuir com a tese central que perpassa este ensaio: a de que música é fisiologia aplicada no Nietzsche tardio, e que tal primado se estabelece como categoria para a crítica à música de Wagner, e integra a lógica mais ampla da crítica à modernidade e metafísica tradicional Universidade Federal de Minas Gerais (UFMG)2017-01-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/515410.1590/permusi20163503Per Musi; No. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; Núm. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; n. 35 (2016): Estética e Filosofia da Música2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5154/3198Rajobac, Raimundoinfo:eu-repo/semantics/openAccess2020-01-23T17:08:52Zoai:periodicos.ufmg.br:article/5154Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:08:52Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Music as applied physiology: considerations from the late Nietzsche
Música como fisiologia aplicada: considerações a partir do Nietzsche tardio
title Music as applied physiology: considerations from the late Nietzsche
spellingShingle Music as applied physiology: considerations from the late Nietzsche
Rajobac, Raimundo
music and physiology
Nietzsche and Wagner
música e fisiologia
Nietzsche e Wagner
title_short Music as applied physiology: considerations from the late Nietzsche
title_full Music as applied physiology: considerations from the late Nietzsche
title_fullStr Music as applied physiology: considerations from the late Nietzsche
title_full_unstemmed Music as applied physiology: considerations from the late Nietzsche
title_sort Music as applied physiology: considerations from the late Nietzsche
author Rajobac, Raimundo
author_facet Rajobac, Raimundo
author_role author
dc.contributor.author.fl_str_mv Rajobac, Raimundo
dc.subject.por.fl_str_mv music and physiology
Nietzsche and Wagner
música e fisiologia
Nietzsche e Wagner
topic music and physiology
Nietzsche and Wagner
música e fisiologia
Nietzsche e Wagner
description The purpose of this study consists on presenting an interdependent relation between music and physiology in later Nietzsche. The productivity of such pretension lies on investigating the statute of physiology as a founding philosophical category of the art experience, in the specific case of music. We will focus on the reconstruction of the interpretation of some problems presented by Nietzsche against Wagner. After a hermeneutic effort, we will point the resulting philosophical outcome, capable of contributing to the core thesis in this essay: music is physiology applied to later Nietzsche, and this rule is established as a category for the criticism against Wagner’s music, integrating the broadest logic of criticism into modernity and traditional metaphysics.
publishDate 2017
dc.date.none.fl_str_mv 2017-01-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
texto
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5154
10.1590/permusi20163503
url https://periodicos.ufmg.br/index.php/permusi/article/view/5154
identifier_str_mv 10.1590/permusi20163503
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5154/3198
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 35 (2016): Aesthetics and Philosophy of Music
Per Musi; Núm. 35 (2016): Aesthetics and Philosophy of Music
Per Musi; n. 35 (2016): Estética e Filosofia da Música
2317-6377
1517-7599
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
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