The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini

Detalhes bibliográficos
Autor(a) principal: Tormina, Helen Bovo
Data de Publicação: 2021
Outros Autores: Fernandes, Ângelo José
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/36194
Resumo: The present interview with the actress and crossover singer, Bianca Tadini, reveals aspects about her personal methods of study, learning, and teaching, considering a variate repertoire. It is a situation that demands considerable differences in vocal production, without, however, reminiscences between one style and another. The questions in the interview prioritize the decisions over situations in which the work exigencies were the alternation between Opera and Musical Theatre. The interviewee, in her opinion, relates which was the elements that facilitated her learning process, and what else she applies as in her study and the maintainability of her vocal technique as in her pedagogical approach.
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spelling The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini Desarrollo de la performance y enseñanza del canto crossover: entrevista con la cantante y actriz Bianca TadiniDesenvolvimento da performance e ensino crossover de canto: entrevista com a cantora e atriz Bianca TadiniCrossover singingOperaMusical theatreHybrid vocal techniqueVocal pedagogyCanto crossoverÓperaTeatro musicalTécnica vocal híbridaPedagogia vocalCanto crossoverÓperaTeatro musicalTécnica vocal híbridaPedagogía vocalThe present interview with the actress and crossover singer, Bianca Tadini, reveals aspects about her personal methods of study, learning, and teaching, considering a variate repertoire. It is a situation that demands considerable differences in vocal production, without, however, reminiscences between one style and another. The questions in the interview prioritize the decisions over situations in which the work exigencies were the alternation between Opera and Musical Theatre. The interviewee, in her opinion, relates which was the elements that facilitated her learning process, and what else she applies as in her study and the maintainability of her vocal technique as in her pedagogical approach.La presente entrevista realizada con la actriz y cantante crossover, Bianca Tadini, revela  aspectos acerca de sus métodos personales de estudio, aprendizaje y enseñanza, utilizados con el propósito de cantar repertorios que exigen considerables diferencias de producción vocal, sin, todavía, reminiscencias entre un estilo y otro. Las cuestiones priorizan actitudes  hechas frente a situaciones en que la demanda exigida por el trabajo era de alternancia entre los géneros Ópera y Teatro Musical. La entrevistada relata  cuales, a su juicio, fueron los elementos facilitadores de su aprendizaje y, aún, cuales suele utilizar en su estudio y manutención de técnica vocal igual que en su abordage pedagógica. A presente entrevista realizada com a atriz e cantora crossover, Bianca Tadini, revela aspectos acerca de seus métodos pessoais de estudo, aprendizado e ensino, utilizados com o propósito de cantar repertórios que exigem consideráveis diferenças de produção vocal, sem, entretanto, reminiscências entre um estilo e outro. As questões priorizam posturas tomadas frente às situações em que a demanda exigida pelo trabalho era de alternância entre os gêneros Ópera e Teatro Musical. A entrevistada relata quais, a seu ver, foram os elementos facilitadores de seu aprendizado e, ainda, quais costuma utilizar tanto em seu estudo e manutenção de técnica vocal quanto em sua abordagem pedagógica.Universidade Federal de Minas Gerais (UFMG)2021-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionInterviewtexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3619410.35699/2317-6377.2021.36194Per Musi; No. 41 (2021): General Topics; 1-24Per Musi; Núm. 41 (2021): General Topics; 1-24Per Musi; n. 41 (2021): General Topics; 1-242317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/36194/37639https://periodicos.ufmg.br/index.php/permusi/article/view/36194/37640https://periodicos.ufmg.br/index.php/permusi/article/view/36194/28881Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTormina, Helen BovoFernandes, Ângelo José2023-05-05T18:39:26Zoai:periodicos.ufmg.br:article/36194Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-05T18:39:26Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
Desarrollo de la performance y enseñanza del canto crossover: entrevista con la cantante y actriz Bianca Tadini
Desenvolvimento da performance e ensino crossover de canto: entrevista com a cantora e atriz Bianca Tadini
title The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
spellingShingle The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
Tormina, Helen Bovo
Crossover singing
Opera
Musical theatre
Hybrid vocal technique
Vocal pedagogy
Canto crossover
Ópera
Teatro musical
Técnica vocal híbrida
Pedagogia vocal
Canto crossover
Ópera
Teatro musical
Técnica vocal híbrida
Pedagogía vocal
title_short The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
title_full The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
title_fullStr The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
title_full_unstemmed The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
title_sort The development of performance and crossover teaching of singing: an interview with the singer and actress Bianca Tadini
author Tormina, Helen Bovo
author_facet Tormina, Helen Bovo
Fernandes, Ângelo José
author_role author
author2 Fernandes, Ângelo José
author2_role author
dc.contributor.author.fl_str_mv Tormina, Helen Bovo
Fernandes, Ângelo José
dc.subject.por.fl_str_mv Crossover singing
Opera
Musical theatre
Hybrid vocal technique
Vocal pedagogy
Canto crossover
Ópera
Teatro musical
Técnica vocal híbrida
Pedagogia vocal
Canto crossover
Ópera
Teatro musical
Técnica vocal híbrida
Pedagogía vocal
topic Crossover singing
Opera
Musical theatre
Hybrid vocal technique
Vocal pedagogy
Canto crossover
Ópera
Teatro musical
Técnica vocal híbrida
Pedagogia vocal
Canto crossover
Ópera
Teatro musical
Técnica vocal híbrida
Pedagogía vocal
description The present interview with the actress and crossover singer, Bianca Tadini, reveals aspects about her personal methods of study, learning, and teaching, considering a variate repertoire. It is a situation that demands considerable differences in vocal production, without, however, reminiscences between one style and another. The questions in the interview prioritize the decisions over situations in which the work exigencies were the alternation between Opera and Musical Theatre. The interviewee, in her opinion, relates which was the elements that facilitated her learning process, and what else she applies as in her study and the maintainability of her vocal technique as in her pedagogical approach.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Interview
text
text
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/36194
10.35699/2317-6377.2021.36194
url https://periodicos.ufmg.br/index.php/permusi/article/view/36194
identifier_str_mv 10.35699/2317-6377.2021.36194
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/36194/37639
https://periodicos.ufmg.br/index.php/permusi/article/view/36194/37640
https://periodicos.ufmg.br/index.php/permusi/article/view/36194/28881
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 41 (2021): General Topics; 1-24
Per Musi; Núm. 41 (2021): General Topics; 1-24
Per Musi; n. 41 (2021): General Topics; 1-24
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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