Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation

Detalhes bibliográficos
Autor(a) principal: Sinico, André
Data de Publicação: 2018
Outros Autores: Gerling, Cristina Capparelli
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5280
Resumo: This study aimed at identifying and measuring assessment criteria in audition situation to the orchestral excerpt for flute from Claude Debussy´s Prélude à l´après-midi d´un faune from the standpoint of technical and interpretative skills presented in the literature. The investigation followed an exploratory path and consisted of a hybrid approach directed at professional flute players in Brazil and abroad, fluent in Brazilian Portuguese. The procedure of data collection occurred through a self-administrated questionnaire comprised by four questions, namely, three quantitative and a qualitative one using SurveyMonkey®. As a result, the participants defined four technical and interpretative skills as assessment criteria; however, they pointed out intonation and phrasing as the most important ones. Lastly, the professional flute players did not report breathing among the main assessment criteria in audition situation as we had expected.
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spelling Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situationPrélude à l´après-midi d´un faune de Claude Debussy: critérios de avaliação do excerto orquestral para flauta em situação de audiçãoassessment criteriaaudition of orchestral excerpts for flutePrélude à l´après-midi d´un fauneClaude Debussycritérios de avaliaçãoaudição de excerto orquestral para flautaPrélude à l´après-midi d´un fauneClaude DebussyThis study aimed at identifying and measuring assessment criteria in audition situation to the orchestral excerpt for flute from Claude Debussy´s Prélude à l´après-midi d´un faune from the standpoint of technical and interpretative skills presented in the literature. The investigation followed an exploratory path and consisted of a hybrid approach directed at professional flute players in Brazil and abroad, fluent in Brazilian Portuguese. The procedure of data collection occurred through a self-administrated questionnaire comprised by four questions, namely, three quantitative and a qualitative one using SurveyMonkey®. As a result, the participants defined four technical and interpretative skills as assessment criteria; however, they pointed out intonation and phrasing as the most important ones. Lastly, the professional flute players did not report breathing among the main assessment criteria in audition situation as we had expected.O presente estudo visou identificar e mensurar os critérios de avaliação para o excerto orquestral para flauta do Prélude à l´après-midi d´un faune de Claude Debussy em situação de audição a partir de competências técnicas e interpretativas presentes na literatura do instrumento. A pesquisa é mista e de caráter exploratório direcionado à flautistas profissionais do Brasil e exterior, fluentes em Português (BR). O procedimento de coleta de dados ocorreu por meio de questionário auto administrado conduzido através do SurveyMonkey®, constituído por quatro questões, das quais três de caráter quantitativo e uma qualitativa. Como resultado, quatro das competências técnicas e interpretativas foram as mais assinaladas pelos pesquisados como critérios de avaliação, porém afinação e fraseado foram considerados os mais importantes. Por fim, a respiração não foi relatada como um dos principais critérios de avaliação em situação de audição como era esperado baseado na literatura.Universidade Federal de Minas Gerais (UFMG)2018-04-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/528010.35699/2317-6377.2017.5280Per Musi; No. 37 (2017): General TopicsPer Musi; Núm. 37 (2017): General TopicsPer Musi; n. 37 (2017): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5280/3269Sinico, AndréGerling, Cristina Capparelliinfo:eu-repo/semantics/openAccess2020-02-27T20:30:21Zoai:periodicos.ufmg.br:article/5280Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T20:30:21Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
Prélude à l´après-midi d´un faune de Claude Debussy: critérios de avaliação do excerto orquestral para flauta em situação de audição
title Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
spellingShingle Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
Sinico, André
assessment criteria
audition of orchestral excerpts for flute
Prélude à l´après-midi d´un faune
Claude Debussy
critérios de avaliação
audição de excerto orquestral para flauta
Prélude à l´après-midi d´un faune
Claude Debussy
title_short Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
title_full Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
title_fullStr Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
title_full_unstemmed Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
title_sort Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
author Sinico, André
author_facet Sinico, André
Gerling, Cristina Capparelli
author_role author
author2 Gerling, Cristina Capparelli
author2_role author
dc.contributor.author.fl_str_mv Sinico, André
Gerling, Cristina Capparelli
dc.subject.por.fl_str_mv assessment criteria
audition of orchestral excerpts for flute
Prélude à l´après-midi d´un faune
Claude Debussy
critérios de avaliação
audição de excerto orquestral para flauta
Prélude à l´après-midi d´un faune
Claude Debussy
topic assessment criteria
audition of orchestral excerpts for flute
Prélude à l´après-midi d´un faune
Claude Debussy
critérios de avaliação
audição de excerto orquestral para flauta
Prélude à l´après-midi d´un faune
Claude Debussy
description This study aimed at identifying and measuring assessment criteria in audition situation to the orchestral excerpt for flute from Claude Debussy´s Prélude à l´après-midi d´un faune from the standpoint of technical and interpretative skills presented in the literature. The investigation followed an exploratory path and consisted of a hybrid approach directed at professional flute players in Brazil and abroad, fluent in Brazilian Portuguese. The procedure of data collection occurred through a self-administrated questionnaire comprised by four questions, namely, three quantitative and a qualitative one using SurveyMonkey®. As a result, the participants defined four technical and interpretative skills as assessment criteria; however, they pointed out intonation and phrasing as the most important ones. Lastly, the professional flute players did not report breathing among the main assessment criteria in audition situation as we had expected.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5280
10.35699/2317-6377.2017.5280
url https://periodicos.ufmg.br/index.php/permusi/article/view/5280
identifier_str_mv 10.35699/2317-6377.2017.5280
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5280/3269
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 37 (2017): General Topics
Per Musi; Núm. 37 (2017): General Topics
Per Musi; n. 37 (2017): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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