Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation
Autor(a) principal: | |
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Data de Publicação: | 2018 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/5280 |
Resumo: | This study aimed at identifying and measuring assessment criteria in audition situation to the orchestral excerpt for flute from Claude Debussy´s Prélude à l´après-midi d´un faune from the standpoint of technical and interpretative skills presented in the literature. The investigation followed an exploratory path and consisted of a hybrid approach directed at professional flute players in Brazil and abroad, fluent in Brazilian Portuguese. The procedure of data collection occurred through a self-administrated questionnaire comprised by four questions, namely, three quantitative and a qualitative one using SurveyMonkey®. As a result, the participants defined four technical and interpretative skills as assessment criteria; however, they pointed out intonation and phrasing as the most important ones. Lastly, the professional flute players did not report breathing among the main assessment criteria in audition situation as we had expected. |
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Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situationPrélude à l´après-midi d´un faune de Claude Debussy: critérios de avaliação do excerto orquestral para flauta em situação de audiçãoassessment criteriaaudition of orchestral excerpts for flutePrélude à l´après-midi d´un fauneClaude Debussycritérios de avaliaçãoaudição de excerto orquestral para flautaPrélude à l´après-midi d´un fauneClaude DebussyThis study aimed at identifying and measuring assessment criteria in audition situation to the orchestral excerpt for flute from Claude Debussy´s Prélude à l´après-midi d´un faune from the standpoint of technical and interpretative skills presented in the literature. The investigation followed an exploratory path and consisted of a hybrid approach directed at professional flute players in Brazil and abroad, fluent in Brazilian Portuguese. The procedure of data collection occurred through a self-administrated questionnaire comprised by four questions, namely, three quantitative and a qualitative one using SurveyMonkey®. As a result, the participants defined four technical and interpretative skills as assessment criteria; however, they pointed out intonation and phrasing as the most important ones. Lastly, the professional flute players did not report breathing among the main assessment criteria in audition situation as we had expected.O presente estudo visou identificar e mensurar os critérios de avaliação para o excerto orquestral para flauta do Prélude à l´après-midi d´un faune de Claude Debussy em situação de audição a partir de competências técnicas e interpretativas presentes na literatura do instrumento. A pesquisa é mista e de caráter exploratório direcionado à flautistas profissionais do Brasil e exterior, fluentes em Português (BR). O procedimento de coleta de dados ocorreu por meio de questionário auto administrado conduzido através do SurveyMonkey®, constituído por quatro questões, das quais três de caráter quantitativo e uma qualitativa. Como resultado, quatro das competências técnicas e interpretativas foram as mais assinaladas pelos pesquisados como critérios de avaliação, porém afinação e fraseado foram considerados os mais importantes. Por fim, a respiração não foi relatada como um dos principais critérios de avaliação em situação de audição como era esperado baseado na literatura.Universidade Federal de Minas Gerais (UFMG)2018-04-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/528010.35699/2317-6377.2017.5280Per Musi; No. 37 (2017): General TopicsPer Musi; Núm. 37 (2017): General TopicsPer Musi; n. 37 (2017): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5280/3269Sinico, AndréGerling, Cristina Capparelliinfo:eu-repo/semantics/openAccess2020-02-27T20:30:21Zoai:periodicos.ufmg.br:article/5280Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T20:30:21Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation Prélude à l´après-midi d´un faune de Claude Debussy: critérios de avaliação do excerto orquestral para flauta em situação de audição |
title |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation |
spellingShingle |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation Sinico, André assessment criteria audition of orchestral excerpts for flute Prélude à l´après-midi d´un faune Claude Debussy critérios de avaliação audição de excerto orquestral para flauta Prélude à l´après-midi d´un faune Claude Debussy |
title_short |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation |
title_full |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation |
title_fullStr |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation |
title_full_unstemmed |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation |
title_sort |
Prélude à l´après-midi d´un faune by Claude Debussy: assessment criteria of the orchestral excerpt for flute in audition situation |
author |
Sinico, André |
author_facet |
Sinico, André Gerling, Cristina Capparelli |
author_role |
author |
author2 |
Gerling, Cristina Capparelli |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Sinico, André Gerling, Cristina Capparelli |
dc.subject.por.fl_str_mv |
assessment criteria audition of orchestral excerpts for flute Prélude à l´après-midi d´un faune Claude Debussy critérios de avaliação audição de excerto orquestral para flauta Prélude à l´après-midi d´un faune Claude Debussy |
topic |
assessment criteria audition of orchestral excerpts for flute Prélude à l´après-midi d´un faune Claude Debussy critérios de avaliação audição de excerto orquestral para flauta Prélude à l´après-midi d´un faune Claude Debussy |
description |
This study aimed at identifying and measuring assessment criteria in audition situation to the orchestral excerpt for flute from Claude Debussy´s Prélude à l´après-midi d´un faune from the standpoint of technical and interpretative skills presented in the literature. The investigation followed an exploratory path and consisted of a hybrid approach directed at professional flute players in Brazil and abroad, fluent in Brazilian Portuguese. The procedure of data collection occurred through a self-administrated questionnaire comprised by four questions, namely, three quantitative and a qualitative one using SurveyMonkey®. As a result, the participants defined four technical and interpretative skills as assessment criteria; however, they pointed out intonation and phrasing as the most important ones. Lastly, the professional flute players did not report breathing among the main assessment criteria in audition situation as we had expected. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-04-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5280 10.35699/2317-6377.2017.5280 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/5280 |
identifier_str_mv |
10.35699/2317-6377.2017.5280 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5280/3269 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 37 (2017): General Topics Per Musi; Núm. 37 (2017): General Topics Per Musi; n. 37 (2017): General Topics 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711235702259712 |