The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery

Detalhes bibliográficos
Autor(a) principal: Costa-Lima Neto, Luiz
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/37599
Resumo: Based on hemerographic and bibliographic research, this article discusses the artistic trajectory of the comic actor-singer-dancer Martinho Corrêa Vasques (1822-1890), in the period between 1841 and 1875, since his entry into João Caetano's dramatic company, with which he performed in theatrical shows in benefit of enslaved manumission and Catholic brotherhoods of blacks and poor free men in the 1840s, until the longest period of the artist's career, when he worked in the imperial capital and in the provinces of Rio Grande, São Paulo, Pernambuco and Bahia. The article reveals the fundamental characteristics of Martinho Corrêa Vasques' style, highlighting the important role of co-authorship played by the artist in the scenic-musical performance of the lundus, arias, vaudevilles and parodies, in addition to revealing sociopolitical and ethnic implications of the performance of the black artist on nineteenth-century stages, during the slavery regime.
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spelling The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slaveryEl Actor-cantante-bailarín negro Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles y parodias en el imperio de la esclavitudO Ator-cantor-dançarino negro Martinho Corrêa Vasques (1822-1890): lundus, árias, vaudevilles e paródias no Império da escravidãoLunduComic operaMusical theaterPerformanceSlaveryLunduÓpera cômicaTeatro musicadoPerformanceEscravidãoLunduÓpera cómicaTeatro musicalPerformanceEsclavitudBased on hemerographic and bibliographic research, this article discusses the artistic trajectory of the comic actor-singer-dancer Martinho Corrêa Vasques (1822-1890), in the period between 1841 and 1875, since his entry into João Caetano's dramatic company, with which he performed in theatrical shows in benefit of enslaved manumission and Catholic brotherhoods of blacks and poor free men in the 1840s, until the longest period of the artist's career, when he worked in the imperial capital and in the provinces of Rio Grande, São Paulo, Pernambuco and Bahia. The article reveals the fundamental characteristics of Martinho Corrêa Vasques' style, highlighting the important role of co-authorship played by the artist in the scenic-musical performance of the lundus, arias, vaudevilles and parodies, in addition to revealing sociopolitical and ethnic implications of the performance of the black artist on nineteenth-century stages, during the slavery regime.A partir de una investigación hemerográfica y bibliográfica, este artículo aborda la trayectoria artística del actor-cantante-bailarín cómico Martinho Corrêa Vasques (1822-1890), en el período comprendido entre 1841 y 1875, desde su ingreso en la compañía dramática de João Caetano con la que actuó en espectáculos teatrales en beneficio de la manumisión de los esclavizados y de las cofradías católicas de negros y libres pobres en la década de 1840, hasta el período más largo de la carrera del artista, cuando trabajó en la capital imperial y en las provincias de Río Grande, São Paulo, Pernambuco y Bahía. El artículo revela las características fundamentales del estilo de Martinho Corrêa Vasques, destacando el importante papel de coautoría desempeñado por el artista en la representación escénico-musical de los lundus, arias, vodeviles y parodias, además de revelar las implicaciones sociopolíticas y étnicas de la actuación del artista negro en los escenarios del siglo XIX, durante el régimen de la esclavitud.Baseado em pesquisa hemerográfica e bibliográfica, este artigo discorre sobre a trajetória artística do ator-cantor-dançarino cômico Martinho Corrêa Vasques (1822-1890), no período compreendido entre 1841 e 1875, desde a sua entrada na companhia dramática de João Caetano, com a qual se apresentou em espetáculos teatrais em benefício da alforria de escravizados e de irmandades católicas de negros e homens livres pobres na década de 1840, até o período mais longo da carreira do artista, quando atuou na capital imperial e nas províncias do Rio Grande, São Paulo, Pernambuco e Bahia. O artigo assinala as características fundamentais do estilo de atuação de Martinho Corrêa Vasques, destacando o importante papel de coautoria desempenhado pelo artista na performance cênico-musical de lundus, árias, vaudevilles e paródias, além de revelar implicações sociopolíticas e étnicas da atuação do artista negro nos palcos oitocentistas, durante o regime escravocrata.Universidade Federal de Minas Gerais (UFMG)2022-03-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextTextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3759910.35699/2317-6377.2022.37599Per Musi; No. 42 (2022): General Topics; 1-31Per Musi; Núm. 42 (2022): General Topics; 1-31Per Musi; n. 42 (2022): General Topics; 1-312317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/37599/37523https://periodicos.ufmg.br/index.php/permusi/article/view/37599/37522https://periodicos.ufmg.br/index.php/permusi/article/view/37599/30006Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta-Lima Neto, Luiz2023-10-14T00:15:17Zoai:periodicos.ufmg.br:article/37599Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:17Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
El Actor-cantante-bailarín negro Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles y parodias en el imperio de la esclavitud
O Ator-cantor-dançarino negro Martinho Corrêa Vasques (1822-1890): lundus, árias, vaudevilles e paródias no Império da escravidão
title The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
spellingShingle The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
Costa-Lima Neto, Luiz
Lundu
Comic opera
Musical theater
Performance
Slavery
Lundu
Ópera cômica
Teatro musicado
Performance
Escravidão
Lundu
Ópera cómica
Teatro musical
Performance
Esclavitud
title_short The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
title_full The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
title_fullStr The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
title_full_unstemmed The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
title_sort The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
author Costa-Lima Neto, Luiz
author_facet Costa-Lima Neto, Luiz
author_role author
dc.contributor.author.fl_str_mv Costa-Lima Neto, Luiz
dc.subject.por.fl_str_mv Lundu
Comic opera
Musical theater
Performance
Slavery
Lundu
Ópera cômica
Teatro musicado
Performance
Escravidão
Lundu
Ópera cómica
Teatro musical
Performance
Esclavitud
topic Lundu
Comic opera
Musical theater
Performance
Slavery
Lundu
Ópera cômica
Teatro musicado
Performance
Escravidão
Lundu
Ópera cómica
Teatro musical
Performance
Esclavitud
description Based on hemerographic and bibliographic research, this article discusses the artistic trajectory of the comic actor-singer-dancer Martinho Corrêa Vasques (1822-1890), in the period between 1841 and 1875, since his entry into João Caetano's dramatic company, with which he performed in theatrical shows in benefit of enslaved manumission and Catholic brotherhoods of blacks and poor free men in the 1840s, until the longest period of the artist's career, when he worked in the imperial capital and in the provinces of Rio Grande, São Paulo, Pernambuco and Bahia. The article reveals the fundamental characteristics of Martinho Corrêa Vasques' style, highlighting the important role of co-authorship played by the artist in the scenic-musical performance of the lundus, arias, vaudevilles and parodies, in addition to revealing sociopolitical and ethnic implications of the performance of the black artist on nineteenth-century stages, during the slavery regime.
publishDate 2022
dc.date.none.fl_str_mv 2022-03-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Text
Text
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/37599
10.35699/2317-6377.2022.37599
url https://periodicos.ufmg.br/index.php/permusi/article/view/37599
identifier_str_mv 10.35699/2317-6377.2022.37599
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/37599/37523
https://periodicos.ufmg.br/index.php/permusi/article/view/37599/37522
https://periodicos.ufmg.br/index.php/permusi/article/view/37599/30006
dc.rights.driver.fl_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-31
Per Musi; Núm. 42 (2022): General Topics; 1-31
Per Musi; n. 42 (2022): General Topics; 1-31
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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