Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces

Detalhes bibliográficos
Autor(a) principal: Amazonas, Mauro
Data de Publicação: 2021
Outros Autores: Castro, Thais, Kienen, João Gustavo, Freitas, Rosiane, Gadelha, Bruno
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/26077
Resumo: Urban public art is an art exhibition held in public places, contextualized with their surroundings and its audience. Technology is a significant trend in public art due to its connection possibilities with human life, fostering different kinds of interaction. In this way, this work presents an installation proposal consisting of an environment for creating collaborative random music from interaction with mobile devices in public spaces. Everyone participating in the installation is a composer and interaction is a chance agent, although it follows John Cage's composition methods. In order to probe technology, we carried out two pilot studies, followed by a workshop for the installation itself. Those two pilot studies led us to a new version that was put into practice during the workshop. During the workshop, participants' interaction generated fourteen compositions, and the sounds resulting from the collaborative composition were made available to the public through a website.
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spelling Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spacesComponer música aleatoria a través de la interacción: un entorno de composición basado en la interacción con tecnologías móviles para espacios públicosCompondo música aleatória através da interação: um ambiente de composição baseado na interação com tecnologias móveis em espaços públicosMobile technologiesAleatoric musicCollaborative compositionSound interactionSound spatializationTecnologias móveisMúsica aleatóriaComposição colaborativaInteração sonoraEspacialização sonoraTecnologías móvilesMúsica aleatoriaComposición colaborativaInteracción de sonidoEspacialización del sonidoUrban public art is an art exhibition held in public places, contextualized with their surroundings and its audience. Technology is a significant trend in public art due to its connection possibilities with human life, fostering different kinds of interaction. In this way, this work presents an installation proposal consisting of an environment for creating collaborative random music from interaction with mobile devices in public spaces. Everyone participating in the installation is a composer and interaction is a chance agent, although it follows John Cage's composition methods. In order to probe technology, we carried out two pilot studies, followed by a workshop for the installation itself. Those two pilot studies led us to a new version that was put into practice during the workshop. During the workshop, participants' interaction generated fourteen compositions, and the sounds resulting from the collaborative composition were made available to the public through a website.El arte público urbano es una exposición de arte que se realiza en lugares públicos, contextualizada con su entorno y su público. La tecnología es una tendencia significativa en el arte público por sus posibilidades de conexión con la vida humana, fomentando diferentes formas de interacción. Así, este trabajo presenta una propuesta de instalación que consiste en un entorno para la creación de música aleatoria colaborativa a partir de la interacción con dispositivos móviles en espacios públicos. Todos los participantes en la instalación son compositores y la interacción es un agente de azar, aunque sigue los métodos de composición de John Cage. Para sondear la tecnología, realizamos dos estudios piloto, seguidos de un taller para la propia instalación. Estos dos estudios piloto nos llevaron a una nueva versión que se puso en práctica durante el taller. Durante el taller, la interacción de los participantes generó catorce composiciones, y los sonidos resultantes de la composición colaborativa se pusieron a disposición del público a través de un sitio web.Arte pública urbana é uma exposição de arte realizada em locais públicos, contextualizada com seu entorno e seu público. A tecnologia é uma tendência significativa na arte pública por suas possibilidades de conexão com a vida humana, fomentando diferentes formas de interação. Desta forma, este trabalho apresenta uma proposta de instalação que consiste em um ambiente para criação de música aleatória colaborativa a partir da interação com dispositivos móveis em espaços públicos. Todos os participantes da instalação são compositores e a interação é um agente do acaso, embora siga os métodos de composição de John Cage. A fim de sondar a tecnologia, realizamos dois estudos-piloto, seguidos de um workshop para a própria instalação. Esses dois estudos-piloto nos levaram a uma nova versão que foi colocada em prática durante o workshop. Durante a oficina, a interação dos participantes gerou quatorze composições, e os sons resultantes da composição colaborativa foram disponibilizados ao público por meio de um site.Universidade Federal de Minas Gerais (UFMG)2021-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2607710.35699/2317-6377.2020.26077Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-35Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-35Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-352317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/26077/37649https://periodicos.ufmg.br/index.php/permusi/article/view/26077/27506Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAmazonas, MauroCastro, ThaisKienen, João GustavoFreitas, RosianeGadelha, Bruno2023-05-05T19:40:53Zoai:periodicos.ufmg.br:article/26077Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-05T19:40:53Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
Componer música aleatoria a través de la interacción: un entorno de composición basado en la interacción con tecnologías móviles para espacios públicos
Compondo música aleatória através da interação: um ambiente de composição baseado na interação com tecnologias móveis em espaços públicos
title Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
spellingShingle Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
Amazonas, Mauro
Mobile technologies
Aleatoric music
Collaborative composition
Sound interaction
Sound spatialization
Tecnologias móveis
Música aleatória
Composição colaborativa
Interação sonora
Espacialização sonora
Tecnologías móviles
Música aleatoria
Composición colaborativa
Interacción de sonido
Espacialización del sonido
title_short Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
title_full Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
title_fullStr Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
title_full_unstemmed Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
title_sort Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces
author Amazonas, Mauro
author_facet Amazonas, Mauro
Castro, Thais
Kienen, João Gustavo
Freitas, Rosiane
Gadelha, Bruno
author_role author
author2 Castro, Thais
Kienen, João Gustavo
Freitas, Rosiane
Gadelha, Bruno
author2_role author
author
author
author
dc.contributor.author.fl_str_mv Amazonas, Mauro
Castro, Thais
Kienen, João Gustavo
Freitas, Rosiane
Gadelha, Bruno
dc.subject.por.fl_str_mv Mobile technologies
Aleatoric music
Collaborative composition
Sound interaction
Sound spatialization
Tecnologias móveis
Música aleatória
Composição colaborativa
Interação sonora
Espacialização sonora
Tecnologías móviles
Música aleatoria
Composición colaborativa
Interacción de sonido
Espacialización del sonido
topic Mobile technologies
Aleatoric music
Collaborative composition
Sound interaction
Sound spatialization
Tecnologias móveis
Música aleatória
Composição colaborativa
Interação sonora
Espacialização sonora
Tecnologías móviles
Música aleatoria
Composición colaborativa
Interacción de sonido
Espacialización del sonido
description Urban public art is an art exhibition held in public places, contextualized with their surroundings and its audience. Technology is a significant trend in public art due to its connection possibilities with human life, fostering different kinds of interaction. In this way, this work presents an installation proposal consisting of an environment for creating collaborative random music from interaction with mobile devices in public spaces. Everyone participating in the installation is a composer and interaction is a chance agent, although it follows John Cage's composition methods. In order to probe technology, we carried out two pilot studies, followed by a workshop for the installation itself. Those two pilot studies led us to a new version that was put into practice during the workshop. During the workshop, participants' interaction generated fourteen compositions, and the sounds resulting from the collaborative composition were made available to the public through a website.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26077
10.35699/2317-6377.2020.26077
url https://periodicos.ufmg.br/index.php/permusi/article/view/26077
identifier_str_mv 10.35699/2317-6377.2020.26077
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26077/37649
https://periodicos.ufmg.br/index.php/permusi/article/view/26077/27506
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-35
Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-35
Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-35
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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