Hermeto Pascoal: life experience and the formation of his harmonic language
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/42774 |
Resumo: | Panoramic study about the musical trajectory and development of the harmonic languages of the Brazilian composer, arranger e multi-instrumentalist Hermeto Pascoal through his musical phases, languages which are usually associated with the “classical” terms tonalism, modalism, atonalism, polimodalism, soundscape and concrete music. It is observed how elements of his life experience (cultural, social, religious and professional) may have influenced the vertical combination of sounds in his musical output as well as his proposition and usage of concepts such as universal music, universal chord notation, aura music, iron scraps music and present-body method. |
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Hermeto Pascoal: life experience and the formation of his harmonic languageHermeto Pascoal: la experiencia vital y la formación de su lenguaje armónicoHermeto Pascoal: experiência de vida e a formação de sua linguagem harmônicaHermeto PascoalBrazilian popular musicBrazilian ethnomusicologyHarmonyMusical analysisAutodidacticism in musicHermeto PascoalMúsica popular brasileiraEtnomusicologia brasileiraHarmoniaAnálise musicalAuto-didatismo em músicaHermeto PascoalMúsica popular brasileñaEtnomusicología brasileñaArmoníaAnálisis musicalAutoaprendizaje musicalPanoramic study about the musical trajectory and development of the harmonic languages of the Brazilian composer, arranger e multi-instrumentalist Hermeto Pascoal through his musical phases, languages which are usually associated with the “classical” terms tonalism, modalism, atonalism, polimodalism, soundscape and concrete music. It is observed how elements of his life experience (cultural, social, religious and professional) may have influenced the vertical combination of sounds in his musical output as well as his proposition and usage of concepts such as universal music, universal chord notation, aura music, iron scraps music and present-body method.Un estudio panorámico de la trayectoria musical y la formación de los lenguajes armónicos del compositor, arreglista y multiinstrumentista Hermeto Pascoal a lo largo de sus etapas musicales, lenguajes que suelen asociarse en la música clásica, con el tonalismo, el modalismo, el atonalismo, el polimodalismo, el paisaje sonoro y la música concreta. Son observó cómo los elementos de su experiencia vital (cultural, social, religiosa y profesional) pueden haber influido en la combinación vertical de sonidos en su creación musical, así como su propuesta y uso de conceptos como música universal música universal, cifrado universal, música del aura, música de los hierros y método del cuerpo presente.Estudo panorâmico sobre a trajetória musical e a formação das linguagens harmônicas do compositor, arranjador e multi-instrumentista Hermeto Pascoal ao longo de suas fases musicais, linguagens que são geralmente associadas, na música erudita, ao tonalismo, modalismo, atonalismo, polimodalismo, paisagem sonora e música concreta. São observados como elementos de sua experiência de vida (cultural, social, religiosa e profissional) podem ter influenciado a combinação vertical de sons na sua criação musical, bem como a sua proposta e utilização de conceitos como música universal, cifragem universal, música da aura, música dos ferros e método do corpo presente.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/42774Per Musi; No. 22 (2010): General Topics; 1-22Per Musi; Núm. 22 (2010): General Topics; 1-22Per Musi; n. 22 (2010): General Topics; 1-222317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/42774/32600http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBorém, FaustoAraújo, Fabiano2023-03-10T21:39:56Zoai:periodicos.ufmg.br:article/42774Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:56Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Hermeto Pascoal: life experience and the formation of his harmonic language Hermeto Pascoal: la experiencia vital y la formación de su lenguaje armónico Hermeto Pascoal: experiência de vida e a formação de sua linguagem harmônica |
title |
Hermeto Pascoal: life experience and the formation of his harmonic language |
spellingShingle |
Hermeto Pascoal: life experience and the formation of his harmonic language Borém, Fausto Hermeto Pascoal Brazilian popular music Brazilian ethnomusicology Harmony Musical analysis Autodidacticism in music Hermeto Pascoal Música popular brasileira Etnomusicologia brasileira Harmonia Análise musical Auto-didatismo em música Hermeto Pascoal Música popular brasileña Etnomusicología brasileña Armonía Análisis musical Autoaprendizaje musical |
title_short |
Hermeto Pascoal: life experience and the formation of his harmonic language |
title_full |
Hermeto Pascoal: life experience and the formation of his harmonic language |
title_fullStr |
Hermeto Pascoal: life experience and the formation of his harmonic language |
title_full_unstemmed |
Hermeto Pascoal: life experience and the formation of his harmonic language |
title_sort |
Hermeto Pascoal: life experience and the formation of his harmonic language |
author |
Borém, Fausto |
author_facet |
Borém, Fausto Araújo, Fabiano |
author_role |
author |
author2 |
Araújo, Fabiano |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Borém, Fausto Araújo, Fabiano |
dc.subject.por.fl_str_mv |
Hermeto Pascoal Brazilian popular music Brazilian ethnomusicology Harmony Musical analysis Autodidacticism in music Hermeto Pascoal Música popular brasileira Etnomusicologia brasileira Harmonia Análise musical Auto-didatismo em música Hermeto Pascoal Música popular brasileña Etnomusicología brasileña Armonía Análisis musical Autoaprendizaje musical |
topic |
Hermeto Pascoal Brazilian popular music Brazilian ethnomusicology Harmony Musical analysis Autodidacticism in music Hermeto Pascoal Música popular brasileira Etnomusicologia brasileira Harmonia Análise musical Auto-didatismo em música Hermeto Pascoal Música popular brasileña Etnomusicología brasileña Armonía Análisis musical Autoaprendizaje musical |
description |
Panoramic study about the musical trajectory and development of the harmonic languages of the Brazilian composer, arranger e multi-instrumentalist Hermeto Pascoal through his musical phases, languages which are usually associated with the “classical” terms tonalism, modalism, atonalism, polimodalism, soundscape and concrete music. It is observed how elements of his life experience (cultural, social, religious and professional) may have influenced the vertical combination of sounds in his musical output as well as his proposition and usage of concepts such as universal music, universal chord notation, aura music, iron scraps music and present-body method. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-07-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/42774 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/42774 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/42774/32600 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 22 (2010): General Topics; 1-22 Per Musi; Núm. 22 (2010): General Topics; 1-22 Per Musi; n. 22 (2010): General Topics; 1-22 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237264637952 |