The singer Hermeto Pascoal: the voice’s instruments

Detalhes bibliográficos
Autor(a) principal: Neto, Luiz Costa-Lima
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/42798
Resumo: Article about Brazilian composer Hermeto Pascoal’s utilization of his voice in his music, whether singing, talking, shouting, whispering, praying, coughing, laughing, whistling, producing guttural sounds, alone or simultaneously with wind instruments, keyboards, non-conventional sound objects or even other forms. In considering the use of the voice in the work and life of Hermeto Pascoal, in a comprehensive way, I am seeking to show a lesser known facet of the versatile composer from Northeastern Brazil, as well as revealing that his music and his personality share the same ethics, in which the voice is the instrument.
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spelling The singer Hermeto Pascoal: the voice’s instrumentsEl cantante Hermeto Pascoal: los instrumentos de la vozO cantor Hermeto Pascoal: os instrumentos da vozEthnomusicologyHermeto PascoalBrazilian popular musicVoiceInstrumental musicEtnomusicologiaHermeto PascoalMúsica popular brasileiraVozMúsica instrumentalEtnomusicologíaHermeto PascoalMúsica popular brasileñaVozMúsica instrumentalArticle about Brazilian composer Hermeto Pascoal’s utilization of his voice in his music, whether singing, talking, shouting, whispering, praying, coughing, laughing, whistling, producing guttural sounds, alone or simultaneously with wind instruments, keyboards, non-conventional sound objects or even other forms. In considering the use of the voice in the work and life of Hermeto Pascoal, in a comprehensive way, I am seeking to show a lesser known facet of the versatile composer from Northeastern Brazil, as well as revealing that his music and his personality share the same ethics, in which the voice is the instrument.Artículo sobre el uso de la voz en la música del compositor Hermeto Pascoal, ya sea cantando, hablando, gritando, susurrando, rezando, tosiendo, riendo, silbando, produciendo sonidos guturales, solos o simultáneamente. con instrumentos de viento, instrumentos de teclado, objetos sonoros no convencionales o, incluso, de otras formas. Por estafa templar la producción vocal en la obra y la vida de Hermeto Pascoal, de manera exhaustiva, pretendo mostrar una faceta poco conocida del polifacético compositor del polifacético compositor de Alagoas, además de revelar que su música y su personalidad comparten el mismo la misma ética, de la que la voz es un instrumento.Artigo sobre a utilização da voz na música do compositor Hermeto Pascoal, seja cantando, falando, gritando, sussurrando, rezando, tossindo, gargalhando, assobiando, produzindo sons guturais, sozinha ou simultaneamente com instrumentos de sopro, de teclas, com objetos sonoros não convencionais ou, ainda, de outras formas. Ao contemplar a produção vocal na obra e na vida de Hermeto Pascoal, de maneira abrangente, pretendo mostrar uma faceta pouco conhecida do versátil compositor alagoano, além de revelar que a sua música e a sua personalidade partilham uma mesma ética, da qual a voz é instrumento.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/42798Per Musi; No. 22 (2010): General Topics; 1-19Per Musi; Núm. 22 (2010): General Topics; 1-19Per Musi; n. 22 (2010): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/42798/32613http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNeto, Luiz Costa-Lima2023-03-10T21:39:46Zoai:periodicos.ufmg.br:article/42798Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:46Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The singer Hermeto Pascoal: the voice’s instruments
El cantante Hermeto Pascoal: los instrumentos de la voz
O cantor Hermeto Pascoal: os instrumentos da voz
title The singer Hermeto Pascoal: the voice’s instruments
spellingShingle The singer Hermeto Pascoal: the voice’s instruments
Neto, Luiz Costa-Lima
Ethnomusicology
Hermeto Pascoal
Brazilian popular music
Voice
Instrumental music
Etnomusicologia
Hermeto Pascoal
Música popular brasileira
Voz
Música instrumental
Etnomusicología
Hermeto Pascoal
Música popular brasileña
Voz
Música instrumental
title_short The singer Hermeto Pascoal: the voice’s instruments
title_full The singer Hermeto Pascoal: the voice’s instruments
title_fullStr The singer Hermeto Pascoal: the voice’s instruments
title_full_unstemmed The singer Hermeto Pascoal: the voice’s instruments
title_sort The singer Hermeto Pascoal: the voice’s instruments
author Neto, Luiz Costa-Lima
author_facet Neto, Luiz Costa-Lima
author_role author
dc.contributor.author.fl_str_mv Neto, Luiz Costa-Lima
dc.subject.por.fl_str_mv Ethnomusicology
Hermeto Pascoal
Brazilian popular music
Voice
Instrumental music
Etnomusicologia
Hermeto Pascoal
Música popular brasileira
Voz
Música instrumental
Etnomusicología
Hermeto Pascoal
Música popular brasileña
Voz
Música instrumental
topic Ethnomusicology
Hermeto Pascoal
Brazilian popular music
Voice
Instrumental music
Etnomusicologia
Hermeto Pascoal
Música popular brasileira
Voz
Música instrumental
Etnomusicología
Hermeto Pascoal
Música popular brasileña
Voz
Música instrumental
description Article about Brazilian composer Hermeto Pascoal’s utilization of his voice in his music, whether singing, talking, shouting, whispering, praying, coughing, laughing, whistling, producing guttural sounds, alone or simultaneously with wind instruments, keyboards, non-conventional sound objects or even other forms. In considering the use of the voice in the work and life of Hermeto Pascoal, in a comprehensive way, I am seeking to show a lesser known facet of the versatile composer from Northeastern Brazil, as well as revealing that his music and his personality share the same ethics, in which the voice is the instrument.
publishDate 2010
dc.date.none.fl_str_mv 2010-07-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42798
url https://periodicos.ufmg.br/index.php/permusi/article/view/42798
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42798/32613
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 22 (2010): General Topics; 1-19
Per Musi; Núm. 22 (2010): General Topics; 1-19
Per Musi; n. 22 (2010): General Topics; 1-19
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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