Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/42826 |
Resumo: | Case study on Cannon by Brazilian composer, arranger and multi-instrumentalist Hermeto Pascoal, a work for flute, flute humming and pre-recorded sounds, designed as a musical spiritism session and included in the LP Slaves Mass (PASCOAL, 1977). Departing from an artistic drawing of a music staff spiral included in the internal covers of the same LP (PASCOAL e PEREIRA, 1977) and a transcription based on the listening of the track in the same disc, the score of the work was reconstituted and edited in detail (PASCOAL e BORÉM, 2010; included in this issue of Per Musi, p.80-82). It also includes a context of the religion role in the music of the so-called “mago” (wizard) of the Brazilian popular music. |
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Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpieceCañón de Hermeto Pascoal: aspectos musicales y religiosos en una obra maestra para flautaCannon de Hermeto Pascoal: aspectos musicais e religiosos em uma obra-prima para flautaHermeto PascoalBrazilian popular musicModalismAtonalismSpiritism and musicElectro-acoustical musicMusic analysisHermeto PascoalMúsica popular brasileiraModalismoAtonalismoEspiritismo e músicaMúsica eletro-acústicaAnálise musicalHermeto PascoalMúsica popular brasileñaModalismoAtonalismoEspiritualismo y músicaMúsica electroacústicaAnálisis musicalCase study on Cannon by Brazilian composer, arranger and multi-instrumentalist Hermeto Pascoal, a work for flute, flute humming and pre-recorded sounds, designed as a musical spiritism session and included in the LP Slaves Mass (PASCOAL, 1977). Departing from an artistic drawing of a music staff spiral included in the internal covers of the same LP (PASCOAL e PEREIRA, 1977) and a transcription based on the listening of the track in the same disc, the score of the work was reconstituted and edited in detail (PASCOAL e BORÉM, 2010; included in this issue of Per Musi, p.80-82). It also includes a context of the religion role in the music of the so-called “mago” (wizard) of the Brazilian popular music.Estudio de caso sobre Cannon de Hermeto Pascoal, obra para flauta, tarareo de flauta y sonidos pregrabados, planteada como una sesión espiritual musical y grabada por el compositor en el álbum Misa de esclavos (PASCOAL, 1977). A partir del dibujo artístico de un pentagrama en espiral que figura en la cubierta interior del mismo LP (PASCOAL y PEREIRA, 1977) y de una transcripción basada en la pista grabada, se reconstruyó y editó minuciosamente la partitura de la obra (PASCOAL y BORÉM, 2010; incluida en este volumen de Per Musi en las p.80-82). Incluye una contextualización del papel de la religión en la música del "mago" multiinstrumentista, arreglista y compositor de música popular brasileña.Estudo de caso sobre Cannon de Hermeto Pascoal, obra para flauta, humming na flauta e sons pré-gravados, planejada como uma sessão espírita musical e gravada pelo compositor no disco Slaves Mass (PASCOAL, 1977). A partir do desenho artístico de uma pauta espiralada na capa interna do mesmo LP (PASCOAL e PEREIRA, 1977) e de uma transcrição baseada na faixa gravada, a partitura da obra foi detalhadamente reconstituída e editada (PASCOAL e BORÉM, 2010; incluída neste volume de Per Musi às p.80-82). Inclui uma contextualização do papel da religião na música do “mago” multi-instrumentista, arranjador e compositor da música popular brasileira.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/42826Per Musi; No. 22 (2010): General Topics; 1-17Per Musi; Núm. 22 (2010): General Topics; 1-17Per Musi; n. 22 (2010): General Topics; 1-172317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/42826/32651http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBorém, FaustoGarcia, Mauricio Freire2023-03-10T21:39:46Zoai:periodicos.ufmg.br:article/42826Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:46Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece Cañón de Hermeto Pascoal: aspectos musicales y religiosos en una obra maestra para flauta Cannon de Hermeto Pascoal: aspectos musicais e religiosos em uma obra-prima para flauta |
title |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece |
spellingShingle |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece Borém, Fausto Hermeto Pascoal Brazilian popular music Modalism Atonalism Spiritism and music Electro-acoustical music Music analysis Hermeto Pascoal Música popular brasileira Modalismo Atonalismo Espiritismo e música Música eletro-acústica Análise musical Hermeto Pascoal Música popular brasileña Modalismo Atonalismo Espiritualismo y música Música electroacústica Análisis musical |
title_short |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece |
title_full |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece |
title_fullStr |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece |
title_full_unstemmed |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece |
title_sort |
Cannon by Hermeto Pascoal: musical and religious aspects in a flute masterpiece |
author |
Borém, Fausto |
author_facet |
Borém, Fausto Garcia, Mauricio Freire |
author_role |
author |
author2 |
Garcia, Mauricio Freire |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Borém, Fausto Garcia, Mauricio Freire |
dc.subject.por.fl_str_mv |
Hermeto Pascoal Brazilian popular music Modalism Atonalism Spiritism and music Electro-acoustical music Music analysis Hermeto Pascoal Música popular brasileira Modalismo Atonalismo Espiritismo e música Música eletro-acústica Análise musical Hermeto Pascoal Música popular brasileña Modalismo Atonalismo Espiritualismo y música Música electroacústica Análisis musical |
topic |
Hermeto Pascoal Brazilian popular music Modalism Atonalism Spiritism and music Electro-acoustical music Music analysis Hermeto Pascoal Música popular brasileira Modalismo Atonalismo Espiritismo e música Música eletro-acústica Análise musical Hermeto Pascoal Música popular brasileña Modalismo Atonalismo Espiritualismo y música Música electroacústica Análisis musical |
description |
Case study on Cannon by Brazilian composer, arranger and multi-instrumentalist Hermeto Pascoal, a work for flute, flute humming and pre-recorded sounds, designed as a musical spiritism session and included in the LP Slaves Mass (PASCOAL, 1977). Departing from an artistic drawing of a music staff spiral included in the internal covers of the same LP (PASCOAL e PEREIRA, 1977) and a transcription based on the listening of the track in the same disc, the score of the work was reconstituted and edited in detail (PASCOAL e BORÉM, 2010; included in this issue of Per Musi, p.80-82). It also includes a context of the religion role in the music of the so-called “mago” (wizard) of the Brazilian popular music. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-07-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/42826 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/42826 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/42826/32651 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 22 (2010): General Topics; 1-17 Per Musi; Núm. 22 (2010): General Topics; 1-17 Per Musi; n. 22 (2010): General Topics; 1-17 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237268832256 |