Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor

Detalhes bibliográficos
Autor(a) principal: Rosa, Stella Almeida
Data de Publicação: 2011
Outros Autores: Jank, Helena
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/40467
Resumo: This paper intends to point out contextual and musical elements, especially those relative to expressiveness, that brings Wilhelm Friedemann Bach’s keyboard works close to German Sturm und Drang, that happened during the beginning of the second half of the eighteenth century, through the identification of the literary and musical procedures and the analysis of the Polonaise number 4, in D minor, as a representative work of this style.
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spelling Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minorSturm und Drang en la música para teclado de Wilhelm Friedemann Bach: pruebas evidencia revelada en la Polonesa nº 4 en Re menorSturm und Drang na música para teclado de Wilhelm Friedemann Bach: evidências reveladas na Polonaise No.4 em Ré menorKeyboardBachW. FMusical stylesExpressivenessTecladoBachW. FEstilos musicaisExpressividadeTecladoBachW. FEstilos musicalesExpresividadThis paper intends to point out contextual and musical elements, especially those relative to expressiveness, that brings Wilhelm Friedemann Bach’s keyboard works close to German Sturm und Drang, that happened during the beginning of the second half of the eighteenth century, through the identification of the literary and musical procedures and the analysis of the Polonaise number 4, in D minor, as a representative work of this style.Este trabajo pretende revelar elementos contextuales y musicales, especialmente los relacionados con la expresi vidad, que acercan la obra para teclado de Wilhelm Friedemann Bach al movimiento Sturm und Drang, que tuvo lugar en Alemania a principios de la segunda mitad del siglo XVIII, reconociendo los procedimientos literarios y musicales implicados y analizando la Polonesa nº 4, en re menor, como obra representativa de lo que pretendemos demostrar.Este trabalho propõe-se a revelar elementos contextuais e musicais, especialmente aqueles ligados à expressividade, que aproximem a obra para teclado de Wilhelm Friedemann Bach ao movimento Sturm und Drang, ocorrido na Alemanha no início da segunda metade do século XVIII, através do reconhecimento dos procedimentos literários e musicais envolvidos e da análise da Polonaise nº 4, em Ré menor, como obra representativa do que se pretende demonstrar.Universidade Federal de Minas Gerais (UFMG)2011-07-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/40467Per Musi; No. 24 (2011): General Topics; 1-8Per Musi; Núm. 24 (2011): General Topics; 1-8Per Musi; n. 24 (2011): General Topics; 1-82317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40467/30909http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRosa, Stella AlmeidaJank, Helena2022-08-31T22:02:09Zoai:periodicos.ufmg.br:article/40467Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-08-31T22:02:09Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
Sturm und Drang en la música para teclado de Wilhelm Friedemann Bach: pruebas evidencia revelada en la Polonesa nº 4 en Re menor
Sturm und Drang na música para teclado de Wilhelm Friedemann Bach: evidências reveladas na Polonaise No.4 em Ré menor
title Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
spellingShingle Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
Rosa, Stella Almeida
Keyboard
Bach
W. F
Musical styles
Expressiveness
Teclado
Bach
W. F
Estilos musicais
Expressividade
Teclado
Bach
W. F
Estilos musicales
Expresividad
title_short Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
title_full Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
title_fullStr Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
title_full_unstemmed Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
title_sort Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: detected evidences in Polonaise N.4, in D minor
author Rosa, Stella Almeida
author_facet Rosa, Stella Almeida
Jank, Helena
author_role author
author2 Jank, Helena
author2_role author
dc.contributor.author.fl_str_mv Rosa, Stella Almeida
Jank, Helena
dc.subject.por.fl_str_mv Keyboard
Bach
W. F
Musical styles
Expressiveness
Teclado
Bach
W. F
Estilos musicais
Expressividade
Teclado
Bach
W. F
Estilos musicales
Expresividad
topic Keyboard
Bach
W. F
Musical styles
Expressiveness
Teclado
Bach
W. F
Estilos musicais
Expressividade
Teclado
Bach
W. F
Estilos musicales
Expresividad
description This paper intends to point out contextual and musical elements, especially those relative to expressiveness, that brings Wilhelm Friedemann Bach’s keyboard works close to German Sturm und Drang, that happened during the beginning of the second half of the eighteenth century, through the identification of the literary and musical procedures and the analysis of the Polonaise number 4, in D minor, as a representative work of this style.
publishDate 2011
dc.date.none.fl_str_mv 2011-07-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40467
url https://periodicos.ufmg.br/index.php/permusi/article/view/40467
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40467/30909
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 24 (2011): General Topics; 1-8
Per Musi; Núm. 24 (2011): General Topics; 1-8
Per Musi; n. 24 (2011): General Topics; 1-8
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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