Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)

Detalhes bibliográficos
Autor(a) principal: Fugellie, Daniela
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/24954
Resumo: The International Summer Courses of New Music in Darmstadt constituted one of the most important centers for contemporary music after World War II. Since their beginnings in 1946, some Latin American composers participated in the courses. This article embraces the presence of South American music between 1949 and 1951, relating to the participation of German composer and flutist Hans-Joachim Koellreutter, who set in Brazil in 1937. Koellreutter played an interesting role in Darmstadt in his double condition as agent of the German musical culture in Brazil and as exponent of South American music in Germany. The article explores Koellreutter’s own speeches about Brazilian and South American music, the performance of some Brazilian works and his participation in the International Dodecaphonic Congresses. These experiences have contributed to strengthen his identification with twelve-tone music, and this local projection as the initiator of dodecaphonic music in Brazil.
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spelling Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)Hans-Joachim Koellreutter y la música sudamericana en los Cursos Internacionales de Verano de Darmstadt (1949-1951)Hans-Joachim Koellreutter e a Música Sul-Americana nos Cursos Internacionais de Verão em Darmstadt (1949-1951)new musicDarmstadt International Summer CoursesHans-Joachim Koellreuttertwelve-tone musiccultural exchangenueva músicaCursos Internacionales de Verano de DarmstadtHans-Joachim Koellreuttermúsica dodecafónicaintercambio culturalnova músicaCursos Internacionais de Verão de DarmstadtHans-Joachim Koellreuttermúsica dodecafónicaintercâmbio culturalThe International Summer Courses of New Music in Darmstadt constituted one of the most important centers for contemporary music after World War II. Since their beginnings in 1946, some Latin American composers participated in the courses. This article embraces the presence of South American music between 1949 and 1951, relating to the participation of German composer and flutist Hans-Joachim Koellreutter, who set in Brazil in 1937. Koellreutter played an interesting role in Darmstadt in his double condition as agent of the German musical culture in Brazil and as exponent of South American music in Germany. The article explores Koellreutter’s own speeches about Brazilian and South American music, the performance of some Brazilian works and his participation in the International Dodecaphonic Congresses. These experiences have contributed to strengthen his identification with twelve-tone music, and this local projection as the initiator of dodecaphonic music in Brazil.Los Cursos Internacionales de Verano de Darmstadt constituyeron uno de los centros más importantes de la música contemporánea internacional tras la Segunda Guerra Mundial. Desde sus inicios en 1946, algunos compositores latinoamericanos han participado de ellos. Este artículo explora la presencia de la música sudamericana entre 1949 y 1951, a través de la participación del compositor y flautista alemán Hans-Joachim Koellreutter. Radicado desde 1937 en Brasil, Koellreutter actuó como mediador en su doble condición de portador de la cultura musical alemana en Brasil y de representante de la nueva música sudamericana en Alemania. El trabajo abarca las diversas instancias en las que Koellreutter participó en Darmstadt; entre ellas, dictando charlas sobre música brasilera y sudamericana, gestionando la interpretación de obras brasileras y siendo miembro de los Congresos Internacionales de Dodecafonía. Estas experiencias fortalecieron su identificación con la música dodecafónica y su propia proyección como introductor de la dodecafonía en Brasil.Os Cursos Internacionais de Verão em Darmstadt foram um dos centros mais importantes da música contemporânea internacional após a Segunda Guerra Mundial. Desde sua criação, em 1946, alguns compositores latino-americanos têm participado deles. Este artigo explora a presença da música sul-americana entre 1949 e 1951, através da participação do compositor e flautista alemão Hans-Joachim Koellreutter. Sediado no Brasil desde 1937, Koellreutter atuou como mediador em sua dupla capacidade como portador da cultura musical alemã no Brasil e como representante da nova música sul-americana na Alemanha. O trabalho abrange as várias instâncias em que Koellreutter participou em Darmstadt; entre elas, palestras sobre música brasileira e sul-americana, arranjos de apresentação de obras brasileiras e ser membro dos Congressos Internacionais de Dodecafonia. Estas experiências fortaleceram sua identificação com a música dodecafônica e sua própria projeção como introdutor da dodecafonismo no Brasil.Universidade Federal de Minas Gerais (UFMG)2021-02-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextTextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2495410.35699/2317-6377.2020.24954Per Musi; No. 40 (2020): General TopicsPer Musi; Núm. 40 (2020): General TopicsPer Musi; n. 40 (2020): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGspahttps://periodicos.ufmg.br/index.php/permusi/article/view/24954/23220Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFugellie, Daniela2021-07-05T18:55:13Zoai:periodicos.ufmg.br:article/24954Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2021-07-05T18:55:13Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
Hans-Joachim Koellreutter y la música sudamericana en los Cursos Internacionales de Verano de Darmstadt (1949-1951)
Hans-Joachim Koellreutter e a Música Sul-Americana nos Cursos Internacionais de Verão em Darmstadt (1949-1951)
title Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
spellingShingle Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
Fugellie, Daniela
new music
Darmstadt International Summer Courses
Hans-Joachim Koellreutter
twelve-tone music
cultural exchange
nueva música
Cursos Internacionales de Verano de Darmstadt
Hans-Joachim Koellreutter
música dodecafónica
intercambio cultural
nova música
Cursos Internacionais de Verão de Darmstadt
Hans-Joachim Koellreutter
música dodecafónica
intercâmbio cultural
title_short Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
title_full Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
title_fullStr Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
title_full_unstemmed Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
title_sort Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
author Fugellie, Daniela
author_facet Fugellie, Daniela
author_role author
dc.contributor.author.fl_str_mv Fugellie, Daniela
dc.subject.por.fl_str_mv new music
Darmstadt International Summer Courses
Hans-Joachim Koellreutter
twelve-tone music
cultural exchange
nueva música
Cursos Internacionales de Verano de Darmstadt
Hans-Joachim Koellreutter
música dodecafónica
intercambio cultural
nova música
Cursos Internacionais de Verão de Darmstadt
Hans-Joachim Koellreutter
música dodecafónica
intercâmbio cultural
topic new music
Darmstadt International Summer Courses
Hans-Joachim Koellreutter
twelve-tone music
cultural exchange
nueva música
Cursos Internacionales de Verano de Darmstadt
Hans-Joachim Koellreutter
música dodecafónica
intercambio cultural
nova música
Cursos Internacionais de Verão de Darmstadt
Hans-Joachim Koellreutter
música dodecafónica
intercâmbio cultural
description The International Summer Courses of New Music in Darmstadt constituted one of the most important centers for contemporary music after World War II. Since their beginnings in 1946, some Latin American composers participated in the courses. This article embraces the presence of South American music between 1949 and 1951, relating to the participation of German composer and flutist Hans-Joachim Koellreutter, who set in Brazil in 1937. Koellreutter played an interesting role in Darmstadt in his double condition as agent of the German musical culture in Brazil and as exponent of South American music in Germany. The article explores Koellreutter’s own speeches about Brazilian and South American music, the performance of some Brazilian works and his participation in the International Dodecaphonic Congresses. These experiences have contributed to strengthen his identification with twelve-tone music, and this local projection as the initiator of dodecaphonic music in Brazil.
publishDate 2021
dc.date.none.fl_str_mv 2021-02-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/24954
10.35699/2317-6377.2020.24954
url https://periodicos.ufmg.br/index.php/permusi/article/view/24954
identifier_str_mv 10.35699/2317-6377.2020.24954
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/24954/23220
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): General Topics
Per Musi; Núm. 40 (2020): General Topics
Per Musi; n. 40 (2020): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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