Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/24954 |
Resumo: | The International Summer Courses of New Music in Darmstadt constituted one of the most important centers for contemporary music after World War II. Since their beginnings in 1946, some Latin American composers participated in the courses. This article embraces the presence of South American music between 1949 and 1951, relating to the participation of German composer and flutist Hans-Joachim Koellreutter, who set in Brazil in 1937. Koellreutter played an interesting role in Darmstadt in his double condition as agent of the German musical culture in Brazil and as exponent of South American music in Germany. The article explores Koellreutter’s own speeches about Brazilian and South American music, the performance of some Brazilian works and his participation in the International Dodecaphonic Congresses. These experiences have contributed to strengthen his identification with twelve-tone music, and this local projection as the initiator of dodecaphonic music in Brazil. |
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Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)Hans-Joachim Koellreutter y la música sudamericana en los Cursos Internacionales de Verano de Darmstadt (1949-1951)Hans-Joachim Koellreutter e a Música Sul-Americana nos Cursos Internacionais de Verão em Darmstadt (1949-1951)new musicDarmstadt International Summer CoursesHans-Joachim Koellreuttertwelve-tone musiccultural exchangenueva músicaCursos Internacionales de Verano de DarmstadtHans-Joachim Koellreuttermúsica dodecafónicaintercambio culturalnova músicaCursos Internacionais de Verão de DarmstadtHans-Joachim Koellreuttermúsica dodecafónicaintercâmbio culturalThe International Summer Courses of New Music in Darmstadt constituted one of the most important centers for contemporary music after World War II. Since their beginnings in 1946, some Latin American composers participated in the courses. This article embraces the presence of South American music between 1949 and 1951, relating to the participation of German composer and flutist Hans-Joachim Koellreutter, who set in Brazil in 1937. Koellreutter played an interesting role in Darmstadt in his double condition as agent of the German musical culture in Brazil and as exponent of South American music in Germany. The article explores Koellreutter’s own speeches about Brazilian and South American music, the performance of some Brazilian works and his participation in the International Dodecaphonic Congresses. These experiences have contributed to strengthen his identification with twelve-tone music, and this local projection as the initiator of dodecaphonic music in Brazil.Los Cursos Internacionales de Verano de Darmstadt constituyeron uno de los centros más importantes de la música contemporánea internacional tras la Segunda Guerra Mundial. Desde sus inicios en 1946, algunos compositores latinoamericanos han participado de ellos. Este artículo explora la presencia de la música sudamericana entre 1949 y 1951, a través de la participación del compositor y flautista alemán Hans-Joachim Koellreutter. Radicado desde 1937 en Brasil, Koellreutter actuó como mediador en su doble condición de portador de la cultura musical alemana en Brasil y de representante de la nueva música sudamericana en Alemania. El trabajo abarca las diversas instancias en las que Koellreutter participó en Darmstadt; entre ellas, dictando charlas sobre música brasilera y sudamericana, gestionando la interpretación de obras brasileras y siendo miembro de los Congresos Internacionales de Dodecafonía. Estas experiencias fortalecieron su identificación con la música dodecafónica y su propia proyección como introductor de la dodecafonía en Brasil.Os Cursos Internacionais de Verão em Darmstadt foram um dos centros mais importantes da música contemporânea internacional após a Segunda Guerra Mundial. Desde sua criação, em 1946, alguns compositores latino-americanos têm participado deles. Este artigo explora a presença da música sul-americana entre 1949 e 1951, através da participação do compositor e flautista alemão Hans-Joachim Koellreutter. Sediado no Brasil desde 1937, Koellreutter atuou como mediador em sua dupla capacidade como portador da cultura musical alemã no Brasil e como representante da nova música sul-americana na Alemanha. O trabalho abrange as várias instâncias em que Koellreutter participou em Darmstadt; entre elas, palestras sobre música brasileira e sul-americana, arranjos de apresentação de obras brasileiras e ser membro dos Congressos Internacionais de Dodecafonia. Estas experiências fortaleceram sua identificação com a música dodecafônica e sua própria projeção como introdutor da dodecafonismo no Brasil.Universidade Federal de Minas Gerais (UFMG)2021-02-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextTextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2495410.35699/2317-6377.2020.24954Per Musi; No. 40 (2020): General TopicsPer Musi; Núm. 40 (2020): General TopicsPer Musi; n. 40 (2020): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGspahttps://periodicos.ufmg.br/index.php/permusi/article/view/24954/23220Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFugellie, Daniela2021-07-05T18:55:13Zoai:periodicos.ufmg.br:article/24954Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2021-07-05T18:55:13Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) Hans-Joachim Koellreutter y la música sudamericana en los Cursos Internacionales de Verano de Darmstadt (1949-1951) Hans-Joachim Koellreutter e a Música Sul-Americana nos Cursos Internacionais de Verão em Darmstadt (1949-1951) |
title |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) |
spellingShingle |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) Fugellie, Daniela new music Darmstadt International Summer Courses Hans-Joachim Koellreutter twelve-tone music cultural exchange nueva música Cursos Internacionales de Verano de Darmstadt Hans-Joachim Koellreutter música dodecafónica intercambio cultural nova música Cursos Internacionais de Verão de Darmstadt Hans-Joachim Koellreutter música dodecafónica intercâmbio cultural |
title_short |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) |
title_full |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) |
title_fullStr |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) |
title_full_unstemmed |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) |
title_sort |
Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951) |
author |
Fugellie, Daniela |
author_facet |
Fugellie, Daniela |
author_role |
author |
dc.contributor.author.fl_str_mv |
Fugellie, Daniela |
dc.subject.por.fl_str_mv |
new music Darmstadt International Summer Courses Hans-Joachim Koellreutter twelve-tone music cultural exchange nueva música Cursos Internacionales de Verano de Darmstadt Hans-Joachim Koellreutter música dodecafónica intercambio cultural nova música Cursos Internacionais de Verão de Darmstadt Hans-Joachim Koellreutter música dodecafónica intercâmbio cultural |
topic |
new music Darmstadt International Summer Courses Hans-Joachim Koellreutter twelve-tone music cultural exchange nueva música Cursos Internacionales de Verano de Darmstadt Hans-Joachim Koellreutter música dodecafónica intercambio cultural nova música Cursos Internacionais de Verão de Darmstadt Hans-Joachim Koellreutter música dodecafónica intercâmbio cultural |
description |
The International Summer Courses of New Music in Darmstadt constituted one of the most important centers for contemporary music after World War II. Since their beginnings in 1946, some Latin American composers participated in the courses. This article embraces the presence of South American music between 1949 and 1951, relating to the participation of German composer and flutist Hans-Joachim Koellreutter, who set in Brazil in 1937. Koellreutter played an interesting role in Darmstadt in his double condition as agent of the German musical culture in Brazil and as exponent of South American music in Germany. The article explores Koellreutter’s own speeches about Brazilian and South American music, the performance of some Brazilian works and his participation in the International Dodecaphonic Congresses. These experiences have contributed to strengthen his identification with twelve-tone music, and this local projection as the initiator of dodecaphonic music in Brazil. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-02-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/24954 10.35699/2317-6377.2020.24954 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/24954 |
identifier_str_mv |
10.35699/2317-6377.2020.24954 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/24954/23220 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 40 (2020): General Topics Per Musi; Núm. 40 (2020): General Topics Per Musi; n. 40 (2020): General Topics 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236086038528 |