Soundscapes, soundtracks: Brazilian sound portraits

Detalhes bibliográficos
Autor(a) principal: Valente, Heloísa de Araújo Duarte
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39644
Resumo: This paper departs from the following assumptions 1) music is a prominent part of the soundscape (SCHAFER, 2001) and likewise, the soundscape interferes with compositional processes and the development of the aesthetical taste, 2) pieces of music broadcasted in the media are constituents of everyday life, since music itself produces habits and models of behavior. An analysis of these discrete elements could contribute to understand how social dynamics of cultures occurs, beyond the stereotyped and naive approaches.
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spelling Soundscapes, soundtracks: Brazilian sound portraitsPaisajes sonoros, pistas musicales: retratos sonoros de BrasilPaisagens sonoras, trilhas musicais: retratos sonoros do BrasilSoundscape in BrazilPopular songs and musical memorySong and musical semioticsPaisagem sonora no BrasilMúsica popular e memória musicalCanção e semiótica musicalPaisaje sonoro en BrasilMúsica popular y memoria musicalCanción y semiótica musicalThis paper departs from the following assumptions 1) music is a prominent part of the soundscape (SCHAFER, 2001) and likewise, the soundscape interferes with compositional processes and the development of the aesthetical taste, 2) pieces of music broadcasted in the media are constituents of everyday life, since music itself produces habits and models of behavior. An analysis of these discrete elements could contribute to understand how social dynamics of cultures occurs, beyond the stereotyped and naive approaches.El presente texto se basa en los supuestos de que: 1) la música es un componente importante del paisaje sonoro (SCHAFER, 2001); del mismo modo, el paisaje sonoro interfiere en los procesos perceptivos y en la formación del gusto estético 2) La música transmitida por los medios de comunicación es una construcción de la vida cotidiana, ya que la propia música engendra modelos y formas de comportamiento. Un estudio de estos elementos pueden contribuir a una mejor comprensión de la dinámica social de las culturas, a través de la figura de sus gobernantes y gobiernos, más allá de lo que se nos ha ofrecido de forma estereotipada y simplista.O presente texto parte dos pressupostos de que: 1) a música é componente de relevo da paisagem sonora (SCHAFER, 2001); da mesma maneira, a paisagem sonora interfere nos processos perceptivos e na formação do gosto estético; 2) a música veiculada pela mídia é construto da vida cotidiana, pois a própria música engendra modelos e formas de comportamento. Um estudo desses elementos poderá contribuir para compreender melhor a dinâmica social das culturas, pela figura de seus governantes e governos, para além do que nos vem sendo oferecido, de forma estereotipada e simplista.Universidade Federal de Minas Gerais (UFMG)2013-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39644Per Musi; No. 28 (2013): General Topics; 1-11Per Musi; Núm. 28 (2013): General Topics; 1-11Per Musi; n. 28 (2013): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39644/30418Copyright (c) 2013 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessValente, Heloísa de Araújo Duarte 2022-06-03T19:08:18Zoai:periodicos.ufmg.br:article/39644Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:08:18Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Soundscapes, soundtracks: Brazilian sound portraits
Paisajes sonoros, pistas musicales: retratos sonoros de Brasil
Paisagens sonoras, trilhas musicais: retratos sonoros do Brasil
title Soundscapes, soundtracks: Brazilian sound portraits
spellingShingle Soundscapes, soundtracks: Brazilian sound portraits
Valente, Heloísa de Araújo Duarte
Soundscape in Brazil
Popular songs and musical memory
Song and musical semiotics
Paisagem sonora no Brasil
Música popular e memória musical
Canção e semiótica musical
Paisaje sonoro en Brasil
Música popular y memoria musical
Canción y semiótica musical
title_short Soundscapes, soundtracks: Brazilian sound portraits
title_full Soundscapes, soundtracks: Brazilian sound portraits
title_fullStr Soundscapes, soundtracks: Brazilian sound portraits
title_full_unstemmed Soundscapes, soundtracks: Brazilian sound portraits
title_sort Soundscapes, soundtracks: Brazilian sound portraits
author Valente, Heloísa de Araújo Duarte
author_facet Valente, Heloísa de Araújo Duarte
author_role author
dc.contributor.author.fl_str_mv Valente, Heloísa de Araújo Duarte
dc.subject.por.fl_str_mv Soundscape in Brazil
Popular songs and musical memory
Song and musical semiotics
Paisagem sonora no Brasil
Música popular e memória musical
Canção e semiótica musical
Paisaje sonoro en Brasil
Música popular y memoria musical
Canción y semiótica musical
topic Soundscape in Brazil
Popular songs and musical memory
Song and musical semiotics
Paisagem sonora no Brasil
Música popular e memória musical
Canção e semiótica musical
Paisaje sonoro en Brasil
Música popular y memoria musical
Canción y semiótica musical
description This paper departs from the following assumptions 1) music is a prominent part of the soundscape (SCHAFER, 2001) and likewise, the soundscape interferes with compositional processes and the development of the aesthetical taste, 2) pieces of music broadcasted in the media are constituents of everyday life, since music itself produces habits and models of behavior. An analysis of these discrete elements could contribute to understand how social dynamics of cultures occurs, beyond the stereotyped and naive approaches.
publishDate 2013
dc.date.none.fl_str_mv 2013-11-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39644
url https://periodicos.ufmg.br/index.php/permusi/article/view/39644
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39644/30418
dc.rights.driver.fl_str_mv Copyright (c) 2013 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 28 (2013): General Topics; 1-11
Per Musi; Núm. 28 (2013): General Topics; 1-11
Per Musi; n. 28 (2013): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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