Soundscapes, soundtracks: Brazilian sound portraits
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/39644 |
Resumo: | This paper departs from the following assumptions 1) music is a prominent part of the soundscape (SCHAFER, 2001) and likewise, the soundscape interferes with compositional processes and the development of the aesthetical taste, 2) pieces of music broadcasted in the media are constituents of everyday life, since music itself produces habits and models of behavior. An analysis of these discrete elements could contribute to understand how social dynamics of cultures occurs, beyond the stereotyped and naive approaches. |
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Soundscapes, soundtracks: Brazilian sound portraitsPaisajes sonoros, pistas musicales: retratos sonoros de BrasilPaisagens sonoras, trilhas musicais: retratos sonoros do BrasilSoundscape in BrazilPopular songs and musical memorySong and musical semioticsPaisagem sonora no BrasilMúsica popular e memória musicalCanção e semiótica musicalPaisaje sonoro en BrasilMúsica popular y memoria musicalCanción y semiótica musicalThis paper departs from the following assumptions 1) music is a prominent part of the soundscape (SCHAFER, 2001) and likewise, the soundscape interferes with compositional processes and the development of the aesthetical taste, 2) pieces of music broadcasted in the media are constituents of everyday life, since music itself produces habits and models of behavior. An analysis of these discrete elements could contribute to understand how social dynamics of cultures occurs, beyond the stereotyped and naive approaches.El presente texto se basa en los supuestos de que: 1) la música es un componente importante del paisaje sonoro (SCHAFER, 2001); del mismo modo, el paisaje sonoro interfiere en los procesos perceptivos y en la formación del gusto estético 2) La música transmitida por los medios de comunicación es una construcción de la vida cotidiana, ya que la propia música engendra modelos y formas de comportamiento. Un estudio de estos elementos pueden contribuir a una mejor comprensión de la dinámica social de las culturas, a través de la figura de sus gobernantes y gobiernos, más allá de lo que se nos ha ofrecido de forma estereotipada y simplista.O presente texto parte dos pressupostos de que: 1) a música é componente de relevo da paisagem sonora (SCHAFER, 2001); da mesma maneira, a paisagem sonora interfere nos processos perceptivos e na formação do gosto estético; 2) a música veiculada pela mídia é construto da vida cotidiana, pois a própria música engendra modelos e formas de comportamento. Um estudo desses elementos poderá contribuir para compreender melhor a dinâmica social das culturas, pela figura de seus governantes e governos, para além do que nos vem sendo oferecido, de forma estereotipada e simplista.Universidade Federal de Minas Gerais (UFMG)2013-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39644Per Musi; No. 28 (2013): General Topics; 1-11Per Musi; Núm. 28 (2013): General Topics; 1-11Per Musi; n. 28 (2013): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39644/30418Copyright (c) 2013 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessValente, Heloísa de Araújo Duarte 2022-06-03T19:08:18Zoai:periodicos.ufmg.br:article/39644Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:08:18Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Soundscapes, soundtracks: Brazilian sound portraits Paisajes sonoros, pistas musicales: retratos sonoros de Brasil Paisagens sonoras, trilhas musicais: retratos sonoros do Brasil |
title |
Soundscapes, soundtracks: Brazilian sound portraits |
spellingShingle |
Soundscapes, soundtracks: Brazilian sound portraits Valente, Heloísa de Araújo Duarte Soundscape in Brazil Popular songs and musical memory Song and musical semiotics Paisagem sonora no Brasil Música popular e memória musical Canção e semiótica musical Paisaje sonoro en Brasil Música popular y memoria musical Canción y semiótica musical |
title_short |
Soundscapes, soundtracks: Brazilian sound portraits |
title_full |
Soundscapes, soundtracks: Brazilian sound portraits |
title_fullStr |
Soundscapes, soundtracks: Brazilian sound portraits |
title_full_unstemmed |
Soundscapes, soundtracks: Brazilian sound portraits |
title_sort |
Soundscapes, soundtracks: Brazilian sound portraits |
author |
Valente, Heloísa de Araújo Duarte |
author_facet |
Valente, Heloísa de Araújo Duarte |
author_role |
author |
dc.contributor.author.fl_str_mv |
Valente, Heloísa de Araújo Duarte |
dc.subject.por.fl_str_mv |
Soundscape in Brazil Popular songs and musical memory Song and musical semiotics Paisagem sonora no Brasil Música popular e memória musical Canção e semiótica musical Paisaje sonoro en Brasil Música popular y memoria musical Canción y semiótica musical |
topic |
Soundscape in Brazil Popular songs and musical memory Song and musical semiotics Paisagem sonora no Brasil Música popular e memória musical Canção e semiótica musical Paisaje sonoro en Brasil Música popular y memoria musical Canción y semiótica musical |
description |
This paper departs from the following assumptions 1) music is a prominent part of the soundscape (SCHAFER, 2001) and likewise, the soundscape interferes with compositional processes and the development of the aesthetical taste, 2) pieces of music broadcasted in the media are constituents of everyday life, since music itself produces habits and models of behavior. An analysis of these discrete elements could contribute to understand how social dynamics of cultures occurs, beyond the stereotyped and naive approaches. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-11-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39644 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/39644 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39644/30418 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2013 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2013 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 28 (2013): General Topics; 1-11 Per Musi; Núm. 28 (2013): General Topics; 1-11 Per Musi; n. 28 (2013): General Topics; 1-11 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236720427008 |