Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
Autor(a) principal: | |
---|---|
Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/39726 |
Resumo: | As a part of a broad research project that aims at elaborating a specific analytical methodology for the procedures of developing variation, the present study examines the possibility of, so to speak, hereditary (extraopus) transmission in the construction of the primordial idea (or Grundgestalt) of a musical piece. Thus, the analysis was focused on the first of the Four Songs op.2, by Alban Berg, of which the Grundgestalt is presented as a complex formed by several transformations of key-elements extracted from three pieces: Tristan and Isolde, by Richard Wagner, the First Chamber Symphony op.9, by Arnold Schoenberg, and the Piano Sonata op.1, by Berg. |
id |
UFMG-3_c061b98dfcdff3a34525d75dd2e8c9b2 |
---|---|
oai_identifier_str |
oai:periodicos.ufmg.br:article/39726 |
network_acronym_str |
UFMG-3 |
network_name_str |
Per Musi |
repository_id_str |
|
spelling |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2Simbología y herencia en la formación de un Grundgestalt: la primera de las cuatro canciones Op.2 de BergSimbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de BergGrundgestalt and developing variationMusical symbologyExtraopus transmissionGrundgestalt e variação progressivaSimbologia musicalTransmissão extraopusGrundgestalt y variación progresivambología musicalTransmisión extraopusAs a part of a broad research project that aims at elaborating a specific analytical methodology for the procedures of developing variation, the present study examines the possibility of, so to speak, hereditary (extraopus) transmission in the construction of the primordial idea (or Grundgestalt) of a musical piece. Thus, the analysis was focused on the first of the Four Songs op.2, by Alban Berg, of which the Grundgestalt is presented as a complex formed by several transformations of key-elements extracted from three pieces: Tristan and Isolde, by Richard Wagner, the First Chamber Symphony op.9, by Arnold Schoenberg, and the Piano Sonata op.1, by Berg.Como parte de un amplio proyecto de investigación destinado a elaborar una metodología analítica específica para los procedimientos de variación progresiva, el presente estudio examina la posibilidad de que exista, por así decirlo, una transmisión hereditaria (extraopus) en la construcción de la idea primordial (o Grundgestalt) de una pieza musical. Para ello, se analiza la primera de las Cuatro Canciones op.2, de Alban Berg, cuyo Grundgestalt es un complejo formado por varias transformaciones de elementos clave tomados de tres obras: Tristan und Isolde de Richard Wagner, la Primera Sinfonía de Cámara op.9 de Arnold Schoenberg y la Sonata para piano op.1 de Berg.Integrando um amplo projeto de pesquisa que visa elaborar uma metodologia analítica específica para os procedimentos de variação progressiva, o presente estudo examina a possibilidade de existência de, por assim dizer, transmissão hereditária (extraopus) na construção da ideia primordial (ou Grundgestalt) de uma peça musical. Para isso, é analisada a primeira das Quatro Canções op.2, de Alban Berg, cuja Grundgestalt apresenta-se como um complexo formado por várias transformações de elementos-chave extraídos de três obras: Tristão e Isolda de Richard Wagner, a Primeira Sinfonia de Câmara op.9 de Arnold Schoenberg e a Sonata para Piano op.1, do próprio Berg.Universidade Federal de Minas Gerais (UFMG)2013-06-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39726Per Musi; No. 27 (2013): General Topics; 1-14Per Musi; Núm. 27 (2013): General Topics; 1-14Per Musi; n. 27 (2013): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39726/30482http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAlmada, Carlos de Lemos 2022-06-03T19:21:37Zoai:periodicos.ufmg.br:article/39726Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:21:37Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 Simbología y herencia en la formación de un Grundgestalt: la primera de las cuatro canciones Op.2 de Berg Simbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de Berg |
title |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 |
spellingShingle |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 Almada, Carlos de Lemos Grundgestalt and developing variation Musical symbology Extraopus transmission Grundgestalt e variação progressiva Simbologia musical Transmissão extraopus Grundgestalt y variación progresiva mbología musical Transmisión extraopus |
title_short |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 |
title_full |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 |
title_fullStr |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 |
title_full_unstemmed |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 |
title_sort |
Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2 |
author |
Almada, Carlos de Lemos |
author_facet |
Almada, Carlos de Lemos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Almada, Carlos de Lemos |
dc.subject.por.fl_str_mv |
Grundgestalt and developing variation Musical symbology Extraopus transmission Grundgestalt e variação progressiva Simbologia musical Transmissão extraopus Grundgestalt y variación progresiva mbología musical Transmisión extraopus |
topic |
Grundgestalt and developing variation Musical symbology Extraopus transmission Grundgestalt e variação progressiva Simbologia musical Transmissão extraopus Grundgestalt y variación progresiva mbología musical Transmisión extraopus |
description |
As a part of a broad research project that aims at elaborating a specific analytical methodology for the procedures of developing variation, the present study examines the possibility of, so to speak, hereditary (extraopus) transmission in the construction of the primordial idea (or Grundgestalt) of a musical piece. Thus, the analysis was focused on the first of the Four Songs op.2, by Alban Berg, of which the Grundgestalt is presented as a complex formed by several transformations of key-elements extracted from three pieces: Tristan and Isolde, by Richard Wagner, the First Chamber Symphony op.9, by Arnold Schoenberg, and the Piano Sonata op.1, by Berg. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-06-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39726 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/39726 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39726/30482 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 27 (2013): General Topics; 1-14 Per Musi; Núm. 27 (2013): General Topics; 1-14 Per Musi; n. 27 (2013): General Topics; 1-14 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236771807232 |