Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2

Detalhes bibliográficos
Autor(a) principal: Almada, Carlos de Lemos
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39726
Resumo: As a part of a broad research project that aims at elaborating a specific analytical methodology for the procedures of developing variation, the present study examines the possibility of, so to speak, hereditary (extraopus) transmission in the construction of the primordial idea (or Grundgestalt) of a musical piece. Thus, the analysis was focused on the first of the Four Songs op.2, by Alban Berg, of which the Grundgestalt is presented as a complex formed by several transformations of key-elements extracted from three pieces: Tristan and Isolde, by Richard Wagner, the First Chamber Symphony op.9, by Arnold Schoenberg, and the Piano Sonata op.1, by Berg.
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spelling Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2Simbología y herencia en la formación de un Grundgestalt: la primera de las cuatro canciones Op.2 de BergSimbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de BergGrundgestalt and developing variationMusical symbologyExtraopus transmissionGrundgestalt e variação progressivaSimbologia musicalTransmissão extraopusGrundgestalt y variación progresivambología musicalTransmisión extraopusAs a part of a broad research project that aims at elaborating a specific analytical methodology for the procedures of developing variation, the present study examines the possibility of, so to speak, hereditary (extraopus) transmission in the construction of the primordial idea (or Grundgestalt) of a musical piece. Thus, the analysis was focused on the first of the Four Songs op.2, by Alban Berg, of which the Grundgestalt is presented as a complex formed by several transformations of key-elements extracted from three pieces: Tristan and Isolde, by Richard Wagner, the First Chamber Symphony op.9, by Arnold Schoenberg, and the Piano Sonata op.1, by Berg.Como parte de un amplio proyecto de investigación destinado a elaborar una metodología analítica específica para los procedimientos de variación progresiva, el presente estudio examina la posibilidad de que exista, por así decirlo, una transmisión hereditaria (extraopus) en la construcción de la idea primordial (o Grundgestalt) de una pieza musical. Para ello, se analiza la primera de las Cuatro Canciones op.2, de Alban Berg, cuyo Grundgestalt es un complejo formado por varias transformaciones de elementos clave tomados de tres obras: Tristan und Isolde de Richard Wagner, la Primera Sinfonía de Cámara op.9 de Arnold Schoenberg y la Sonata para piano op.1 de Berg.Integrando um amplo projeto de pesquisa que visa elaborar uma metodologia analítica específica para os procedimentos de variação progressiva, o presente estudo examina a possibilidade de existência de, por assim dizer, transmissão hereditária (extraopus) na construção da ideia primordial (ou Grundgestalt) de uma peça musical. Para isso, é analisada a primeira das Quatro Canções op.2, de Alban Berg, cuja Grundgestalt apresenta-se como um complexo formado por várias transformações de elementos-chave extraídos de três obras: Tristão e Isolda de Richard Wagner, a Primeira Sinfonia de Câmara op.9 de Arnold Schoenberg e a Sonata para Piano op.1, do próprio Berg.Universidade Federal de Minas Gerais (UFMG)2013-06-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39726Per Musi; No. 27 (2013): General Topics; 1-14Per Musi; Núm. 27 (2013): General Topics; 1-14Per Musi; n. 27 (2013): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39726/30482http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAlmada, Carlos de Lemos 2022-06-03T19:21:37Zoai:periodicos.ufmg.br:article/39726Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:21:37Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
Simbología y herencia en la formación de un Grundgestalt: la primera de las cuatro canciones Op.2 de Berg
Simbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de Berg
title Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
spellingShingle Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
Almada, Carlos de Lemos
Grundgestalt and developing variation
Musical symbology
Extraopus transmission
Grundgestalt e variação progressiva
Simbologia musical
Transmissão extraopus
Grundgestalt y variación progresiva
mbología musical
Transmisión extraopus
title_short Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
title_full Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
title_fullStr Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
title_full_unstemmed Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
title_sort Symbology and heredity on the formation of a Grundgestalt: the first of Berg ́s Four Songs Op.2
author Almada, Carlos de Lemos
author_facet Almada, Carlos de Lemos
author_role author
dc.contributor.author.fl_str_mv Almada, Carlos de Lemos
dc.subject.por.fl_str_mv Grundgestalt and developing variation
Musical symbology
Extraopus transmission
Grundgestalt e variação progressiva
Simbologia musical
Transmissão extraopus
Grundgestalt y variación progresiva
mbología musical
Transmisión extraopus
topic Grundgestalt and developing variation
Musical symbology
Extraopus transmission
Grundgestalt e variação progressiva
Simbologia musical
Transmissão extraopus
Grundgestalt y variación progresiva
mbología musical
Transmisión extraopus
description As a part of a broad research project that aims at elaborating a specific analytical methodology for the procedures of developing variation, the present study examines the possibility of, so to speak, hereditary (extraopus) transmission in the construction of the primordial idea (or Grundgestalt) of a musical piece. Thus, the analysis was focused on the first of the Four Songs op.2, by Alban Berg, of which the Grundgestalt is presented as a complex formed by several transformations of key-elements extracted from three pieces: Tristan and Isolde, by Richard Wagner, the First Chamber Symphony op.9, by Arnold Schoenberg, and the Piano Sonata op.1, by Berg.
publishDate 2013
dc.date.none.fl_str_mv 2013-06-13
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text
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39726
url https://periodicos.ufmg.br/index.php/permusi/article/view/39726
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39726/30482
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 27 (2013): General Topics; 1-14
Per Musi; Núm. 27 (2013): General Topics; 1-14
Per Musi; n. 27 (2013): General Topics; 1-14
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
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