A discussion of texture theory and wallace berry's concept of density-compression

Detalhes bibliográficos
Autor(a) principal: Jara, Alejandro
Data de Publicação: 2023
Outros Autores: Irlandini, Luigi Antonio
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/40979
Resumo: The theory of texture developed by Wallace Berry allows us to visualize the role that texture plays in music and relates this element to the design of the musical form. However, the analysis made by Berry may not be applicable to repertoires in which the dominant temporal component is different from the linearity, or the becoming, of the classical and romantic periods, that is, repertoires that have non-linear or static temporalities of being. In regard to this type of repertoire, Berry's theory applies only partially, that is, only to quantitative aspects, namely, the concepts of density-number, density-compression, and space-texture. This work delves into the density-compression indicator proposed by Berry and modifies it to identify the segments of high compression, thus evaluating the compression characteristics from their internal dispositions, and not from their global aspects, such as it had been defined by Berry.
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spelling A discussion of texture theory and wallace berry's concept of density-compression Una discusión sobre la teoría de la textura y el concepto de densidad-compresión de Wallace BerryUma discussão sobre a teoria da textura e o conceito de densidade-compressão de Wallace BerryTextureWallace BerryDensity-compressionTemporalityLinearity and nonlinearityTexturaWallace BerryDensidade-compressãoTemporalidadeLinearidade e não-linearidadeTexturaWallace BerryDensidad-compresiónTemporalidadLinealidad y no linealidadThe theory of texture developed by Wallace Berry allows us to visualize the role that texture plays in music and relates this element to the design of the musical form. However, the analysis made by Berry may not be applicable to repertoires in which the dominant temporal component is different from the linearity, or the becoming, of the classical and romantic periods, that is, repertoires that have non-linear or static temporalities of being. In regard to this type of repertoire, Berry's theory applies only partially, that is, only to quantitative aspects, namely, the concepts of density-number, density-compression, and space-texture. This work delves into the density-compression indicator proposed by Berry and modifies it to identify the segments of high compression, thus evaluating the compression characteristics from their internal dispositions, and not from their global aspects, such as it had been defined by Berry.La teoría de la textura desarrollada por Wallace Berry nos permite visualizar el papel que juega la textura en la música, pudiendo relacionar este elemento con el diseño de la forma musical. Sin embargo, los análisis realizados por Berry pueden no ser aplicables a repertorios en los que la componente temporal dominante es diferente a la linealidad, o al devenir, de los periodos clásico y romántico, es decir, repertorios que tienen, como poética composicional, temporalidades no lineales que tienden al presente del ser. En este tipo de repertorio, la teoría de Berry puede ser parcialmente aplicada, es decir, solo en los aspectos cuantitativos, a saber, los conceptos de densidad-número, densidad-compresión y espacio-textural. Este trabajo ahonda en el indicador de densidad-compresión propuesto por Berry, el cual se modifica para identificar segmentos de alta compresión, evaluando así las características de compresión desde sus disposiciones internas, y no desde sus aspectos globales, como fuera definido por Berry.A teoria da textura desenvolvida por Wallace Berry permite visualizar o papel que a textura desempenha dentro da música, podendo relacionar tal elemento com o delineamento da forma musical. No entanto, as análises feitas por Berry podem não ser aplicáveis a repertórios em que a componente temporal dominante seja diferente à linearidade, ou o devir, dos períodos clássicos e românticos, ou seja, repertórios que têm como poética composicional temporalidades não-lineares que tendem ao presente do ser. Nesse tipo de repertorio, a teoria de Berry pode ser aplicável parcialmente, isto é, unicamente sobre os aspectos quantitativos, a saber, os conceitos de densidade-número, densidade-compressão e espaço-textural. Este trabalho aprofunda-se no indicador de densidade-compressão proposto por Berry, o qual é modificado para identificar os segmentos de alta compressão, avaliando, assim, as caraterísticas de compressão a partir de suas disposições internas, e não de seus aspectos globais, como fora definido por Berry.Universidade Federal de Minas Gerais (UFMG)2023-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4097910.35699/2317-6377.2023.40979Per Musi; Vol. 24 (2023): General Topics; 1-19Per Musi; Vol. 24 (2023): General Topics; 1-19Per Musi; v. 24 (2023): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40979/39069https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39070https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39068Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessJara, AlejandroIrlandini, Luigi Antonio2024-02-06T00:28:11Zoai:periodicos.ufmg.br:article/40979Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-02-06T00:28:11Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv A discussion of texture theory and wallace berry's concept of density-compression
Una discusión sobre la teoría de la textura y el concepto de densidad-compresión de Wallace Berry
Uma discussão sobre a teoria da textura e o conceito de densidade-compressão de Wallace Berry
title A discussion of texture theory and wallace berry's concept of density-compression
spellingShingle A discussion of texture theory and wallace berry's concept of density-compression
Jara, Alejandro
Texture
Wallace Berry
Density-compression
Temporality
Linearity and nonlinearity
Textura
Wallace Berry
Densidade-compressão
Temporalidade
Linearidade e não-linearidade
Textura
Wallace Berry
Densidad-compresión
Temporalidad
Linealidad y no linealidad
title_short A discussion of texture theory and wallace berry's concept of density-compression
title_full A discussion of texture theory and wallace berry's concept of density-compression
title_fullStr A discussion of texture theory and wallace berry's concept of density-compression
title_full_unstemmed A discussion of texture theory and wallace berry's concept of density-compression
title_sort A discussion of texture theory and wallace berry's concept of density-compression
author Jara, Alejandro
author_facet Jara, Alejandro
Irlandini, Luigi Antonio
author_role author
author2 Irlandini, Luigi Antonio
author2_role author
dc.contributor.author.fl_str_mv Jara, Alejandro
Irlandini, Luigi Antonio
dc.subject.por.fl_str_mv Texture
Wallace Berry
Density-compression
Temporality
Linearity and nonlinearity
Textura
Wallace Berry
Densidade-compressão
Temporalidade
Linearidade e não-linearidade
Textura
Wallace Berry
Densidad-compresión
Temporalidad
Linealidad y no linealidad
topic Texture
Wallace Berry
Density-compression
Temporality
Linearity and nonlinearity
Textura
Wallace Berry
Densidade-compressão
Temporalidade
Linearidade e não-linearidade
Textura
Wallace Berry
Densidad-compresión
Temporalidad
Linealidad y no linealidad
description The theory of texture developed by Wallace Berry allows us to visualize the role that texture plays in music and relates this element to the design of the musical form. However, the analysis made by Berry may not be applicable to repertoires in which the dominant temporal component is different from the linearity, or the becoming, of the classical and romantic periods, that is, repertoires that have non-linear or static temporalities of being. In regard to this type of repertoire, Berry's theory applies only partially, that is, only to quantitative aspects, namely, the concepts of density-number, density-compression, and space-texture. This work delves into the density-compression indicator proposed by Berry and modifies it to identify the segments of high compression, thus evaluating the compression characteristics from their internal dispositions, and not from their global aspects, such as it had been defined by Berry.
publishDate 2023
dc.date.none.fl_str_mv 2023-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40979
10.35699/2317-6377.2023.40979
url https://periodicos.ufmg.br/index.php/permusi/article/view/40979
identifier_str_mv 10.35699/2317-6377.2023.40979
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39069
https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39070
https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39068
dc.rights.driver.fl_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; Vol. 24 (2023): General Topics; 1-19
Per Musi; Vol. 24 (2023): General Topics; 1-19
Per Musi; v. 24 (2023): General Topics; 1-19
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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