A discussion of texture theory and wallace berry's concept of density-compression
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/40979 |
Resumo: | The theory of texture developed by Wallace Berry allows us to visualize the role that texture plays in music and relates this element to the design of the musical form. However, the analysis made by Berry may not be applicable to repertoires in which the dominant temporal component is different from the linearity, or the becoming, of the classical and romantic periods, that is, repertoires that have non-linear or static temporalities of being. In regard to this type of repertoire, Berry's theory applies only partially, that is, only to quantitative aspects, namely, the concepts of density-number, density-compression, and space-texture. This work delves into the density-compression indicator proposed by Berry and modifies it to identify the segments of high compression, thus evaluating the compression characteristics from their internal dispositions, and not from their global aspects, such as it had been defined by Berry. |
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A discussion of texture theory and wallace berry's concept of density-compression Una discusión sobre la teoría de la textura y el concepto de densidad-compresión de Wallace BerryUma discussão sobre a teoria da textura e o conceito de densidade-compressão de Wallace BerryTextureWallace BerryDensity-compressionTemporalityLinearity and nonlinearityTexturaWallace BerryDensidade-compressãoTemporalidadeLinearidade e não-linearidadeTexturaWallace BerryDensidad-compresiónTemporalidadLinealidad y no linealidadThe theory of texture developed by Wallace Berry allows us to visualize the role that texture plays in music and relates this element to the design of the musical form. However, the analysis made by Berry may not be applicable to repertoires in which the dominant temporal component is different from the linearity, or the becoming, of the classical and romantic periods, that is, repertoires that have non-linear or static temporalities of being. In regard to this type of repertoire, Berry's theory applies only partially, that is, only to quantitative aspects, namely, the concepts of density-number, density-compression, and space-texture. This work delves into the density-compression indicator proposed by Berry and modifies it to identify the segments of high compression, thus evaluating the compression characteristics from their internal dispositions, and not from their global aspects, such as it had been defined by Berry.La teoría de la textura desarrollada por Wallace Berry nos permite visualizar el papel que juega la textura en la música, pudiendo relacionar este elemento con el diseño de la forma musical. Sin embargo, los análisis realizados por Berry pueden no ser aplicables a repertorios en los que la componente temporal dominante es diferente a la linealidad, o al devenir, de los periodos clásico y romántico, es decir, repertorios que tienen, como poética composicional, temporalidades no lineales que tienden al presente del ser. En este tipo de repertorio, la teoría de Berry puede ser parcialmente aplicada, es decir, solo en los aspectos cuantitativos, a saber, los conceptos de densidad-número, densidad-compresión y espacio-textural. Este trabajo ahonda en el indicador de densidad-compresión propuesto por Berry, el cual se modifica para identificar segmentos de alta compresión, evaluando así las características de compresión desde sus disposiciones internas, y no desde sus aspectos globales, como fuera definido por Berry.A teoria da textura desenvolvida por Wallace Berry permite visualizar o papel que a textura desempenha dentro da música, podendo relacionar tal elemento com o delineamento da forma musical. No entanto, as análises feitas por Berry podem não ser aplicáveis a repertórios em que a componente temporal dominante seja diferente à linearidade, ou o devir, dos períodos clássicos e românticos, ou seja, repertórios que têm como poética composicional temporalidades não-lineares que tendem ao presente do ser. Nesse tipo de repertorio, a teoria de Berry pode ser aplicável parcialmente, isto é, unicamente sobre os aspectos quantitativos, a saber, os conceitos de densidade-número, densidade-compressão e espaço-textural. Este trabalho aprofunda-se no indicador de densidade-compressão proposto por Berry, o qual é modificado para identificar os segmentos de alta compressão, avaliando, assim, as caraterísticas de compressão a partir de suas disposições internas, e não de seus aspectos globais, como fora definido por Berry.Universidade Federal de Minas Gerais (UFMG)2023-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4097910.35699/2317-6377.2023.40979Per Musi; Vol. 24 (2023): General Topics; 1-19Per Musi; Vol. 24 (2023): General Topics; 1-19Per Musi; v. 24 (2023): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40979/39069https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39070https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39068Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessJara, AlejandroIrlandini, Luigi Antonio2024-02-06T00:28:11Zoai:periodicos.ufmg.br:article/40979Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-02-06T00:28:11Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
A discussion of texture theory and wallace berry's concept of density-compression Una discusión sobre la teoría de la textura y el concepto de densidad-compresión de Wallace Berry Uma discussão sobre a teoria da textura e o conceito de densidade-compressão de Wallace Berry |
title |
A discussion of texture theory and wallace berry's concept of density-compression |
spellingShingle |
A discussion of texture theory and wallace berry's concept of density-compression Jara, Alejandro Texture Wallace Berry Density-compression Temporality Linearity and nonlinearity Textura Wallace Berry Densidade-compressão Temporalidade Linearidade e não-linearidade Textura Wallace Berry Densidad-compresión Temporalidad Linealidad y no linealidad |
title_short |
A discussion of texture theory and wallace berry's concept of density-compression |
title_full |
A discussion of texture theory and wallace berry's concept of density-compression |
title_fullStr |
A discussion of texture theory and wallace berry's concept of density-compression |
title_full_unstemmed |
A discussion of texture theory and wallace berry's concept of density-compression |
title_sort |
A discussion of texture theory and wallace berry's concept of density-compression |
author |
Jara, Alejandro |
author_facet |
Jara, Alejandro Irlandini, Luigi Antonio |
author_role |
author |
author2 |
Irlandini, Luigi Antonio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Jara, Alejandro Irlandini, Luigi Antonio |
dc.subject.por.fl_str_mv |
Texture Wallace Berry Density-compression Temporality Linearity and nonlinearity Textura Wallace Berry Densidade-compressão Temporalidade Linearidade e não-linearidade Textura Wallace Berry Densidad-compresión Temporalidad Linealidad y no linealidad |
topic |
Texture Wallace Berry Density-compression Temporality Linearity and nonlinearity Textura Wallace Berry Densidade-compressão Temporalidade Linearidade e não-linearidade Textura Wallace Berry Densidad-compresión Temporalidad Linealidad y no linealidad |
description |
The theory of texture developed by Wallace Berry allows us to visualize the role that texture plays in music and relates this element to the design of the musical form. However, the analysis made by Berry may not be applicable to repertoires in which the dominant temporal component is different from the linearity, or the becoming, of the classical and romantic periods, that is, repertoires that have non-linear or static temporalities of being. In regard to this type of repertoire, Berry's theory applies only partially, that is, only to quantitative aspects, namely, the concepts of density-number, density-compression, and space-texture. This work delves into the density-compression indicator proposed by Berry and modifies it to identify the segments of high compression, thus evaluating the compression characteristics from their internal dispositions, and not from their global aspects, such as it had been defined by Berry. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-10-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/40979 10.35699/2317-6377.2023.40979 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/40979 |
identifier_str_mv |
10.35699/2317-6377.2023.40979 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39069 https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39070 https://periodicos.ufmg.br/index.php/permusi/article/view/40979/39068 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html text/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; Vol. 24 (2023): General Topics; 1-19 Per Musi; Vol. 24 (2023): General Topics; 1-19 Per Musi; v. 24 (2023): General Topics; 1-19 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237205917696 |