Considerations on Harmonization and Popular Music in Supplementary Piano Discipline
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/5166 |
Resumo: | The proposed discussion centres around the need to update the various formal and informal education processes of the contemporary musician in relation to the theory and practice of harmony. Within this scope, this article discusses Harmonization within the context of popular piano teaching as an integral part of the Complementary Piano discipline. To do this, first we contextualize the teaching of popular music in Brazil and the concepts of Harmony and Harmonization within a succession of historical processes. Second, we present an experiment applying harmonizations of the Brazilian folk song Sambalelê with Complementary Piano students from two Brazilian Universities. We conclude that Harmony, besides being treated as a theoretical discipline, should be seen as a foundation of musical knowledge focused on performance and instrumental practice. Also that the ability to harmonize melodies is directly linked to how one can apply that knowledge to piano playing. |
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Considerations on Harmonization and Popular Music in Supplementary Piano DisciplineConsiderações sobre harmonização e música popular na disciplina Piano Complementarharmonizationpopular pianosupplementary pianopiano pedagogygroup pianoharmonizaçãopiano popularpiano complementarpedagogia do pianopiano em grupoThe proposed discussion centres around the need to update the various formal and informal education processes of the contemporary musician in relation to the theory and practice of harmony. Within this scope, this article discusses Harmonization within the context of popular piano teaching as an integral part of the Complementary Piano discipline. To do this, first we contextualize the teaching of popular music in Brazil and the concepts of Harmony and Harmonization within a succession of historical processes. Second, we present an experiment applying harmonizations of the Brazilian folk song Sambalelê with Complementary Piano students from two Brazilian Universities. We conclude that Harmony, besides being treated as a theoretical discipline, should be seen as a foundation of musical knowledge focused on performance and instrumental practice. Also that the ability to harmonize melodies is directly linked to how one can apply that knowledge to piano playing.A discussão proposta encontra-se pautada na necessidade da atualização dos variados processos de formação formal e informal da teoria e prática da harmonia do músico contemporâneo. Dentro desse escopo, o presente artigo discute a Harmonização a partir do contexto do ensino do piano popular como parte integrante da disciplina Piano Complementar. Para isso, primeiramente contextualiza-se o ensino da música popular no Brasil e os conceitos de Harmonia e Harmonização dentro de uma sucessão de processos históricos. Segundo, apresenta-se um experimento aplicando harmonizações da canção folclórica Sambalelê com duas turmas da disciplina Piano Complementar de duas instituições de nível superior brasileiras. Conclui-se que a Harmonia, além de ser tratada como disciplina teórica, deve ser vista como um alicerce do conhecimento musical voltado à performance e prática instrumental e a capacidade de harmonizar melodias está diretamente ligada à aplicabilidade que se faz dela diretamente ao piano.Universidade Federal de Minas Gerais (UFMG)2018-05-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/516610.35699/2317-6377.2017.5166Per Musi; No. 37 (2017): General TopicsPer Musi; Núm. 37 (2017): General TopicsPer Musi; n. 37 (2017): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5166/3208Bollos, Liliana HarbCosta, Carlos Henriqueinfo:eu-repo/semantics/openAccess2020-02-27T19:17:11Zoai:periodicos.ufmg.br:article/5166Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T19:17:11Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline Considerações sobre harmonização e música popular na disciplina Piano Complementar |
title |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline |
spellingShingle |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline Bollos, Liliana Harb harmonization popular piano supplementary piano piano pedagogy group piano harmonização piano popular piano complementar pedagogia do piano piano em grupo |
title_short |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline |
title_full |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline |
title_fullStr |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline |
title_full_unstemmed |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline |
title_sort |
Considerations on Harmonization and Popular Music in Supplementary Piano Discipline |
author |
Bollos, Liliana Harb |
author_facet |
Bollos, Liliana Harb Costa, Carlos Henrique |
author_role |
author |
author2 |
Costa, Carlos Henrique |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Bollos, Liliana Harb Costa, Carlos Henrique |
dc.subject.por.fl_str_mv |
harmonization popular piano supplementary piano piano pedagogy group piano harmonização piano popular piano complementar pedagogia do piano piano em grupo |
topic |
harmonization popular piano supplementary piano piano pedagogy group piano harmonização piano popular piano complementar pedagogia do piano piano em grupo |
description |
The proposed discussion centres around the need to update the various formal and informal education processes of the contemporary musician in relation to the theory and practice of harmony. Within this scope, this article discusses Harmonization within the context of popular piano teaching as an integral part of the Complementary Piano discipline. To do this, first we contextualize the teaching of popular music in Brazil and the concepts of Harmony and Harmonization within a succession of historical processes. Second, we present an experiment applying harmonizations of the Brazilian folk song Sambalelê with Complementary Piano students from two Brazilian Universities. We conclude that Harmony, besides being treated as a theoretical discipline, should be seen as a foundation of musical knowledge focused on performance and instrumental practice. Also that the ability to harmonize melodies is directly linked to how one can apply that knowledge to piano playing. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5166 10.35699/2317-6377.2017.5166 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/5166 |
identifier_str_mv |
10.35699/2317-6377.2017.5166 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5166/3208 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 37 (2017): General Topics Per Musi; Núm. 37 (2017): General Topics Per Musi; n. 37 (2017): General Topics 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711235570139136 |