"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing

Detalhes bibliográficos
Autor(a) principal: Garbuio, Rafael Luís
Data de Publicação: 2015
Outros Autores: Fiorini, Carlos Fernando
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38464
Resumo: Gesualdo’s compositional writing evolves throughout his six books of madrigals. In the first period, Gesualdo used the most common procedures, such as the contrast between counterpoint and homophony. In the following periods, he began to look for more sophisticated musical elements in order to explore different sounds. Through this process, the composer vigorously emphasized words and, thus, the narrative of the poems, reaching for uncommon harmonic resultants and false melodic relations. The analysis of these words in procedures by Gesualdo reveals his deepening of expressivity and a maturing style.
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spelling "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing"Amor" y "muerte" en los madrigales de Carlo Gesualdo : un estudio sobre el desarrollo de la escritura musical y textual“Amor” e “morte” nos madrigais de Carlo Gesualdo : um estudo sobre o desenvolvimento da escrita musical e textualRenaissanceItalian madrigalCarlo GesualdoMusic and textRenascimentoMadrigal italianoCarlo GesualdoMúsica e textoRenacimientoMadrigal italianoCarlo GesualdoMúsica y textoGesualdo’s compositional writing evolves throughout his six books of madrigals. In the first period, Gesualdo used the most common procedures, such as the contrast between counterpoint and homophony. In the following periods, he began to look for more sophisticated musical elements in order to explore different sounds. Through this process, the composer vigorously emphasized words and, thus, the narrative of the poems, reaching for uncommon harmonic resultants and false melodic relations. The analysis of these words in procedures by Gesualdo reveals his deepening of expressivity and a maturing style.La escritura musical del compositor Carlo Gesualdo se transforma a lo largo de sus seis libros de madrigales. En la primera fase, Gesualdo utilizó los procedimientos más comunes en la escritura musical para destacar estos términos, como la escritura contrapuntística, en contraste con la escritura homofónica. En las siguientes fases, comenzó a buscar elementos musicales más sofisticados que le permitieran explorar diferentes sonoridades. A través de este proceso, el compositor destacó, de forma más contundente, palabras y narraciones de los poemas, recurriendo principalmente a resultantes armónicas inusuales y a falsas relaciones melódicas. El análisis del uso de estos términos a lo largo de la obra demostró la profundización de la expresividad y la maduración de los procedimientos musicales utilizados por el compositor.A escrita musical do compositor Carlo Gesualdo transforma-se ao longo de seus seis livros de madrigais. Na primeira fase, Gesualdo utilizava os procedimentos mais comuns na escrita musical para ressaltar estes termos, como a escrita contrapontística, contrastando com a escrita homofônica. Nas fases seguintes, ele passou a procurar elementos musicais mais sofisticados que permitissem explorar diferentes sonoridades. Por meio deste processo, o compositor destacou, de forma mais contundente, palavras e narrações dos poemas, recorrendo principalmente a resultantes harmônicas incomuns e a falsas relações melódicas. A análise do uso destes termos ao longo da obra demonstrou o aprofundamento da expressividade e o amadurecimento dos procedimentos musicais utilizados pelo compositor.Universidade Federal de Minas Gerais (UFMG)2015-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38464Per Musi; No. 32 (2015): General Topics; 1-30Per Musi; Núm. 32 (2015): General Topics; 1-30Per Musi; n. 32 (2015): General Topics; 1-302317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38464/29915Copyright (c) 2015 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGarbuio, Rafael Luís Fiorini, Carlos Fernando 2022-04-07T22:45:43Zoai:periodicos.ufmg.br:article/38464Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-04-07T22:45:43Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
"Amor" y "muerte" en los madrigales de Carlo Gesualdo : un estudio sobre el desarrollo de la escritura musical y textual
“Amor” e “morte” nos madrigais de Carlo Gesualdo : um estudo sobre o desenvolvimento da escrita musical e textual
title "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
spellingShingle "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
Garbuio, Rafael Luís
Renaissance
Italian madrigal
Carlo Gesualdo
Music and text
Renascimento
Madrigal italiano
Carlo Gesualdo
Música e texto
Renacimiento
Madrigal italiano
Carlo Gesualdo
Música y texto
title_short "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
title_full "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
title_fullStr "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
title_full_unstemmed "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
title_sort "Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
author Garbuio, Rafael Luís
author_facet Garbuio, Rafael Luís
Fiorini, Carlos Fernando
author_role author
author2 Fiorini, Carlos Fernando
author2_role author
dc.contributor.author.fl_str_mv Garbuio, Rafael Luís
Fiorini, Carlos Fernando
dc.subject.por.fl_str_mv Renaissance
Italian madrigal
Carlo Gesualdo
Music and text
Renascimento
Madrigal italiano
Carlo Gesualdo
Música e texto
Renacimiento
Madrigal italiano
Carlo Gesualdo
Música y texto
topic Renaissance
Italian madrigal
Carlo Gesualdo
Music and text
Renascimento
Madrigal italiano
Carlo Gesualdo
Música e texto
Renacimiento
Madrigal italiano
Carlo Gesualdo
Música y texto
description Gesualdo’s compositional writing evolves throughout his six books of madrigals. In the first period, Gesualdo used the most common procedures, such as the contrast between counterpoint and homophony. In the following periods, he began to look for more sophisticated musical elements in order to explore different sounds. Through this process, the composer vigorously emphasized words and, thus, the narrative of the poems, reaching for uncommon harmonic resultants and false melodic relations. The analysis of these words in procedures by Gesualdo reveals his deepening of expressivity and a maturing style.
publishDate 2015
dc.date.none.fl_str_mv 2015-11-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38464
url https://periodicos.ufmg.br/index.php/permusi/article/view/38464
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38464/29915
dc.rights.driver.fl_str_mv Copyright (c) 2015 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 32 (2015): General Topics; 1-30
Per Musi; Núm. 32 (2015): General Topics; 1-30
Per Musi; n. 32 (2015): General Topics; 1-30
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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