Looking for a place for Sonification: Sons de Silício and the Buzu installation

Detalhes bibliográficos
Autor(a) principal: Jaramillo Arango, Julian
Data de Publicação: 2021
Outros Autores: Iazzetta, Fernando, Figueiró, Crisitiano, Viveros Astorga, Esteban
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/26078
Resumo: This paper discusses the concept of sonification aplied to the Sons de Silício exhibition and more specifically to the design of Buzu, an audiovisual installation that generates an auditory image of the São Paulo bus transportation system. Buzu makes perceptible information of both the system’s planning and behavior during a particular week in October 2017. The work is an artistic outcome of the InterSCity project, an inter‐institutional research initiative concerning the Future Internet and the Smart Cities. Along with the discussion of the Buzu creative process we will examine mining and processing strategies related to the sonification of big data, data‐to‐sound mapping methods, auditory structure for displaying the material and the public exhibition of the work in the context of an artistic event.
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spelling Looking for a place for Sonification: Sons de Silício and the Buzu installationBuscando un espacio de sonificación: Sons de silicio y la instalación BuzuProcurando um Espaço para a Sonificação: Sons de Silício e a Instalação BuzuSonificationBig DataComputer MusicSound ArtArt‐ScienceSonificaçãoBig DataComputação MusicalArte SonoraArte-CiênciaSonificaciónBig DataComputación musicalArte sonoroArte-CienciaThis paper discusses the concept of sonification aplied to the Sons de Silício exhibition and more specifically to the design of Buzu, an audiovisual installation that generates an auditory image of the São Paulo bus transportation system. Buzu makes perceptible information of both the system’s planning and behavior during a particular week in October 2017. The work is an artistic outcome of the InterSCity project, an inter‐institutional research initiative concerning the Future Internet and the Smart Cities. Along with the discussion of the Buzu creative process we will examine mining and processing strategies related to the sonification of big data, data‐to‐sound mapping methods, auditory structure for displaying the material and the public exhibition of the work in the context of an artistic event.En este artículo se analiza el concepto de sonificación aplicado a la Exposición Sons de Silício y, más específicamente, el diseño de Buzu, una instalación audiovisual que genera una imagen auditiva del sistema de transporte urbano de buses de São Paulo. Buzu hace que la información tanto sobre la planificación como sobre el comportamiento del sistema de transporte urbano sea perceptible durante una semana concreta de octubre de 2017. El trabajo es un resultado artístico del Proyecto InterSCity, una iniciativa de investigación interinstitucional sobre Internet del Futuro y Ciudades inteligentes. Además de discutir el proceso de creación de Buzu, examinaremos las estrategias de mapeo y procesamiento relacionadas con la sonificación de big data, el método de mapeo de sonido, la estructura auditiva para mostrar material y la visualización del trabajo. en el contexto de una exposición artística.Este artigo discute o conceito de sonificação aplicado à Exposição Sons de Silício e, mais especificamente, o design de Buzu, uma instalação audiovisual que gera uma imagem auditiva do sistema de transporte por ônibus urbano de São Paulo. Buzu torna perceptíveis as informações tanto do planejamento, quanto do comportamento do sistema de transporte urbano durante uma semana específica em outubro de 2017. O trabalho é um resultado artístico do Projeto InterSCity, uma iniciativa de pesquisa interinstitucional sobre a Internet do Futuro e as Cidades Inteligentes. Além de discutirmos o processo de criação do Buzu, nós iremos examinar as estratégias de mapeamento e processamento relacionadas à sonificação de big data, o método de mapeamento sonoro, a estrutura auditiva para exibir o material e a exibição pública da obra no contexto de uma exposição artística.Universidade Federal de Minas Gerais (UFMG)2021-06-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2607810.35699/2317-6377.2020.26078Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-14Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-14Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/26078/37651https://periodicos.ufmg.br/index.php/permusi/article/view/26078/27510Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessJaramillo Arango, JulianIazzetta, FernandoFigueiró, CrisitianoViveros Astorga, Esteban2023-05-05T19:41:26Zoai:periodicos.ufmg.br:article/26078Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-05T19:41:26Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Looking for a place for Sonification: Sons de Silício and the Buzu installation
Buscando un espacio de sonificación: Sons de silicio y la instalación Buzu
Procurando um Espaço para a Sonificação: Sons de Silício e a Instalação Buzu
title Looking for a place for Sonification: Sons de Silício and the Buzu installation
spellingShingle Looking for a place for Sonification: Sons de Silício and the Buzu installation
Jaramillo Arango, Julian
Sonification
Big Data
Computer Music
Sound Art
Art‐Science
Sonificação
Big Data
Computação Musical
Arte Sonora
Arte-Ciência
Sonificación
Big Data
Computación musical
Arte sonoro
Arte-Ciencia
title_short Looking for a place for Sonification: Sons de Silício and the Buzu installation
title_full Looking for a place for Sonification: Sons de Silício and the Buzu installation
title_fullStr Looking for a place for Sonification: Sons de Silício and the Buzu installation
title_full_unstemmed Looking for a place for Sonification: Sons de Silício and the Buzu installation
title_sort Looking for a place for Sonification: Sons de Silício and the Buzu installation
author Jaramillo Arango, Julian
author_facet Jaramillo Arango, Julian
Iazzetta, Fernando
Figueiró, Crisitiano
Viveros Astorga, Esteban
author_role author
author2 Iazzetta, Fernando
Figueiró, Crisitiano
Viveros Astorga, Esteban
author2_role author
author
author
dc.contributor.author.fl_str_mv Jaramillo Arango, Julian
Iazzetta, Fernando
Figueiró, Crisitiano
Viveros Astorga, Esteban
dc.subject.por.fl_str_mv Sonification
Big Data
Computer Music
Sound Art
Art‐Science
Sonificação
Big Data
Computação Musical
Arte Sonora
Arte-Ciência
Sonificación
Big Data
Computación musical
Arte sonoro
Arte-Ciencia
topic Sonification
Big Data
Computer Music
Sound Art
Art‐Science
Sonificação
Big Data
Computação Musical
Arte Sonora
Arte-Ciência
Sonificación
Big Data
Computación musical
Arte sonoro
Arte-Ciencia
description This paper discusses the concept of sonification aplied to the Sons de Silício exhibition and more specifically to the design of Buzu, an audiovisual installation that generates an auditory image of the São Paulo bus transportation system. Buzu makes perceptible information of both the system’s planning and behavior during a particular week in October 2017. The work is an artistic outcome of the InterSCity project, an inter‐institutional research initiative concerning the Future Internet and the Smart Cities. Along with the discussion of the Buzu creative process we will examine mining and processing strategies related to the sonification of big data, data‐to‐sound mapping methods, auditory structure for displaying the material and the public exhibition of the work in the context of an artistic event.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26078
10.35699/2317-6377.2020.26078
url https://periodicos.ufmg.br/index.php/permusi/article/view/26078
identifier_str_mv 10.35699/2317-6377.2020.26078
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26078/37651
https://periodicos.ufmg.br/index.php/permusi/article/view/26078/27510
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-14
Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-14
Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-14
2317-6377
1517-7599
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instname_str Universidade Federal de Minas Gerais (UFMG)
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reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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