Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão
Autor(a) principal: | |
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Data de Publicação: | 2013 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/39594 |
Resumo: | In the 1980s, jazz fusion had great international repercussion. In Brazil, it was seen as a symbol of modernity and considered by critics as being a musical forefront, influencing significantly instrumental music groups. This study focuses on the musical production of the Medusa Group, formed in São Paulo by renowned Brazilian popular musicians. The purpose of this article is to understand, through a rhythmic, melodic, harmonic and structural analysis of the song Pé no Chão (Feet on the Ground), the way in which the Group Medusa blends musical elements of Brazilian and American popular styles, obtaining an hybrid sound. It also tries to identify appropriations of musical procedures from fusion, performed in the song. |
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Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chãoHibridación en la música instrumental del Grupo Medusa: Asociación de géneros musicales distintos en Pé no chãoHibridismo na música instrumental do Grupo Medusa: Associação de gêneros musicais distintos em Pé no chãoHybridismPopular musicInstrumental musicBrazilian Medusa GroupHibridismoMúsica popularMúsica instrumentalGrupo MedusaHibridismoMúsica popularMúsica instrumentalGrupo MedusaIn the 1980s, jazz fusion had great international repercussion. In Brazil, it was seen as a symbol of modernity and considered by critics as being a musical forefront, influencing significantly instrumental music groups. This study focuses on the musical production of the Medusa Group, formed in São Paulo by renowned Brazilian popular musicians. The purpose of this article is to understand, through a rhythmic, melodic, harmonic and structural analysis of the song Pé no Chão (Feet on the Ground), the way in which the Group Medusa blends musical elements of Brazilian and American popular styles, obtaining an hybrid sound. It also tries to identify appropriations of musical procedures from fusion, performed in the song.En los años 80, el jazz fusión tuvo una gran repercusión internacional. En Brasil, fue visto como un símbolo de modernidad y considerado como música de vanguardia por los críticos, influyendo significativamente en los grupos de música instrumental. Este estudio se centra en la producción musical del Grupo Medusa, formado en la ciudad de São Paulo por reconocidos instrumentistas de la escena musical popular brasileña. A través del análisis de los aspectos rítmicos, melódicos, armónicos y estructurales de la canción Pé no Chão, pretendemos entender cómo el Grupo Medusa articula elementos del lenguaje musical de los géneros populares brasileños y norteamericanos, obteniendo una sonoridad híbrida y buscando también identificar la apropiación de procedimientos musicales de fusión.Na década de 1980, o jazz fusion tinha grande repercussão internacional. No Brasil, era visto como símbolo de modernidade e considerado como vanguarda musical pela crítica especializada, influenciando sensivelmente grupos de música instrumental. Este estudo tem como foco a produção musical do Grupo Medusa, formado na cidade São Paulo por músicos instrumentistas renomados do cenário da música popular brasileira. Através da análise dos aspectos rítmicos, melódicos, harmônicos e estruturais da música Pé no Chão, pretende-se compreender o modo pelo qual o Grupo Medusa articula elementos da linguagem musical de gêneros populares brasileiros e norte-americanos, obtendo uma sonoridade híbrida e, buscando também identificar apropriações de procedimentos musicais do fusion realizadas.Universidade Federal de Minas Gerais (UFMG)2013-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39594Per Musi; No. 28 (2013): General Topics; 1-8Per Musi; Núm. 28 (2013): General Topics; 1-8Per Musi; n. 28 (2013): General Topics; 1-82317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39594/30393http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFreire, Guilherme Araujo Santos, Rafael dos 2022-06-03T19:08:18Zoai:periodicos.ufmg.br:article/39594Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:08:18Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão Hibridación en la música instrumental del Grupo Medusa: Asociación de géneros musicales distintos en Pé no chão Hibridismo na música instrumental do Grupo Medusa: Associação de gêneros musicais distintos em Pé no chão |
title |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão |
spellingShingle |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão Freire, Guilherme Araujo Hybridism Popular music Instrumental music Brazilian Medusa Group Hibridismo Música popular Música instrumental Grupo Medusa Hibridismo Música popular Música instrumental Grupo Medusa |
title_short |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão |
title_full |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão |
title_fullStr |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão |
title_full_unstemmed |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão |
title_sort |
Hybridism in the Instrumental Music of the Medusa Group: Association of Different Musical Genres in Pé no chão |
author |
Freire, Guilherme Araujo |
author_facet |
Freire, Guilherme Araujo Santos, Rafael dos |
author_role |
author |
author2 |
Santos, Rafael dos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Freire, Guilherme Araujo Santos, Rafael dos |
dc.subject.por.fl_str_mv |
Hybridism Popular music Instrumental music Brazilian Medusa Group Hibridismo Música popular Música instrumental Grupo Medusa Hibridismo Música popular Música instrumental Grupo Medusa |
topic |
Hybridism Popular music Instrumental music Brazilian Medusa Group Hibridismo Música popular Música instrumental Grupo Medusa Hibridismo Música popular Música instrumental Grupo Medusa |
description |
In the 1980s, jazz fusion had great international repercussion. In Brazil, it was seen as a symbol of modernity and considered by critics as being a musical forefront, influencing significantly instrumental music groups. This study focuses on the musical production of the Medusa Group, formed in São Paulo by renowned Brazilian popular musicians. The purpose of this article is to understand, through a rhythmic, melodic, harmonic and structural analysis of the song Pé no Chão (Feet on the Ground), the way in which the Group Medusa blends musical elements of Brazilian and American popular styles, obtaining an hybrid sound. It also tries to identify appropriations of musical procedures from fusion, performed in the song. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-11-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39594 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/39594 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39594/30393 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 28 (2013): General Topics; 1-8 Per Musi; Núm. 28 (2013): General Topics; 1-8 Per Musi; n. 28 (2013): General Topics; 1-8 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
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1799711236699455488 |