Django Reinhardt’s solo on Flèche d’Or

Detalhes bibliográficos
Autor(a) principal: Cugny , Laurent
Data de Publicação: 2014
Outros Autores: Araújo, Fabiano
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38498
Resumo: Transcription and analysis of Django Reinhardt’s solo on his own composition, Flèche d’Or. The structural and harmonic aspects of this work, recorded in 1952, show great similarities with Milestones (1958) by Miles Davis, a well-known work generally accepted as the first example of the so called modal jazz. This article also presents a transcription of the accents and displaced rhythms performed by the drummer Pierre Lemarchand, in order to demonstrate a measure mistake that could be caused by the recent novelty of this kind of musical form in jazz. The analysis of the solo reveals an “outside” approach by Django as far as the harmony and rhythm are concerned.
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spelling Django Reinhardt’s solo on Flèche d’OrSolo de Django Reinhardt en la Flèche d'OrO Solo de Django Reinhardt em Flèche d’OrDjango Reinhardt and Miles DavisHistory of bebop and modal jazzJazz guitar solo,Jazz in FranceDjango Reinhard e Miles DavisHistória do bebop e jazz modalSolo de guitarra no jazzJazz na FrançaDjango Reinhard y Miles DavisHistoria del bebop y del jazz modalLos solos de guitarra en el jazzEl jazz en FranciaTranscription and analysis of Django Reinhardt’s solo on his own composition, Flèche d’Or. The structural and harmonic aspects of this work, recorded in 1952, show great similarities with Milestones (1958) by Miles Davis, a well-known work generally accepted as the first example of the so called modal jazz. This article also presents a transcription of the accents and displaced rhythms performed by the drummer Pierre Lemarchand, in order to demonstrate a measure mistake that could be caused by the recent novelty of this kind of musical form in jazz. The analysis of the solo reveals an “outside” approach by Django as far as the harmony and rhythm are concerned.Transcripción y análisis del solo de Django Reinhardt en su canción Flèche d'Or. Los aspectos estructurales y armónicos de esta pieza, grabada en enero de 1952, revelan fuertes similitudes con Milestones de Miles Davis, grabada en 1958, que se acepta como la primera del jazz modal. El artículo también presenta una transcripción de los acentos y desplazamientos realizados por el baterista Pierre Lemarchand, para demostrar un error de compás que se explica por el carácter inédito de este tipo de forma musical en el jazz de la época. El análisis revela en el solo de Django un enfoque externo tanto en términos armónicos como rítmicos.Transcrição e análise do solo de Django Reinhardt na música Flèche d’Or, de sua autoria. Os aspectos estruturais e harmônicos desta obra, gravada em janeiro de 1952, revelam forte semelhança com Milestones de Miles Davis, gravada em 1958, que é a aceita como a primeira do jazz modal. O artigo apresenta, também, uma transcrição dos acentos e deslocamentos feitos pelo baterista Pierre Lemarchand, para demonstrar um erro de compasso que pode ser explicado pelo caráter inédito deste tipo de forma musical no jazz da época. A análise revela no solo de Django, uma abordagem outside tanto em termos harmônicos quanto rítmicos.Universidade Federal de Minas Gerais (UFMG)2014-11-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38498Per Musi; No. 30 (2014): General Topics; 1-9Per Musi; Núm. 30 (2014): General Topics; 1-9Per Musi; n. 30 (2014): General Topics; 1-92317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38498/29928Copyright (c) 2014 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCugny , Laurent Araújo, Fabiano 2022-06-03T18:47:27Zoai:periodicos.ufmg.br:article/38498Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T18:47:27Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Django Reinhardt’s solo on Flèche d’Or
Solo de Django Reinhardt en la Flèche d'Or
O Solo de Django Reinhardt em Flèche d’Or
title Django Reinhardt’s solo on Flèche d’Or
spellingShingle Django Reinhardt’s solo on Flèche d’Or
Cugny , Laurent
Django Reinhardt and Miles Davis
History of bebop and modal jazz
Jazz guitar solo,
Jazz in France
Django Reinhard e Miles Davis
História do bebop e jazz modal
Solo de guitarra no jazz
Jazz na França
Django Reinhard y Miles Davis
Historia del bebop y del jazz modal
Los solos de guitarra en el jazz
El jazz en Francia
title_short Django Reinhardt’s solo on Flèche d’Or
title_full Django Reinhardt’s solo on Flèche d’Or
title_fullStr Django Reinhardt’s solo on Flèche d’Or
title_full_unstemmed Django Reinhardt’s solo on Flèche d’Or
title_sort Django Reinhardt’s solo on Flèche d’Or
author Cugny , Laurent
author_facet Cugny , Laurent
Araújo, Fabiano
author_role author
author2 Araújo, Fabiano
author2_role author
dc.contributor.author.fl_str_mv Cugny , Laurent
Araújo, Fabiano
dc.subject.por.fl_str_mv Django Reinhardt and Miles Davis
History of bebop and modal jazz
Jazz guitar solo,
Jazz in France
Django Reinhard e Miles Davis
História do bebop e jazz modal
Solo de guitarra no jazz
Jazz na França
Django Reinhard y Miles Davis
Historia del bebop y del jazz modal
Los solos de guitarra en el jazz
El jazz en Francia
topic Django Reinhardt and Miles Davis
History of bebop and modal jazz
Jazz guitar solo,
Jazz in France
Django Reinhard e Miles Davis
História do bebop e jazz modal
Solo de guitarra no jazz
Jazz na França
Django Reinhard y Miles Davis
Historia del bebop y del jazz modal
Los solos de guitarra en el jazz
El jazz en Francia
description Transcription and analysis of Django Reinhardt’s solo on his own composition, Flèche d’Or. The structural and harmonic aspects of this work, recorded in 1952, show great similarities with Milestones (1958) by Miles Davis, a well-known work generally accepted as the first example of the so called modal jazz. This article also presents a transcription of the accents and displaced rhythms performed by the drummer Pierre Lemarchand, in order to demonstrate a measure mistake that could be caused by the recent novelty of this kind of musical form in jazz. The analysis of the solo reveals an “outside” approach by Django as far as the harmony and rhythm are concerned.
publishDate 2014
dc.date.none.fl_str_mv 2014-11-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38498
url https://periodicos.ufmg.br/index.php/permusi/article/view/38498
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38498/29928
dc.rights.driver.fl_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 30 (2014): General Topics; 1-9
Per Musi; Núm. 30 (2014): General Topics; 1-9
Per Musi; n. 30 (2014): General Topics; 1-9
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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