Viola de dez cordas: entre a tradição e a contemporaneidade

Detalhes bibliográficos
Autor(a) principal: Renato Teixeira Almeida
Data de Publicação: 2013
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFMG
Texto Completo: http://hdl.handle.net/1843/AAGS-9G3H4H
Resumo: The primary aim of this research was, try to understand, based on a critical analisys of the ten strings viola, how and where was made the caipira tradition of this instrument. For which meanings and re-meanings it passed until it gain the nickname viola caipira and how are the index and icons that compose this caipira tradition of the viola, so musical so extra-musical. Furthermore, we also try to understand how this tradition is figure out and how it is presented nowadays. After that, the next aim was discuss how the notions of tradition and contemporarity act on ten strings viola in relationship with its execution, reception, learning or transmition in a way to trans-form, or not, its image that is, until that, intimately connected with the country world. Furthermore, was try to evaluate if, and in how level, this new scene, which seems full of dualisms, in one moment, antagonistic in other, complementary, influence and built the viola players performance in different generations, nowadays. To achieve this objectives, were made questionaries with some people which were related with the world of ten string viola, professionals, amateurs or its admirers. For a better construction of our argument, were also made interviews with some of the most important names of actual imagem of ten strings viola. These datas were confronted among them, with the literature and with the opinion of the author of this paper, which is a viola player too.
id UFMG_a2a6587272c974a9cb254559ee582931
oai_identifier_str oai:repositorio.ufmg.br:1843/AAGS-9G3H4H
network_acronym_str UFMG
network_name_str Repositório Institucional da UFMG
repository_id_str
spelling Viola de dez cordas: entre a tradição e a contemporaneidadeViola caipiratradiçãocontemporaneidadeviola de dez cordasViola caipiraMusicaThe primary aim of this research was, try to understand, based on a critical analisys of the ten strings viola, how and where was made the caipira tradition of this instrument. For which meanings and re-meanings it passed until it gain the nickname viola caipira and how are the index and icons that compose this caipira tradition of the viola, so musical so extra-musical. Furthermore, we also try to understand how this tradition is figure out and how it is presented nowadays. After that, the next aim was discuss how the notions of tradition and contemporarity act on ten strings viola in relationship with its execution, reception, learning or transmition in a way to trans-form, or not, its image that is, until that, intimately connected with the country world. Furthermore, was try to evaluate if, and in how level, this new scene, which seems full of dualisms, in one moment, antagonistic in other, complementary, influence and built the viola players performance in different generations, nowadays. To achieve this objectives, were made questionaries with some people which were related with the world of ten string viola, professionals, amateurs or its admirers. For a better construction of our argument, were also made interviews with some of the most important names of actual imagem of ten strings viola. These datas were confronted among them, with the literature and with the opinion of the author of this paper, which is a viola player too.O presente trabalho tem por objetivo, primeiramente, procurar compreender, através de uma análise crítica da história da viola de dez cordas, como se formou e onde se iniciou a tradição caipira do instrumento. Por quais significações e ressignificações que a viola de dez cordas passou até ser compreendida como viola caipira e quais são os índices e ícones que compõem essa tradição caipira do instrumento, sejam eles musicais ou extra-musicais. Além disso, procurou-se compreender, também, como essa tradição é entendida e como ela se apresenta, nos dias atuais. Após isso, o próximo objetivo foi discutir como as noções de tradição e contemporaneidade agem sobre a viola com relação aos níveis de execução, recepção, aprendizado ou transmissão de modo a trans-formar, ou não, a sua imagem até então, intimamente relacionada ao mundo caipira. Além disso, procurou-se avaliar se, e até que ponto, esse novo cenário, que parece pletórico de dualismos, hora antagônicos, hora complementares, influencia e molda a performance dos violeiros de diferentes gerações, nos dias atuais. Para a obtenção dos objetivos, foram realizados questionários normatizados com pessoas afeitas ao mundo da viola nos dias de hoje, sejam eles profissionais, amadores ou aficcionados pelo instrumento. Para um melhor embasamento da discussão do trabalho, também foram colhidos depoimentos de nomes reconhecidos atualmente como de grande importância para a construção da imagem da viola de dez cordas. Esses dados foram confrontados entre si, com a literatura e com a opinião do autor do trabalho, este, também, um profissional das dez cordas.Universidade Federal de Minas GeraisUFMGFlavio Terrigno BarbeitasEduardo Campolina Viana LoureiroGlaura LucasRenato Teixeira Almeida2019-08-10T15:55:29Z2019-08-10T15:55:29Z2013-10-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/1843/AAGS-9G3H4Hinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2019-11-14T10:16:15Zoai:repositorio.ufmg.br:1843/AAGS-9G3H4HRepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2019-11-14T10:16:15Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Viola de dez cordas: entre a tradição e a contemporaneidade
title Viola de dez cordas: entre a tradição e a contemporaneidade
spellingShingle Viola de dez cordas: entre a tradição e a contemporaneidade
Renato Teixeira Almeida
Viola caipira
tradição
contemporaneidade
viola de dez cordas
Viola caipira
Musica
title_short Viola de dez cordas: entre a tradição e a contemporaneidade
title_full Viola de dez cordas: entre a tradição e a contemporaneidade
title_fullStr Viola de dez cordas: entre a tradição e a contemporaneidade
title_full_unstemmed Viola de dez cordas: entre a tradição e a contemporaneidade
title_sort Viola de dez cordas: entre a tradição e a contemporaneidade
author Renato Teixeira Almeida
author_facet Renato Teixeira Almeida
author_role author
dc.contributor.none.fl_str_mv Flavio Terrigno Barbeitas
Eduardo Campolina Viana Loureiro
Glaura Lucas
dc.contributor.author.fl_str_mv Renato Teixeira Almeida
dc.subject.por.fl_str_mv Viola caipira
tradição
contemporaneidade
viola de dez cordas
Viola caipira
Musica
topic Viola caipira
tradição
contemporaneidade
viola de dez cordas
Viola caipira
Musica
description The primary aim of this research was, try to understand, based on a critical analisys of the ten strings viola, how and where was made the caipira tradition of this instrument. For which meanings and re-meanings it passed until it gain the nickname viola caipira and how are the index and icons that compose this caipira tradition of the viola, so musical so extra-musical. Furthermore, we also try to understand how this tradition is figure out and how it is presented nowadays. After that, the next aim was discuss how the notions of tradition and contemporarity act on ten strings viola in relationship with its execution, reception, learning or transmition in a way to trans-form, or not, its image that is, until that, intimately connected with the country world. Furthermore, was try to evaluate if, and in how level, this new scene, which seems full of dualisms, in one moment, antagonistic in other, complementary, influence and built the viola players performance in different generations, nowadays. To achieve this objectives, were made questionaries with some people which were related with the world of ten string viola, professionals, amateurs or its admirers. For a better construction of our argument, were also made interviews with some of the most important names of actual imagem of ten strings viola. These datas were confronted among them, with the literature and with the opinion of the author of this paper, which is a viola player too.
publishDate 2013
dc.date.none.fl_str_mv 2013-10-31
2019-08-10T15:55:29Z
2019-08-10T15:55:29Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/1843/AAGS-9G3H4H
url http://hdl.handle.net/1843/AAGS-9G3H4H
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
UFMG
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
UFMG
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
_version_ 1816829762424799232