Sobre as formações sonoras da obra musical em Roman Ingarden

• Autor(a) principal: Zangheri, Glaucio Adriano
• Data de Publicação: 2022
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Artefilosofia
• Texto Completo: https://periodicos.ufop.br/raf/article/view/5201
• topic: Roman Ingarden (1893-1970). Formação Sonora. Estética Fenomenológica. Obra Musical.

The main objective of the text is to explain the concept of tone formation in Roman Ingarden, highlighting its status as a purely intentional object and its gestalt character. As secondary objectives, the genesis of the concept of tone formation in The Literary Work of Art is exposed and its consequences based on Ingarden's criticisms of Atomism and Gestalt theorists. The text is divided into two parts: in the first it is exposed a movement that starts from the sound-word formations of the literary work and arrives at the first definitions of tone formation in the context of the musical work; in the second are explained the purely intentional ontological status of tone formations, criticisms of Atomism and Gestalt, and the answers that Ingarden offers to solve the problem of the totality of tone formations. The result is a conception of tone formation composed of three characteristics: (1) harmonious quality, (2) pure form, (3) sense. In the final considerations, some comments and reflections are made about the course of the text.