Study of movement and the technical and artistic preparation of the interpreter of contemporary dance

• Autor(a) principal: Tourinho, Lígia Losada
• Data de Publicação: 2017
• Outros Autores: Silva, Eusébio Lôbo da
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Artefilosofia
• Texto Completo: https://periodicos.ufop.br/raf/article/view/801
• topic: Theater; Dance; Movement study; Preparation Technique; Phenomenology; Artes Cênicas; Dança; Estudo do Movimento; Preparação Técnica; Fenomenologia

This article develops a refl ection on the concept of study of the movement returned for the interpreter’s of contemporary dance technical preparation - understanding the same as one of the possible arts of the scene. We developed a refl ection fi rstly on the contemporary dance, their origins and in- fl uences. We thought soon afterwards about the importance of the artist’s of the contemporary scene relationship with his/her own body and we adopted the study of the phenomenology of Merleau-Ponty as methodological guideline to think the dance. This article breaks of the idea that the concept of current corporal preparation doesn’t break more than a language than the dancer should dominate to dance. The concept of study of the movement developed at the present time puts the contemporary dancer inside of another paradigm - the technique as solemnityknowledge instrument. We don’t need a body formatted inside of a specifi c aesthetics, but an available body - energy and life driven for a creativity process and expression. We danced with the body that we had, with owns our body, and not with the body that we imagine to have.