The Desartification of art according to Adorno: : background and resonances

Detalhes bibliográficos
Autor(a) principal: Duarte, Rodrigo
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/770
Resumo: The theme of “desartifi cation of art” – one of the most original but also obscure, contributions of Adorno’s Aesthetic Theory – is discussed in this paper on the basis of this author’s passages on the subject. Nevertheless, in spite of its specifi city in the Adornian aesthetics, the concept of desartifi cation presents a relation not only to the previous tradition of the philosophy of art, specially to the theme of the end of art at Hegel’s Courses of Aesthetics but also to its most recent developments such as Arthur Danto’s theory on contemporary (or post-historical) art. Thus the investigation of the theme of desartifi cation in Adorno is preceded here by a concise analysis of the Hegelian topic and followed by a brief presentation of the connected subject in Danto’s aesthetic.
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spelling The Desartification of art according to Adorno: : background and resonancesA desartificação da arte segundo Adorno: : antecedentes e ressonânciasAdornian aestheticscontemporary artCritical Theory of SocietyArthur DantoEstética adornianaArte contemporâneaTeoria Crítica da SociedadeArthur DantoThe theme of “desartifi cation of art” – one of the most original but also obscure, contributions of Adorno’s Aesthetic Theory – is discussed in this paper on the basis of this author’s passages on the subject. Nevertheless, in spite of its specifi city in the Adornian aesthetics, the concept of desartifi cation presents a relation not only to the previous tradition of the philosophy of art, specially to the theme of the end of art at Hegel’s Courses of Aesthetics but also to its most recent developments such as Arthur Danto’s theory on contemporary (or post-historical) art. Thus the investigation of the theme of desartifi cation in Adorno is preceded here by a concise analysis of the Hegelian topic and followed by a brief presentation of the connected subject in Danto’s aesthetic.Nesse artigo, o tema da “desartifi cação da arte” – uma das contribuições mais originais, mas também mais obscuras, da Teoria Estética de Theodor Adorno – é elucidado a partir dos próprios textos do autor. No entanto, apesar de sua especifi cidade para com a estética adorniana, o conceito de desartifi cação mantém uma relação tanto com a tradição anterior da fi losofi a da arte, especialmente com o tema do fi m da arte nos Cursos de Estética de Hegel, quanto com os desdobramentos mais recentes, como, por exemplo, a teoria sobre a arte contemporânea (ou pós-histórica) de Arthur Danto. Em vista disso, a investigação do tema da desartifi cação em Adorno é precedida, aqui, de uma sucinta análise do aludido motivo hegeliano e seguida de uma rápida apresentação da temática conexa na estética de Danto.Universidade Federal de Ouro Preto2017-04-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/770Artefilosofia; v. 2 n. 2 (2007); 19-34Artefilosofia; Vol. 2 No. 2 (2007); 19-342526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/770/726Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessDuarte, Rodrigo2022-03-25T11:12:53Zoai:pp.www.periodicos.ufop.br:article/770Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:12:53Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv The Desartification of art according to Adorno: : background and resonances
A desartificação da arte segundo Adorno: : antecedentes e ressonâncias
title The Desartification of art according to Adorno: : background and resonances
spellingShingle The Desartification of art according to Adorno: : background and resonances
Duarte, Rodrigo
Adornian aesthetics
contemporary art
Critical Theory of Society
Arthur Danto
Estética adorniana
Arte contemporânea
Teoria Crítica da Sociedade
Arthur Danto
title_short The Desartification of art according to Adorno: : background and resonances
title_full The Desartification of art according to Adorno: : background and resonances
title_fullStr The Desartification of art according to Adorno: : background and resonances
title_full_unstemmed The Desartification of art according to Adorno: : background and resonances
title_sort The Desartification of art according to Adorno: : background and resonances
author Duarte, Rodrigo
author_facet Duarte, Rodrigo
author_role author
dc.contributor.author.fl_str_mv Duarte, Rodrigo
dc.subject.por.fl_str_mv Adornian aesthetics
contemporary art
Critical Theory of Society
Arthur Danto
Estética adorniana
Arte contemporânea
Teoria Crítica da Sociedade
Arthur Danto
topic Adornian aesthetics
contemporary art
Critical Theory of Society
Arthur Danto
Estética adorniana
Arte contemporânea
Teoria Crítica da Sociedade
Arthur Danto
description The theme of “desartifi cation of art” – one of the most original but also obscure, contributions of Adorno’s Aesthetic Theory – is discussed in this paper on the basis of this author’s passages on the subject. Nevertheless, in spite of its specifi city in the Adornian aesthetics, the concept of desartifi cation presents a relation not only to the previous tradition of the philosophy of art, specially to the theme of the end of art at Hegel’s Courses of Aesthetics but also to its most recent developments such as Arthur Danto’s theory on contemporary (or post-historical) art. Thus the investigation of the theme of desartifi cation in Adorno is preceded here by a concise analysis of the Hegelian topic and followed by a brief presentation of the connected subject in Danto’s aesthetic.
publishDate 2017
dc.date.none.fl_str_mv 2017-04-26
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dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/770
url https://periodicos.ufop.br/raf/article/view/770
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/770/726
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 2 n. 2 (2007); 19-34
Artefilosofia; Vol. 2 No. 2 (2007); 19-34
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
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instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
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reponame_str Artefilosofia
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repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
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