The Desartification of art according to Adorno: : background and resonances
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/770 |
Resumo: | The theme of “desartifi cation of art” – one of the most original but also obscure, contributions of Adorno’s Aesthetic Theory – is discussed in this paper on the basis of this author’s passages on the subject. Nevertheless, in spite of its specifi city in the Adornian aesthetics, the concept of desartifi cation presents a relation not only to the previous tradition of the philosophy of art, specially to the theme of the end of art at Hegel’s Courses of Aesthetics but also to its most recent developments such as Arthur Danto’s theory on contemporary (or post-historical) art. Thus the investigation of the theme of desartifi cation in Adorno is preceded here by a concise analysis of the Hegelian topic and followed by a brief presentation of the connected subject in Danto’s aesthetic. |
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The Desartification of art according to Adorno: : background and resonancesA desartificação da arte segundo Adorno: : antecedentes e ressonânciasAdornian aestheticscontemporary artCritical Theory of SocietyArthur DantoEstética adornianaArte contemporâneaTeoria Crítica da SociedadeArthur DantoThe theme of “desartifi cation of art” – one of the most original but also obscure, contributions of Adorno’s Aesthetic Theory – is discussed in this paper on the basis of this author’s passages on the subject. Nevertheless, in spite of its specifi city in the Adornian aesthetics, the concept of desartifi cation presents a relation not only to the previous tradition of the philosophy of art, specially to the theme of the end of art at Hegel’s Courses of Aesthetics but also to its most recent developments such as Arthur Danto’s theory on contemporary (or post-historical) art. Thus the investigation of the theme of desartifi cation in Adorno is preceded here by a concise analysis of the Hegelian topic and followed by a brief presentation of the connected subject in Danto’s aesthetic.Nesse artigo, o tema da “desartifi cação da arte” – uma das contribuições mais originais, mas também mais obscuras, da Teoria Estética de Theodor Adorno – é elucidado a partir dos próprios textos do autor. No entanto, apesar de sua especifi cidade para com a estética adorniana, o conceito de desartifi cação mantém uma relação tanto com a tradição anterior da fi losofi a da arte, especialmente com o tema do fi m da arte nos Cursos de Estética de Hegel, quanto com os desdobramentos mais recentes, como, por exemplo, a teoria sobre a arte contemporânea (ou pós-histórica) de Arthur Danto. Em vista disso, a investigação do tema da desartifi cação em Adorno é precedida, aqui, de uma sucinta análise do aludido motivo hegeliano e seguida de uma rápida apresentação da temática conexa na estética de Danto.Universidade Federal de Ouro Preto2017-04-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/770Artefilosofia; v. 2 n. 2 (2007); 19-34Artefilosofia; Vol. 2 No. 2 (2007); 19-342526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/770/726Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessDuarte, Rodrigo2022-03-25T11:12:53Zoai:pp.www.periodicos.ufop.br:article/770Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:12:53Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
The Desartification of art according to Adorno: : background and resonances A desartificação da arte segundo Adorno: : antecedentes e ressonâncias |
title |
The Desartification of art according to Adorno: : background and resonances |
spellingShingle |
The Desartification of art according to Adorno: : background and resonances Duarte, Rodrigo Adornian aesthetics contemporary art Critical Theory of Society Arthur Danto Estética adorniana Arte contemporânea Teoria Crítica da Sociedade Arthur Danto |
title_short |
The Desartification of art according to Adorno: : background and resonances |
title_full |
The Desartification of art according to Adorno: : background and resonances |
title_fullStr |
The Desartification of art according to Adorno: : background and resonances |
title_full_unstemmed |
The Desartification of art according to Adorno: : background and resonances |
title_sort |
The Desartification of art according to Adorno: : background and resonances |
author |
Duarte, Rodrigo |
author_facet |
Duarte, Rodrigo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Duarte, Rodrigo |
dc.subject.por.fl_str_mv |
Adornian aesthetics contemporary art Critical Theory of Society Arthur Danto Estética adorniana Arte contemporânea Teoria Crítica da Sociedade Arthur Danto |
topic |
Adornian aesthetics contemporary art Critical Theory of Society Arthur Danto Estética adorniana Arte contemporânea Teoria Crítica da Sociedade Arthur Danto |
description |
The theme of “desartifi cation of art” – one of the most original but also obscure, contributions of Adorno’s Aesthetic Theory – is discussed in this paper on the basis of this author’s passages on the subject. Nevertheless, in spite of its specifi city in the Adornian aesthetics, the concept of desartifi cation presents a relation not only to the previous tradition of the philosophy of art, specially to the theme of the end of art at Hegel’s Courses of Aesthetics but also to its most recent developments such as Arthur Danto’s theory on contemporary (or post-historical) art. Thus the investigation of the theme of desartifi cation in Adorno is preceded here by a concise analysis of the Hegelian topic and followed by a brief presentation of the connected subject in Danto’s aesthetic. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-04-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/770 |
url |
https://periodicos.ufop.br/raf/article/view/770 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/770/726 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 2 n. 2 (2007); 19-34 Artefilosofia; Vol. 2 No. 2 (2007); 19-34 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
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1798313558079963136 |