Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos

Detalhes bibliográficos
Autor(a) principal: Santiago Júnior, Francisco
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: História da Historiografia
Texto Completo: https://www.historiadahistoriografia.com.br/revista/article/view/983
Resumo: The modernist tradition of anthropophagy is one of the matries of the images of the past of the Brazilian cultural memory. The film and visual culture are instances in which the knowledge of the past comes and circulates in society, this text points the use of the trope of anthropophagy in the film How tasty was my little frenchman (1971) by Nelson Pereira dos Santos. Merging the tropology with iconology, we observe the specificity of anthropophagy in the early 1970s and the displacement of the modernist legacy, highlighting the public use of the past in narrative film during the civil-military regime.
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spelling Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos SantosAntropofagia, passado prático e usos do passado em Como era gostoso o meu francês (1971) de Nelson Pereira dos SantosCinemaImageHistorical cultureCineImagenCultura historicaCinemaImagemCultura históricaThe modernist tradition of anthropophagy is one of the matries of the images of the past of the Brazilian cultural memory. The film and visual culture are instances in which the knowledge of the past comes and circulates in society, this text points the use of the trope of anthropophagy in the film How tasty was my little frenchman (1971) by Nelson Pereira dos Santos. Merging the tropology with iconology, we observe the specificity of anthropophagy in the early 1970s and the displacement of the modernist legacy, highlighting the public use of the past in narrative film during the civil-military regime.A tradição modernista da antropofagia é uma das matrizes das imagens do passado da memória cultural brasileira. O cinema e a cultura visual são instâncias pelas quais o conhecimento do passado surge e circula na sociedade, este texto aponta o uso do tropo da antropofagia no filme Como era gostoso o meu francês (1971), de Nelson Pereira dos Santos. Fundindo a tropologia com a iconologia, observaremos a especificidade da antropofagia no início dos anos 1970 e o deslocamento do legado modernista, evidenciando o uso público do passado na narrativa cinematográfica durante o regime civil-militar. Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro2016-07-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.historiadahistoriografia.com.br/revista/article/view/98310.15848/hh.v0i20.983História da Historiografia: International Journal of Theory and History of Historiography; Vol. 9 No. 20 (2016)História da Historiografia: International Journal of Theory and History of Historiography; Vol. 9 Núm. 20 (2016)História da Historiografia: International Journal of Theory and History of Historiography; v. 9 n. 20 (2016)1983-9928reponame:História da Historiografiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://www.historiadahistoriografia.com.br/revista/article/view/983/626Santiago Júnior, Franciscoinfo:eu-repo/semantics/openAccess2020-05-02T02:37:41Zoai:ojs.www.historiadahistoriografia.com.br:article/983Revistahttps://www.historiadahistoriografia.com.br/revistaPUBhttps://www.historiadahistoriografia.com.br/revista/oaivaldei354@gmail.com || historiadahistoriografia@hotmail.com1983-99281983-9928opendoar:2020-05-02T02:37:41História da Historiografia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
Antropofagia, passado prático e usos do passado em Como era gostoso o meu francês (1971) de Nelson Pereira dos Santos
title Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
spellingShingle Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
Santiago Júnior, Francisco
Cinema
Image
Historical culture
Cine
Imagen
Cultura historica
Cinema
Imagem
Cultura histórica
title_short Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
title_full Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
title_fullStr Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
title_full_unstemmed Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
title_sort Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
author Santiago Júnior, Francisco
author_facet Santiago Júnior, Francisco
author_role author
dc.contributor.author.fl_str_mv Santiago Júnior, Francisco
dc.subject.por.fl_str_mv Cinema
Image
Historical culture
Cine
Imagen
Cultura historica
Cinema
Imagem
Cultura histórica
topic Cinema
Image
Historical culture
Cine
Imagen
Cultura historica
Cinema
Imagem
Cultura histórica
description The modernist tradition of anthropophagy is one of the matries of the images of the past of the Brazilian cultural memory. The film and visual culture are instances in which the knowledge of the past comes and circulates in society, this text points the use of the trope of anthropophagy in the film How tasty was my little frenchman (1971) by Nelson Pereira dos Santos. Merging the tropology with iconology, we observe the specificity of anthropophagy in the early 1970s and the displacement of the modernist legacy, highlighting the public use of the past in narrative film during the civil-military regime.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/983
10.15848/hh.v0i20.983
url https://www.historiadahistoriografia.com.br/revista/article/view/983
identifier_str_mv 10.15848/hh.v0i20.983
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/983/626
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
dc.source.none.fl_str_mv História da Historiografia: International Journal of Theory and History of Historiography; Vol. 9 No. 20 (2016)
História da Historiografia: International Journal of Theory and History of Historiography; Vol. 9 Núm. 20 (2016)
História da Historiografia: International Journal of Theory and History of Historiography; v. 9 n. 20 (2016)
1983-9928
reponame:História da Historiografia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str História da Historiografia
collection História da Historiografia
repository.name.fl_str_mv História da Historiografia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv valdei354@gmail.com || historiadahistoriografia@hotmail.com
_version_ 1797220359087325184

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