A Música do Shabat em Recife

• Autor(a) principal: Cunha, Keila Souza Fernandes da
• Data de Publicação: 2011
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
• Texto Completo: https://repositorio.ufpb.br/jspui/handle/tede/6593
• topic: Comunidade judaica; Repertório Shabat; Etnicidade e imigrantes; Jewish community; Shabat repertorie; Ethnicity and immigrant; ARTES::MUSICA

The issue treated in this study case is the repertorie of Cabalat Shabat that was brought to Recife. It is one of the three rituals celebrated by jews on the day separated to rest e prays, where the songs and prays still can be heard on local synagogue. The search gathered informations from the Isaac Shachnick Synagogue, in the Centro Israelita de Pernambuco (CIP), and on the Synagogue Kahal Zur Israel Museum, the first synagogue of Brazil, where today is the Jewish Historian Archive of Pernambuco, where are preserved, ocasionally, the ceremonies of Shabat. Departing from the perspective of musical cultural study this work intend to understand the music as cultural behavior and verify the task of this religious practice to their fellowers, trying to situate the music in its sociocultural context. According to the local information, we have nearly 100 fellowers of the Shabat, what represent 10% of the jewish community in Recife. We not only registered the special repertorie sung on the local synagogues, but the study begins with the historic construction of the social group, going to the negociations of the permanencies e adaptation of the cultural traces, specially musical, until reach the reflection over the relevance of this religious tradition. After confirmed the close conection between shabatic music and the jewish identity, that helps to keep the ethical stability and the social union of the ethnical group, the work wants to contribute to the discussions about the ethnicity and the cultural behavior of Immigrant, reaching a more broad aspect, as the Social Science.