Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Institucional da UFPel - Guaiaca |
Texto Completo: | http://guaiaca.ufpel.edu.br/handle/prefix/3870 |
Resumo: | The shape of the Guggenheim Museum in Bilbao is problematized here with the didactic interest of investigating the design strategies used by Frank Gehry to reconfigure the urban fabric and landscape involved. There are few discourses about the design, accompanied by objective reasoning and supported by its formal decomposition. The convenience of this complementation is considered, given its potential as a reference in the architectural training process. We hypothesize that the shape of the building comes from a reduced repertoire of formal fragments within this fabric and landscape, configured both by classical composition rules and by fractal geometry. This interpretation, constructed by means of overlapping drawings to the photographic and technical images of the building and its immediate surroundings and by the concept of fractal dimension, facilitated the identification of strict formal control, which starts with the regulation of its representations in orthographic projection, maintaining proportions, parallelism and convergences; such as in perspective, exploring continuity achieved through anamorphic effects. Thus, we demonstrate the use of a method, of geometric approach, which facilitates the construction of hypotheses regarding design strategies. In this case, Gehry’s strategies to dialog with a particular urban fabric: through recursive actions, using topologic transformations, in its mathematical meaning, in the formal vocabulary of the place itself, actions today made easy through the digital means of representation. |
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Rocha, Luciana SandriniSilva, Adriane Borda Almeida da2018-05-11T18:53:03Z2018-05-11T18:53:03Z2017Rocha, L. ; BORDA, Adriane . Os diálogos (geométricos) que Ghery estabelece com a cidade de Bilbao. VIRUS, v. 1, p. 14-34, 20172175-974xhttp://guaiaca.ufpel.edu.br/handle/prefix/3870The shape of the Guggenheim Museum in Bilbao is problematized here with the didactic interest of investigating the design strategies used by Frank Gehry to reconfigure the urban fabric and landscape involved. There are few discourses about the design, accompanied by objective reasoning and supported by its formal decomposition. The convenience of this complementation is considered, given its potential as a reference in the architectural training process. We hypothesize that the shape of the building comes from a reduced repertoire of formal fragments within this fabric and landscape, configured both by classical composition rules and by fractal geometry. This interpretation, constructed by means of overlapping drawings to the photographic and technical images of the building and its immediate surroundings and by the concept of fractal dimension, facilitated the identification of strict formal control, which starts with the regulation of its representations in orthographic projection, maintaining proportions, parallelism and convergences; such as in perspective, exploring continuity achieved through anamorphic effects. Thus, we demonstrate the use of a method, of geometric approach, which facilitates the construction of hypotheses regarding design strategies. In this case, Gehry’s strategies to dialog with a particular urban fabric: through recursive actions, using topologic transformations, in its mathematical meaning, in the formal vocabulary of the place itself, actions today made easy through the digital means of representation.engVírusGEGRADIPOSGDPROGRAUGuggenheim MuseumFrank GehryArchitectural formFractal GeometryTeaching designOs diálogos (geométricos) que Gehry estabelece com a cidade de BilbaoThe (Geometrical) dialogs Gehry establishes with the city of Bilbaoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFPel - Guaiacainstname:Universidade Federal de Pelotas (UFPEL)instacron:UFPELTEXTvirus_14_submitted_14_en.pdf.txtvirus_14_submitted_14_en.pdf.txtExtracted texttext/plain34476http://guaiaca.ufpel.edu.br/xmlui/bitstream/prefix/3870/6/virus_14_submitted_14_en.pdf.txt4100162f7b359308346e373303ce76ddMD56open accessTHUMBNAILvirus_14_submitted_14_en.pdf.jpgvirus_14_submitted_14_en.pdf.jpgGenerated Thumbnailimage/jpeg1704http://guaiaca.ufpel.edu.br/xmlui/bitstream/prefix/3870/7/virus_14_submitted_14_en.pdf.jpg30ab56b64867933a2a545d773f9a7fcaMD57open accessORIGINALvirus_14_submitted_14_en.pdfvirus_14_submitted_14_en.pdfapplication/pdf3784103http://guaiaca.ufpel.edu.br/xmlui/bitstream/prefix/3870/1/virus_14_submitted_14_en.pdf981ced4641225c64e00830b5013eedddMD51open accessCC-LICENSElicense_urllicense_urltext/plain; charset=utf-843http://guaiaca.ufpel.edu.br/xmlui/bitstream/prefix/3870/2/license_url321f3992dd3875151d8801b773ab32edMD52open accesslicense_textlicense_texttext/html; charset=utf-80http://guaiaca.ufpel.edu.br/xmlui/bitstream/prefix/3870/3/license_textd41d8cd98f00b204e9800998ecf8427eMD53open accesslicense_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://guaiaca.ufpel.edu.br/xmlui/bitstream/prefix/3870/4/license_rdfd41d8cd98f00b204e9800998ecf8427eMD54open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-867http://guaiaca.ufpel.edu.br/xmlui/bitstream/prefix/3870/5/license.txtfbd6c74465857056e3ca572d7586661bMD55open accessprefix/38702023-07-13 07:34:26.168open accessoai:guaiaca.ufpel.edu.br:prefix/3870VG9kb3Mgb3MgaXRlbnMgZGVzc2EgY29tdW5pZGFkZSBzZWd1ZW0gYSBsaWNlbsOnYSBDcmVhdGl2ZSBDb21tb25zLg==Repositório InstitucionalPUBhttp://repositorio.ufpel.edu.br/oai/requestrippel@ufpel.edu.br || repositorio@ufpel.edu.br || aline.batista@ufpel.edu.bropendoar:2023-07-13T10:34:26Repositório Institucional da UFPel - Guaiaca - Universidade Federal de Pelotas (UFPEL)false |
dc.title.pt_BR.fl_str_mv |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao |
dc.title.alternative.pt_BR.fl_str_mv |
The (Geometrical) dialogs Gehry establishes with the city of Bilbao |
title |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao |
spellingShingle |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao Rocha, Luciana Sandrini GEGRADI POSGD PROGRAU Guggenheim Museum Frank Gehry Architectural form Fractal Geometry Teaching design |
title_short |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao |
title_full |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao |
title_fullStr |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao |
title_full_unstemmed |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao |
title_sort |
Os diálogos (geométricos) que Gehry estabelece com a cidade de Bilbao |
author |
Rocha, Luciana Sandrini |
author_facet |
Rocha, Luciana Sandrini Silva, Adriane Borda Almeida da |
author_role |
author |
author2 |
Silva, Adriane Borda Almeida da |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Rocha, Luciana Sandrini Silva, Adriane Borda Almeida da |
dc.subject.por.fl_str_mv |
GEGRADI POSGD PROGRAU Guggenheim Museum Frank Gehry Architectural form Fractal Geometry Teaching design |
topic |
GEGRADI POSGD PROGRAU Guggenheim Museum Frank Gehry Architectural form Fractal Geometry Teaching design |
description |
The shape of the Guggenheim Museum in Bilbao is problematized here with the didactic interest of investigating the design strategies used by Frank Gehry to reconfigure the urban fabric and landscape involved. There are few discourses about the design, accompanied by objective reasoning and supported by its formal decomposition. The convenience of this complementation is considered, given its potential as a reference in the architectural training process. We hypothesize that the shape of the building comes from a reduced repertoire of formal fragments within this fabric and landscape, configured both by classical composition rules and by fractal geometry. This interpretation, constructed by means of overlapping drawings to the photographic and technical images of the building and its immediate surroundings and by the concept of fractal dimension, facilitated the identification of strict formal control, which starts with the regulation of its representations in orthographic projection, maintaining proportions, parallelism and convergences; such as in perspective, exploring continuity achieved through anamorphic effects. Thus, we demonstrate the use of a method, of geometric approach, which facilitates the construction of hypotheses regarding design strategies. In this case, Gehry’s strategies to dialog with a particular urban fabric: through recursive actions, using topologic transformations, in its mathematical meaning, in the formal vocabulary of the place itself, actions today made easy through the digital means of representation. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017 |
dc.date.accessioned.fl_str_mv |
2018-05-11T18:53:03Z |
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2018-05-11T18:53:03Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Rocha, L. ; BORDA, Adriane . Os diálogos (geométricos) que Ghery estabelece com a cidade de Bilbao. VIRUS, v. 1, p. 14-34, 2017 |
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http://guaiaca.ufpel.edu.br/handle/prefix/3870 |
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2175-974x |
identifier_str_mv |
Rocha, L. ; BORDA, Adriane . Os diálogos (geométricos) que Ghery estabelece com a cidade de Bilbao. VIRUS, v. 1, p. 14-34, 2017 2175-974x |
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http://guaiaca.ufpel.edu.br/handle/prefix/3870 |
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eng |
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Vírus |
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Vírus |
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