THE ETERNAL INSTANT IN “SCENT OF A WOMAN”

Detalhes bibliográficos
Autor(a) principal: Silva, Claudinei Aparecido de Freitas da
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Phenomenology, Humanities and Sciences
Texto Completo: https://phenomenology.com.br/index.php/phe/article/view/172
Resumo: Based on the classic Scent of a Woman, directed for the first time in 1974 by Italian productionby Dino Risi and redesigned in 1992 by director Martin Brest, we will seek to bring up themovement of life in its feminine fragrance. It is about understanding to what extent the perfumemetaphor inebriates the perceptual field as a backdrop from where the figure of the womanemerges with a unique protagonism about life, or rather, the dance of life. The text ends bydescribing how an instant is admirably eternalized in a single rhythm, being, therefore, capableof transcending chronological time and giving new life beyond our conventions.
id UFPR-17_23ab2af2bafea6d5c2ffd1dfb4f82274
oai_identifier_str oai:phenomenology.com.br:article/172
network_acronym_str UFPR-17
network_name_str Phenomenology, Humanities and Sciences
repository_id_str
spelling THE ETERNAL INSTANT IN “SCENT OF A WOMAN”O ETERNO INSTANTE EM “PERFUME DE MULHER”O ETERNO INSTANTE EM “PERFUME DE MULHER”FenomenologiaPercepçãoCinemaPerfume de MulherPhenomenologyPerceptionCinemaScent of WomanBased on the classic Scent of a Woman, directed for the first time in 1974 by Italian productionby Dino Risi and redesigned in 1992 by director Martin Brest, we will seek to bring up themovement of life in its feminine fragrance. It is about understanding to what extent the perfumemetaphor inebriates the perceptual field as a backdrop from where the figure of the womanemerges with a unique protagonism about life, or rather, the dance of life. The text ends bydescribing how an instant is admirably eternalized in a single rhythm, being, therefore, capableof transcending chronological time and giving new life beyond our conventions.Baseando-se no clássico Perfume de Mulher dirigido, pela primeira vez, em 1974, pelaprodução italiana de Dino Risi e repaginado, em 1992, pelo diretor Martin Brest, procuraremos,trazer à baila, o movimento da vida em sua fragrância feminina. Trata-se de compreender emque medida a metáfora do perfume inebria o campo perceptivo como pano de fundo desde ondea figura da mulher emerge com um protagonismo ímpar acerca da vida, ou melhor, da dança davida. O texto termina por descrever como um instante se eterniza admiravelmente num só ritmosendo, pois, capaz de transcender o tempo cronológico e devolver nova vida para além denossas convenções.Baseando-se no clássico Perfume de Mulher dirigido, pela primeira vez, em 1974, pelaprodução italiana de Dino Risi e repaginado, em 1992, pelo diretor Martin Brest, procuraremos,trazer à baila, o movimento da vida em sua fragrância feminina. Trata-se de compreender emque medida a metáfora do perfume inebria o campo perceptivo como pano de fundo desde ondea figura da mulher emerge com um protagonismo ímpar acerca da vida, ou melhor, da dança davida. O texto termina por descrever como um instante se eterniza admiravelmente num só ritmosendo, pois, capaz de transcender o tempo cronológico e devolver nova vida para além denossas convenções.Associação de Pesquisas em Fenomenologia (APFeno)2023-03-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfapplication/pdfhttps://phenomenology.com.br/index.php/phe/article/view/172Phenomenology, Humanities and Sciences; Vol. 3 No. 2 (2022): Phenomenology, Humanities and Sciences; 114-129Phenomenology, Humanities and Sciences; Vol. 3 Núm. 2 (2022): Phenomenology, Humanities and Sciences; 114-129Phenomenology, Humanities and Sciences; v. 3 n. 2 (2022): Phenomenology, Humanities and Sciences; 114-1292675-4673reponame:Phenomenology, Humanities and Sciencesinstname:Universidade Federal do Paraná (UFPR)instacron:UFPRporenghttps://phenomenology.com.br/index.php/phe/article/view/172/108https://phenomenology.com.br/index.php/phe/article/view/172/109Copyright (c) 2023 Phenomenology, Humanities and Sciencesinfo:eu-repo/semantics/openAccessSilva, Claudinei Aparecido de Freitas da2024-04-16T16:10:19Zoai:phenomenology.com.br:article/172Revistahttps://phenomenology.com.br/index.php/phePUBhttps://phenomenology.com.br/index.php/index/oaicontato@phenomenology.com.br || aholanda@yahoo.com2675-46732675-4673opendoar:2024-04-16T16:10:19Phenomenology, Humanities and Sciences - Universidade Federal do Paraná (UFPR)false
dc.title.none.fl_str_mv THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
O ETERNO INSTANTE EM “PERFUME DE MULHER”
O ETERNO INSTANTE EM “PERFUME DE MULHER”
title THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
spellingShingle THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
Silva, Claudinei Aparecido de Freitas da
Fenomenologia
Percepção
Cinema
Perfume de Mulher
Phenomenology
Perception
Cinema
Scent of Woman
title_short THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
title_full THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
title_fullStr THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
title_full_unstemmed THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
title_sort THE ETERNAL INSTANT IN “SCENT OF A WOMAN”
author Silva, Claudinei Aparecido de Freitas da
author_facet Silva, Claudinei Aparecido de Freitas da
author_role author
dc.contributor.author.fl_str_mv Silva, Claudinei Aparecido de Freitas da
dc.subject.por.fl_str_mv Fenomenologia
Percepção
Cinema
Perfume de Mulher
Phenomenology
Perception
Cinema
Scent of Woman
topic Fenomenologia
Percepção
Cinema
Perfume de Mulher
Phenomenology
Perception
Cinema
Scent of Woman
description Based on the classic Scent of a Woman, directed for the first time in 1974 by Italian productionby Dino Risi and redesigned in 1992 by director Martin Brest, we will seek to bring up themovement of life in its feminine fragrance. It is about understanding to what extent the perfumemetaphor inebriates the perceptual field as a backdrop from where the figure of the womanemerges with a unique protagonism about life, or rather, the dance of life. The text ends bydescribing how an instant is admirably eternalized in a single rhythm, being, therefore, capableof transcending chronological time and giving new life beyond our conventions.
publishDate 2023
dc.date.none.fl_str_mv 2023-03-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://phenomenology.com.br/index.php/phe/article/view/172
url https://phenomenology.com.br/index.php/phe/article/view/172
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://phenomenology.com.br/index.php/phe/article/view/172/108
https://phenomenology.com.br/index.php/phe/article/view/172/109
dc.rights.driver.fl_str_mv Copyright (c) 2023 Phenomenology, Humanities and Sciences
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Phenomenology, Humanities and Sciences
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Associação de Pesquisas em Fenomenologia (APFeno)
publisher.none.fl_str_mv Associação de Pesquisas em Fenomenologia (APFeno)
dc.source.none.fl_str_mv Phenomenology, Humanities and Sciences; Vol. 3 No. 2 (2022): Phenomenology, Humanities and Sciences; 114-129
Phenomenology, Humanities and Sciences; Vol. 3 Núm. 2 (2022): Phenomenology, Humanities and Sciences; 114-129
Phenomenology, Humanities and Sciences; v. 3 n. 2 (2022): Phenomenology, Humanities and Sciences; 114-129
2675-4673
reponame:Phenomenology, Humanities and Sciences
instname:Universidade Federal do Paraná (UFPR)
instacron:UFPR
instname_str Universidade Federal do Paraná (UFPR)
instacron_str UFPR
institution UFPR
reponame_str Phenomenology, Humanities and Sciences
collection Phenomenology, Humanities and Sciences
repository.name.fl_str_mv Phenomenology, Humanities and Sciences - Universidade Federal do Paraná (UFPR)
repository.mail.fl_str_mv contato@phenomenology.com.br || aholanda@yahoo.com
_version_ 1796798427919548416

Registros relacionados