THE MEANINGS OF DEATH IN (MY) FILM
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Livre de Cinema |
Texto Completo: | https://www.relici.org.br/index.php/relici/article/view/75 |
Resumo: | Through the making of a short film, entitled The First Job, this project attempts to investigate the issue of death and dying in the context of other films and writings. The way in which Western society has portrayed Death as a character and death as a fact is a reflection of how the issue is understood. If film narratives have changed their approach to the Grim Reaper, does it have any bearing on this often-unmentionable taboo? Filmmakers such as Ingmar Bergman and writers such as Susan Sontag have taken the questions some steps further. It is the intention of this essay to try, through reflective practice, to follow these steps. |
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THE MEANINGS OF DEATH IN (MY) FILMThrough the making of a short film, entitled The First Job, this project attempts to investigate the issue of death and dying in the context of other films and writings. The way in which Western society has portrayed Death as a character and death as a fact is a reflection of how the issue is understood. If film narratives have changed their approach to the Grim Reaper, does it have any bearing on this often-unmentionable taboo? Filmmakers such as Ingmar Bergman and writers such as Susan Sontag have taken the questions some steps further. It is the intention of this essay to try, through reflective practice, to follow these steps.REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...)2016-06-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.relici.org.br/index.php/relici/article/view/75REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...); v. 3 n. 3 (2016): REVISTA LIVRE DE CINEMA; 21-432357-8807reponame:Revista Livre de Cinemainstname:Universidade Federal do Paraná (UFPR)instacron:UFPRporhttps://www.relici.org.br/index.php/relici/article/view/75/122Copyright (c) 2024 REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...)info:eu-repo/semantics/openAccessSchelin, Dago2020-07-10T18:31:51Zoai:ojs.pkp.sfu.ca:article/75Revistahttps://www.relici.org.br/index.php/relici/PUBhttps://www.relici.org.br/index.php/relici/oairelici@relici.org.br2357-88072357-8807opendoar:2020-07-10T18:31:51Revista Livre de Cinema - Universidade Federal do Paraná (UFPR)false |
dc.title.none.fl_str_mv |
THE MEANINGS OF DEATH IN (MY) FILM |
title |
THE MEANINGS OF DEATH IN (MY) FILM |
spellingShingle |
THE MEANINGS OF DEATH IN (MY) FILM Schelin, Dago |
title_short |
THE MEANINGS OF DEATH IN (MY) FILM |
title_full |
THE MEANINGS OF DEATH IN (MY) FILM |
title_fullStr |
THE MEANINGS OF DEATH IN (MY) FILM |
title_full_unstemmed |
THE MEANINGS OF DEATH IN (MY) FILM |
title_sort |
THE MEANINGS OF DEATH IN (MY) FILM |
author |
Schelin, Dago |
author_facet |
Schelin, Dago |
author_role |
author |
dc.contributor.author.fl_str_mv |
Schelin, Dago |
description |
Through the making of a short film, entitled The First Job, this project attempts to investigate the issue of death and dying in the context of other films and writings. The way in which Western society has portrayed Death as a character and death as a fact is a reflection of how the issue is understood. If film narratives have changed their approach to the Grim Reaper, does it have any bearing on this often-unmentionable taboo? Filmmakers such as Ingmar Bergman and writers such as Susan Sontag have taken the questions some steps further. It is the intention of this essay to try, through reflective practice, to follow these steps. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-06-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.relici.org.br/index.php/relici/article/view/75 |
url |
https://www.relici.org.br/index.php/relici/article/view/75 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.relici.org.br/index.php/relici/article/view/75/122 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...) |
publisher.none.fl_str_mv |
REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...) |
dc.source.none.fl_str_mv |
REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...); v. 3 n. 3 (2016): REVISTA LIVRE DE CINEMA; 21-43 2357-8807 reponame:Revista Livre de Cinema instname:Universidade Federal do Paraná (UFPR) instacron:UFPR |
instname_str |
Universidade Federal do Paraná (UFPR) |
instacron_str |
UFPR |
institution |
UFPR |
reponame_str |
Revista Livre de Cinema |
collection |
Revista Livre de Cinema |
repository.name.fl_str_mv |
Revista Livre de Cinema - Universidade Federal do Paraná (UFPR) |
repository.mail.fl_str_mv |
relici@relici.org.br |
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1809279216349347840 |