For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/49064 |
Resumo: | This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition. |
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For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetitionUn Théâtre Performatif dans Pirandello: un dialogue court avec Deleuze et le théâtre de la répétitionFor a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetitionPirandelloDeleuzePerformative TheatreRepetition TheatreMaschere NudePirandelloDeleuzeThéâtre PerformatifThéâtre de la RépétitionMaschere Nude.This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.Cet article est le résultat d’une recherche pratique dans le domaine des arts du spectacle, spécialement, des processus et réalisations artistiques autour de la scène de Pirandello. À la recherche d’une théâtralité construite à partir de l’intersection entre théâtre et performance, on étudie la dramaturgie de l’auteur italien depuis son noeud principal: sa constatation de l’impouvoir de représentation du théâtre. Dans le présent article, nous organisons des documents et des réflexions sur une année de pratiques autour de la scène et de la dramaturgie de Pirandello, revisitées à partir d’une théâtralité performative, à la lumière du concept de Deleuze du théâtre de la répétition.This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.Universidade Federal do Rio Grande do Sul2022-10-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/49064Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 527-550Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 527-5502237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/49064/50611Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRibeiro (Fluminense Federal University, Niterói/RJ, Brazil), Martha de Mello2022-10-14T19:23:54Zoai:seer.ufrgs.br:article/49064Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-14T19:23:54Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition Un Théâtre Performatif dans Pirandello: un dialogue court avec Deleuze et le théâtre de la répétition For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition |
title |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition |
spellingShingle |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition Ribeiro (Fluminense Federal University, Niterói/RJ, Brazil), Martha de Mello Pirandello Deleuze Performative Theatre Repetition Theatre Maschere Nude Pirandello Deleuze Théâtre Performatif Théâtre de la Répétition Maschere Nude. |
title_short |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition |
title_full |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition |
title_fullStr |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition |
title_full_unstemmed |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition |
title_sort |
For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition |
author |
Ribeiro (Fluminense Federal University, Niterói/RJ, Brazil), Martha de Mello |
author_facet |
Ribeiro (Fluminense Federal University, Niterói/RJ, Brazil), Martha de Mello |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ribeiro (Fluminense Federal University, Niterói/RJ, Brazil), Martha de Mello |
dc.subject.por.fl_str_mv |
Pirandello Deleuze Performative Theatre Repetition Theatre Maschere Nude Pirandello Deleuze Théâtre Performatif Théâtre de la Répétition Maschere Nude. |
topic |
Pirandello Deleuze Performative Theatre Repetition Theatre Maschere Nude Pirandello Deleuze Théâtre Performatif Théâtre de la Répétition Maschere Nude. |
description |
This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/49064 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/49064 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/49064/50611 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550 Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550 Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 527-550 Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 527-550 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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1799766307598499840 |