Around Refuse The Hour, Kentridge and his Space-Time of Creation

Detalhes bibliográficos
Autor(a) principal: Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), Fanny
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/37504
Resumo: This article deals with a creative process born in the intersection of stage, cinema and visual  arts: the one of William Kentridge. In the polymorphic work of the South African artist, his movement between different forms of expression holds a key-role in his way of working. Taken between an installation and an exhibition, the progress around his show Refuse The Hour (2012) gives a relevant ground for the analysis of the stakes in a process of creation in movement between various artistic fields. From the studio to rehearsals, and through a rhythm of collective work, this text investigates the genetics of the show crossed by different space-times of creation.
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spelling Around Refuse The Hour, Kentridge and his Space-Time of CreationAutour de Refuse The Hour, Kentridge et ses Espaces-Temps de CreationSobre Refuse The Hour, Kentridge e seus Espaços-Tempos de CriaçãoKentridgeInterdisciplinaritéProcessusRépétitionsAtelierKentridgeInterdisciplinaridadeProcessoEnsaiosAtelierKentridgeInterdisciplinarityProcessRehearsalsWorkshopThis article deals with a creative process born in the intersection of stage, cinema and visual  arts: the one of William Kentridge. In the polymorphic work of the South African artist, his movement between different forms of expression holds a key-role in his way of working. Taken between an installation and an exhibition, the progress around his show Refuse The Hour (2012) gives a relevant ground for the analysis of the stakes in a process of creation in movement between various artistic fields. From the studio to rehearsals, and through a rhythm of collective work, this text investigates the genetics of the show crossed by different space-times of creation.Cet article porte sur un processus de création né au croisement de la scène, du cinéma et des arts plastiques: celui de William Kentridge. Dans l’œuvre polymorphe de cet artiste sud-africain, la circulation entre diverses formes d’expression tient un rôle clef dans sa ma- nière de travailler. Pris entre une installation et une exposition, le cheminement autour de son spectacle Refuse The Hour (2012) offre un terrain pertinent pour l’analyse des enjeux d’un processus de création en mouvement entre différents pôles artistiques. De l’atelier aux répétitions, en passant par un temps de travail collectif, ce texte explore une génétique du spectacle traversée par différents espaces-temps de création.Este texto discute, no cruzamento entre teatro, cinema e artes plásticas, a obra que o sul-africano William Kentridge desenvolveu desde o final dos anos 1980 de forma densa, polimórfica e multidisciplinar, circulando entre diversas formas de expressão o status de processo de criação. Propõe-se pensar sobre a preparação de seus espetáculos, que é acom- panhada por múltiplos vídeo-instalações, gravuras, colagens e objetos. Este artigo mostra como esses vestígios de um trabalho de artista plástico, associados a um tempo de trabalho coletivo (os workshops), além dos ensaios, deslocam a análise genética dos seus espetáculos para outros espaços-tempos e outras modalidades de trabalho, que são diferentes do tra- balho de cena.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/37504Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 481-495Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 481-495Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 481-495Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 481-4952237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/37504/50970Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessLe Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), Fanny2022-10-16T21:37:10Zoai:seer.ufrgs.br:article/37504Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:37:10Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Around Refuse The Hour, Kentridge and his Space-Time of Creation
Autour de Refuse The Hour, Kentridge et ses Espaces-Temps de Creation
Sobre Refuse The Hour, Kentridge e seus Espaços-Tempos de Criação
title Around Refuse The Hour, Kentridge and his Space-Time of Creation
spellingShingle Around Refuse The Hour, Kentridge and his Space-Time of Creation
Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), Fanny
Kentridge
Interdisciplinarité
Processus
Répétitions
Atelier
Kentridge
Interdisciplinaridade
Processo
Ensaios
Atelier
Kentridge
Interdisciplinarity
Process
Rehearsals
Workshop
title_short Around Refuse The Hour, Kentridge and his Space-Time of Creation
title_full Around Refuse The Hour, Kentridge and his Space-Time of Creation
title_fullStr Around Refuse The Hour, Kentridge and his Space-Time of Creation
title_full_unstemmed Around Refuse The Hour, Kentridge and his Space-Time of Creation
title_sort Around Refuse The Hour, Kentridge and his Space-Time of Creation
author Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), Fanny
author_facet Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), Fanny
author_role author
dc.contributor.author.fl_str_mv Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), Fanny
dc.subject.por.fl_str_mv Kentridge
Interdisciplinarité
Processus
Répétitions
Atelier
Kentridge
Interdisciplinaridade
Processo
Ensaios
Atelier
Kentridge
Interdisciplinarity
Process
Rehearsals
Workshop
topic Kentridge
Interdisciplinarité
Processus
Répétitions
Atelier
Kentridge
Interdisciplinaridade
Processo
Ensaios
Atelier
Kentridge
Interdisciplinarity
Process
Rehearsals
Workshop
description This article deals with a creative process born in the intersection of stage, cinema and visual  arts: the one of William Kentridge. In the polymorphic work of the South African artist, his movement between different forms of expression holds a key-role in his way of working. Taken between an installation and an exhibition, the progress around his show Refuse The Hour (2012) gives a relevant ground for the analysis of the stakes in a process of creation in movement between various artistic fields. From the studio to rehearsals, and through a rhythm of collective work, this text investigates the genetics of the show crossed by different space-times of creation.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/37504
url https://seer.ufrgs.br/index.php/presenca/article/view/37504
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/37504/50970
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 481-495
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 481-495
Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 481-495
Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 481-495
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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