Truth on Stage, Truth in Life: Boal and Stanislavski

Detalhes bibliográficos
Autor(a) principal: Bezerra (Universidade Federal da Bahia, Salvador, Brazil), Antonia Pereira
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/53371
Resumo: In light of theconcept of scenic truth, this paper discusses the influences of the Stanislavski method in theearly experiments of the Arena Theatre of São Paulo, and also shows traces of the Russianmaster’s principles in the Poetics of the Oppressed of Augusto Boal. The primary objectiveof the article is to encourage the construction of Forum Theatre, which uses physicalrigor and Stanislavski’s psychological breakdown as points of departure. This work can bedeveloped as the actor’s internal logic during the phase that precedes the creative process,before the intervention of audiences, and within professional staging of Forum Theatrewith more long lasting results.
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spelling Truth on Stage, Truth in Life: Boal and StanislavskiVérité sur scène, Vérité dans la vie: Boal et StanislavskiTruth on Stage, Truth in Life: Boal and StanislavskiForum TheatreTruthStageAffective MemoryPhysical ActionsBoal and StanislavskiForum TheatreTruthStageAffective MemoryPhysical ActionsIn light of theconcept of scenic truth, this paper discusses the influences of the Stanislavski method in theearly experiments of the Arena Theatre of São Paulo, and also shows traces of the Russianmaster’s principles in the Poetics of the Oppressed of Augusto Boal. The primary objectiveof the article is to encourage the construction of Forum Theatre, which uses physicalrigor and Stanislavski’s psychological breakdown as points of departure. This work can bedeveloped as the actor’s internal logic during the phase that precedes the creative process,before the intervention of audiences, and within professional staging of Forum Theatrewith more long lasting results.S’appuyant surle concept de vérité scénique, cet article traite de l’influence de la méthode de Stanislavskilors des premières expérimentations au sein du Théâtre Arena de São Paulo et metégalement en évidence la marque du maître russe dans les principes de la Poétique duThéâtre de l’Opprimé d’Augusto Boal. L’objectif principal consiste en stimuler la mise enplace de spectacles-forum, à partir d’un travail stanislavskien basé sur la rigueur physiqueet la précision psychologique. Ce travail peut être développé durant la logique interne duprocessus, phase qui précède tout produit de création, avant l’intervention du spectateur,ou dans la préparation de montages professionnels de théâtre-forum, au cours de projetsà plus long terme.In light of theconcept of scenic truth, this paper discusses the influences of the Stanislavski method in theearly experiments of the Arena Theatre of São Paulo, and also shows traces of the Russianmaster’s principles in the Poetics of the Oppressed of Augusto Boal. The primary objectiveof the article is to encourage the construction of Forum Theatre, which uses physicalrigor and Stanislavski’s psychological breakdown as points of departure. This work can bedeveloped as the actor’s internal logic during the phase that precedes the creative process,before the intervention of audiences, and within professional staging of Forum Theatrewith more long lasting results.Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/53371Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 413-430Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 413-430Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 413-430Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 413-4302237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/53371/50549Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBezerra (Universidade Federal da Bahia, Salvador, Brazil), Antonia Pereira2022-10-13T18:30:48Zoai:seer.ufrgs.br:article/53371Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:30:48Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Truth on Stage, Truth in Life: Boal and Stanislavski
Vérité sur scène, Vérité dans la vie: Boal et Stanislavski
Truth on Stage, Truth in Life: Boal and Stanislavski
title Truth on Stage, Truth in Life: Boal and Stanislavski
spellingShingle Truth on Stage, Truth in Life: Boal and Stanislavski
Bezerra (Universidade Federal da Bahia, Salvador, Brazil), Antonia Pereira
Forum Theatre
Truth
Stage
Affective Memory
Physical Actions
Boal and Stanislavski
Forum Theatre
Truth
Stage
Affective Memory
Physical Actions
title_short Truth on Stage, Truth in Life: Boal and Stanislavski
title_full Truth on Stage, Truth in Life: Boal and Stanislavski
title_fullStr Truth on Stage, Truth in Life: Boal and Stanislavski
title_full_unstemmed Truth on Stage, Truth in Life: Boal and Stanislavski
title_sort Truth on Stage, Truth in Life: Boal and Stanislavski
author Bezerra (Universidade Federal da Bahia, Salvador, Brazil), Antonia Pereira
author_facet Bezerra (Universidade Federal da Bahia, Salvador, Brazil), Antonia Pereira
author_role author
dc.contributor.author.fl_str_mv Bezerra (Universidade Federal da Bahia, Salvador, Brazil), Antonia Pereira
dc.subject.por.fl_str_mv Forum Theatre
Truth
Stage
Affective Memory
Physical Actions
Boal and Stanislavski
Forum Theatre
Truth
Stage
Affective Memory
Physical Actions
topic Forum Theatre
Truth
Stage
Affective Memory
Physical Actions
Boal and Stanislavski
Forum Theatre
Truth
Stage
Affective Memory
Physical Actions
description In light of theconcept of scenic truth, this paper discusses the influences of the Stanislavski method in theearly experiments of the Arena Theatre of São Paulo, and also shows traces of the Russianmaster’s principles in the Poetics of the Oppressed of Augusto Boal. The primary objectiveof the article is to encourage the construction of Forum Theatre, which uses physicalrigor and Stanislavski’s psychological breakdown as points of departure. This work can bedeveloped as the actor’s internal logic during the phase that precedes the creative process,before the intervention of audiences, and within professional staging of Forum Theatrewith more long lasting results.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/53371
url https://seer.ufrgs.br/index.php/presenca/article/view/53371
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/53371/50549
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 413-430
Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 413-430
Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 413-430
Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 413-430
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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