Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke

Detalhes bibliográficos
Autor(a) principal: Martins (Universidade Brasília, Brazil), Pablo Gonçalo Pires de Campos
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/71007
Resumo: This article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.
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spelling Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter HandkeFragments de la Phrase Filmique: Peter Handke et son dramaturgie intermedialeSplinters of the Filmic Sentence: the intermedial dramaturgy of Peter HandkePerformanceIntermedialityPlaywrightPeter HandkeGerman LiteraturePerformanceIntermedialityPlaywrightPeter HandkeGerman LiteraturePerformanceIntermédialitéDramaturgiePeter HandkeLa Littérature AllemandeThis article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.L’article présente une analyse de l’ensemble de la première phase de l’oeuvre de l’écrivain Peter Handke. On part d’une conception théorique développé par Handke lui-même, qui culmine a la phrase filmique. Au long de l’analyse on passe pour plusieurs ouvrages pour marquer que cette perception esthétique est présente dans son théâtre, ses romans, son premier film en tant que metteur en scène et les scripts de sa collaboration avec Wim Wenders. Pour résumé et interpréter son travail, l’article propose un lien entre la pratique de ekphrasis et l’émergence d’une dramaturgie intermédiale, dans laquelle le geste d’écriture doit se réinventer entre langages, frontières, les médias et des nouvelles technologies.This article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/71007Brazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 407-433Révue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 407-433Révue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 407-433Revista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 407-4332237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/71007/50351Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessMartins (Universidade Brasília, Brazil), Pablo Gonçalo Pires de Campos2022-10-04T20:06:08Zoai:seer.ufrgs.br:article/71007Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T20:06:08Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
Fragments de la Phrase Filmique: Peter Handke et son dramaturgie intermediale
Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
title Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
spellingShingle Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
Martins (Universidade Brasília, Brazil), Pablo Gonçalo Pires de Campos
Performance
Intermediality
Playwright
Peter Handke
German Literature
Performance
Intermediality
Playwright
Peter Handke
German Literature
Performance
Intermédialité
Dramaturgie
Peter Handke
La Littérature Allemande
title_short Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
title_full Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
title_fullStr Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
title_full_unstemmed Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
title_sort Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
author Martins (Universidade Brasília, Brazil), Pablo Gonçalo Pires de Campos
author_facet Martins (Universidade Brasília, Brazil), Pablo Gonçalo Pires de Campos
author_role author
dc.contributor.author.fl_str_mv Martins (Universidade Brasília, Brazil), Pablo Gonçalo Pires de Campos
dc.subject.por.fl_str_mv Performance
Intermediality
Playwright
Peter Handke
German Literature
Performance
Intermediality
Playwright
Peter Handke
German Literature
Performance
Intermédialité
Dramaturgie
Peter Handke
La Littérature Allemande
topic Performance
Intermediality
Playwright
Peter Handke
German Literature
Performance
Intermediality
Playwright
Peter Handke
German Literature
Performance
Intermédialité
Dramaturgie
Peter Handke
La Littérature Allemande
description This article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/71007
url https://seer.ufrgs.br/index.php/presenca/article/view/71007
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/71007/50351
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 407-433
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 407-433
Révue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 407-433
Revista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 407-433
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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