Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/44015 |
Resumo: | This performance questions the logics of representation and mimesis, blurs the borders between life and fiction, and mixes codes inherited from the theater, performance-art, and happening. It plays with art history to address the difficulty of art to create images in a globalized world, and more specifically, in the context of the current European economic crisis, which directly threatens the art scene in Holland. |
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Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme WinkelSortir de la Représentation: Lieutenantenduetten, une performance critique du Warme WinkelSair da Representação: Lieutenantenduetten, uma performance crítica do Warme WinkelDutch CollectiveSite-specif icPerformative ActingDistanceRepresentationCollectif NéerlandaisSite SpécifiqueJeu PerformatiqueDistanceReprésentationGrupos HolandesesSite-specificAtuação PerformáticaDistânciaRepresentaçãoThis performance questions the logics of representation and mimesis, blurs the borders between life and fiction, and mixes codes inherited from the theater, performance-art, and happening. It plays with art history to address the difficulty of art to create images in a globalized world, and more specifically, in the context of the current European economic crisis, which directly threatens the art scene in Holland.L’exemple évoqué dans article remet en question les logiquesde la représentation et de la mimesis, brouille les frontières entre la vie et la fiction en mêlant les codes du théâtre, de l’art de la performance et du happening. La performance de Warme Winkel joue avec l’histoire de l’art pour réfléchir sur la difficulté de créer de l’art et des images dans le contexte de la crise économique qui atteint actuellement l’Europe et qui menace directement la scène artistique néerlandaise.Esta performance questiona as lógicas de representação e mimeses, faz divergir as fronteiras entre a vida e a ficção, misturando os códigos do teatro, da arte da performance e do happening. A performance do Warme Winkel joga com a história da arte para refletir sobre a dificuldade da arte em criar imagens em um mundo globalizado e, mais particularmente, no contexto da crise econômica atual da Europa, o que ameaça diretamente a cena artística holandesa.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/44015Brazilian Journal on Presence Studies; Vol. 4 No. 1 (2014): jan./apr. 2014; 28-46Révue Brésilienne d'Études de la Présence; Vol. 4 No. 1 (2014): jan./abr. 2014; 28-46Révue Brésilienne d'Études de la Présence; Vol. 4 No 1 (2014): jan./abr. 2014; 28-46Revista Brasileira de Estudos da Presença; v. 4 n. 1 (2014): jan./abr. 2014; 28-462237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/44015/50842Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessGouarné (Université Paris Ouest Nanterre – Paris, França), Esther2022-10-16T21:00:45Zoai:seer.ufrgs.br:article/44015Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:00:45Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel Sortir de la Représentation: Lieutenantenduetten, une performance critique du Warme Winkel Sair da Representação: Lieutenantenduetten, uma performance crítica do Warme Winkel |
title |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel |
spellingShingle |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel Gouarné (Université Paris Ouest Nanterre – Paris, França), Esther Dutch Collective Site-specif ic Performative Acting Distance Representation Collectif Néerlandais Site Spécifique Jeu Performatique Distance Représentation Grupos Holandeses Site-specific Atuação Performática Distância Representação |
title_short |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel |
title_full |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel |
title_fullStr |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel |
title_full_unstemmed |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel |
title_sort |
Escaping the Representation: Lieutenantenduetten, a critical performance by the Warme Winkel |
author |
Gouarné (Université Paris Ouest Nanterre – Paris, França), Esther |
author_facet |
Gouarné (Université Paris Ouest Nanterre – Paris, França), Esther |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gouarné (Université Paris Ouest Nanterre – Paris, França), Esther |
dc.subject.por.fl_str_mv |
Dutch Collective Site-specif ic Performative Acting Distance Representation Collectif Néerlandais Site Spécifique Jeu Performatique Distance Représentation Grupos Holandeses Site-specific Atuação Performática Distância Representação |
topic |
Dutch Collective Site-specif ic Performative Acting Distance Representation Collectif Néerlandais Site Spécifique Jeu Performatique Distance Représentation Grupos Holandeses Site-specific Atuação Performática Distância Representação |
description |
This performance questions the logics of representation and mimesis, blurs the borders between life and fiction, and mixes codes inherited from the theater, performance-art, and happening. It plays with art history to address the difficulty of art to create images in a globalized world, and more specifically, in the context of the current European economic crisis, which directly threatens the art scene in Holland. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/44015 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/44015 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/44015/50842 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 4 No. 1 (2014): jan./apr. 2014; 28-46 Révue Brésilienne d'Études de la Présence; Vol. 4 No. 1 (2014): jan./abr. 2014; 28-46 Révue Brésilienne d'Études de la Présence; Vol. 4 No 1 (2014): jan./abr. 2014; 28-46 Revista Brasileira de Estudos da Presença; v. 4 n. 1 (2014): jan./abr. 2014; 28-46 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766307248275456 |