Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)

Detalhes bibliográficos
Autor(a) principal: Angeli, Diogo
Data de Publicação: 2023
Outros Autores: Rocco, Marcelo
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/130862
Resumo: This article explores the screendance Fôlego (2018), whose theme addresses the violence practiced against black bodies in contemporary times. To that end, this work presents a brief overview about the historicity of slavery in Brazil, in particular, about the city of Campinas (SP), place of creation of the work, based on the concept of necropolitics (Mbembe, 2016). Therefore, the article discusses the virtual process of creation in screendance (Angeli, 2020), contributing to the debate about the different territorialities of the performance and the political and social provocations in dance.
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spelling Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)Artistic Strategies in the Screendance Fôlego: lavery and necropolitics in Campinas (SP-Brazil)DanceNecropoliticsScreendanceSlaveryCampinasDanceNecropoliticsScreendanceSlaveryCampinasThis article explores the screendance Fôlego (2018), whose theme addresses the violence practiced against black bodies in contemporary times. To that end, this work presents a brief overview about the historicity of slavery in Brazil, in particular, about the city of Campinas (SP), place of creation of the work, based on the concept of necropolitics (Mbembe, 2016). Therefore, the article discusses the virtual process of creation in screendance (Angeli, 2020), contributing to the debate about the different territorialities of the performance and the political and social provocations in dance.Artistic Strategies in the Screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil) – This article explores the screendance Fôlego (2018), whose theme addresses the violence practiced against black bodies in contemporary times. To that end, this work presents a brief overview about the historicity of slavery in Brazil, in particular, about the city of Campinas (SP), place of creation of the work, based on the concept of necropolitics (Mbembe, 2016). Therefore, the article discusses the virtual process of creation in screendance (Angeli, 2020), contributing to the debate about the different territorialities of the performance and the political and social provocations in dance.Universidade Federal do Rio Grande do Sul2023-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/130862Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-27Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-272237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/130862/89012Copyright (c) 2023 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessAngeli, DiogoRocco, Marcelo2023-07-06T18:08:40Zoai:seer.ufrgs.br:article/130862Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2023-07-06T18:08:40Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
Artistic Strategies in the Screendance Fôlego: lavery and necropolitics in Campinas (SP-Brazil)
title Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
spellingShingle Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
Angeli, Diogo
Dance
Necropolitics
Screendance
Slavery
Campinas
Dance
Necropolitics
Screendance
Slavery
Campinas
title_short Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
title_full Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
title_fullStr Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
title_full_unstemmed Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
title_sort Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil)
author Angeli, Diogo
author_facet Angeli, Diogo
Rocco, Marcelo
author_role author
author2 Rocco, Marcelo
author2_role author
dc.contributor.author.fl_str_mv Angeli, Diogo
Rocco, Marcelo
dc.subject.por.fl_str_mv Dance
Necropolitics
Screendance
Slavery
Campinas
Dance
Necropolitics
Screendance
Slavery
Campinas
topic Dance
Necropolitics
Screendance
Slavery
Campinas
Dance
Necropolitics
Screendance
Slavery
Campinas
description This article explores the screendance Fôlego (2018), whose theme addresses the violence practiced against black bodies in contemporary times. To that end, this work presents a brief overview about the historicity of slavery in Brazil, in particular, about the city of Campinas (SP), place of creation of the work, based on the concept of necropolitics (Mbembe, 2016). Therefore, the article discusses the virtual process of creation in screendance (Angeli, 2020), contributing to the debate about the different territorialities of the performance and the political and social provocations in dance.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/130862
url https://seer.ufrgs.br/index.php/presenca/article/view/130862
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/130862/89012
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27
Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27
Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-27
Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-27
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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