ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)

Detalhes bibliográficos
Autor(a) principal: Angeli, Diogo
Data de Publicação: 2023
Outros Autores: Rocco, Marcelo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/128194
Resumo: This article analyzes the screendance Fôlego (2018), an aesthetic-pedagogical result of a doctoral research on necropolitics in Campinas (SP). This work was composed in representative spatialities of the rise of coffee and sugarcane cultures in the interior of São Paulo, having the enslaved black labor as an economic axis. The aspects of origin and unfolding of the policy of death on black and peripheral bodies (MBEMBE, 2016) in the aforementioned metropolis are highlighted, seeking to broaden different perceptions about the ways of using the spaces of this city, thus discussing the contradictions that the capitalist system causes. This research seeks to contribute to a greater discussion about movement, bodies and spaces and political and social representation in dance.
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spelling ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)STRATÉGIES ARTISTIQUES CONTRE LA NÉCROPOLITIQUE: LA VIDÉODANCE FÔLEGO ET LES TRACES DE L'ESCLAVAGE CAMPINEIRA (SP)Estratégias Artísticas na Videodança Fôlego: escravidão e necropolítica em Campinas (SP-Brasil)DanceNecropoliticsScreendanceSlaveryCampinasDanseNécropolitiqueVidéodanseEsclavageCampinasDançaNecropolíticaVideodançaEscravidãoCampinasThis article analyzes the screendance Fôlego (2018), an aesthetic-pedagogical result of a doctoral research on necropolitics in Campinas (SP). This work was composed in representative spatialities of the rise of coffee and sugarcane cultures in the interior of São Paulo, having the enslaved black labor as an economic axis. The aspects of origin and unfolding of the policy of death on black and peripheral bodies (MBEMBE, 2016) in the aforementioned metropolis are highlighted, seeking to broaden different perceptions about the ways of using the spaces of this city, thus discussing the contradictions that the capitalist system causes. This research seeks to contribute to a greater discussion about movement, bodies and spaces and political and social representation in dance.Cet article analyse la vidéodanse Fôlego (2018), résultat esthétique et pédagogique d'une recherche doctorale sur la nécropolitique à Campinas (SP). Ce travail a été composé dans des spatialités représentatives de la montée des cultures de café et de canne à sucre à l'intérieur de São Paulo, ayant le travail noir asservi comme axe économique. Les aspects d'origine et de déploiement de la politique de la mort sur les corps noirs et périphériques (MBEMBE, 2016) dans la métropole susmentionnée sont mis en évidence, cherchant à élargir différentes perceptions sur les manières d'utiliser les espaces de cette ville, discutant ainsi des contradictions que les cause du système capitaliste. Cette recherche vise à contribuer à une plus grande discussion sur le mouvement, les corps et les espaces et la représentation politique et sociale en danse.Estratégias Artísticas na Videodança Fôlego: escravidão e necropolítica em Campinas (SP-Brasil) – Este artigo investiga a videodança Fôlego (2018), cuja temática aborda a violência praticada contra os corpos negros na contemporaneidade. Para tal apreciação, este trabalho fez um breve panorama acerca da historicidade da escravidão no Brasil, em especial sobre a cidade de Campinas (SP), local de criação da obra, tendo como eixo norteador o conceito de necropolítica (Mbembe, 2016). Logo, o artigo discute o processo virtual de criação em videodança (Angeli, 2020), contribuindo para o debate acerca de diferentes territorialidades da cena e para as provocações político-sociais na dança.Universidade Federal do Rio Grande do Sul2023-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/128194Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-27Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-272237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/128194/89011Copyright (c) 2023 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccess Angeli, DiogoRocco, Marcelo2023-07-06T18:08:43Zoai:seer.ufrgs.br:article/128194Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2023-07-06T18:08:43Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
STRATÉGIES ARTISTIQUES CONTRE LA NÉCROPOLITIQUE: LA VIDÉODANCE FÔLEGO ET LES TRACES DE L'ESCLAVAGE CAMPINEIRA (SP)
Estratégias Artísticas na Videodança Fôlego: escravidão e necropolítica em Campinas (SP-Brasil)
title ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
spellingShingle ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
Angeli, Diogo
Dance
Necropolitics
Screendance
Slavery
Campinas
Danse
Nécropolitique
Vidéodanse
Esclavage
Campinas
Dança
Necropolítica
Videodança
Escravidão
Campinas
title_short ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
title_full ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
title_fullStr ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
title_full_unstemmed ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
title_sort ARTISTIC STRATEGIES AGAINST NECROPOLITICS: THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)
author Angeli, Diogo
author_facet Angeli, Diogo
Rocco, Marcelo
author_role author
author2 Rocco, Marcelo
author2_role author
dc.contributor.author.fl_str_mv Angeli, Diogo
Rocco, Marcelo
dc.subject.por.fl_str_mv Dance
Necropolitics
Screendance
Slavery
Campinas
Danse
Nécropolitique
Vidéodanse
Esclavage
Campinas
Dança
Necropolítica
Videodança
Escravidão
Campinas
topic Dance
Necropolitics
Screendance
Slavery
Campinas
Danse
Nécropolitique
Vidéodanse
Esclavage
Campinas
Dança
Necropolítica
Videodança
Escravidão
Campinas
description This article analyzes the screendance Fôlego (2018), an aesthetic-pedagogical result of a doctoral research on necropolitics in Campinas (SP). This work was composed in representative spatialities of the rise of coffee and sugarcane cultures in the interior of São Paulo, having the enslaved black labor as an economic axis. The aspects of origin and unfolding of the policy of death on black and peripheral bodies (MBEMBE, 2016) in the aforementioned metropolis are highlighted, seeking to broaden different perceptions about the ways of using the spaces of this city, thus discussing the contradictions that the capitalist system causes. This research seeks to contribute to a greater discussion about movement, bodies and spaces and political and social representation in dance.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/128194
url https://seer.ufrgs.br/index.php/presenca/article/view/128194
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/128194/89011
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27
Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-27
Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-27
Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-27
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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