The Perception is a Prism: body, presence and technologies

Detalhes bibliográficos
Autor(a) principal: Pitozzi (University of Bologna – Bologna, Italy), Enrico
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/43367
Resumo: Starting from an interdisciplinary perspective of the concepts of body, perception, and technologies in the contemporary scene, this text will attempt to define the general aesthetic notion as bodyscape as an extension of the performer’s perception. Through a survey of some key practices from the contemporary scene such as choreographic compositions by Myriam Gourfink, Isabelle Choinière, and the project of motion signature by Martine Époque and Denis Poulin, the impact of technologies on redefining the process of the performer’s perception in the composition of the movement and the change of the notion of presence will be analysed. In this sense, a series of modifications that influence also the spectator’s perception is presented. Therefore, the notion of empathy is discussed, and an attempt to find out how this applies in the context of a digital image of the body is made.
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spelling The Perception is a Prism: body, presence and technologiesLa Perception est un Prisme: corps, présence, technologiesThe Perception is a Prism: body, presence and technologiesBodyPerceptionMovementPresenceTechnologies7BodyPerceptionMovementPresenceTechnologiesCorpsPerceptionMouvementPrésenceTechnologiesStarting from an interdisciplinary perspective of the concepts of body, perception, and technologies in the contemporary scene, this text will attempt to define the general aesthetic notion as bodyscape as an extension of the performer’s perception. Through a survey of some key practices from the contemporary scene such as choreographic compositions by Myriam Gourfink, Isabelle Choinière, and the project of motion signature by Martine Époque and Denis Poulin, the impact of technologies on redefining the process of the performer’s perception in the composition of the movement and the change of the notion of presence will be analysed. In this sense, a series of modifications that influence also the spectator’s perception is presented. Therefore, the notion of empathy is discussed, and an attempt to find out how this applies in the context of a digital image of the body is made.En partant d’une perspective interdisciplinaire autour du corps, de la perception et de l’intervention des technologies sur la scène contemporaine, ce texte définit la notion de bodyscape comme forme d’extension de la perception du performeur. En analysant des processus de composition chorégraphiques contemporains – Myriam Gourfink, Isabelle Chonière, et le projet signature motrice conçu et dirigé par Martine Époque et Denis Paulin – nous discuterons l’intervention des technologies sur la redéfinition de la perception des performeurs, pendant la composition du mouvement en redefinissant la notion de présence. Le cadre de cette réflexion mène aussi à interroger les modifications de la perception concernant le spectateur en nous permettant d’introduire la notion d’empathie pour comprendre si cela s’applique face à l’image numérique du corps.Starting from an interdisciplinary perspective of the concepts of body, perception, and technologies in the contemporary scene, this text will attempt to define the general aesthetic notion as bodyscape as an extension of the performer’s perception. Through a survey of some key practices from the contemporary scene such as choreographic compositions by Myriam Gourfink, Isabelle Choinière, and the project of motion signature by Martine Époque and Denis Poulin, the impact of technologies on redefining the process of the performer’s perception in the composition of the movement and the change of the notion of presence will be analysed. In this sense, a series of modifications that influence also the spectator’s perception is presented. Therefore, the notion of empathy is discussed, and an attempt to find out how this applies in the context of a digital image of the body is made.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/43367Brazilian Journal on Presence Studies; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204Révue Brésilienne d'Études de la Présence; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204Révue Brésilienne d'Études de la Présence; Vol. 4 No 2 (2014): maio/ago. 2014; 174-204Revista Brasileira de Estudos da Presença; v. 4 n. 2 (2014): maio/ago. 2014; 174-2042237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/43367/50620Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessPitozzi (University of Bologna – Bologna, Italy), Enrico2022-10-16T20:42:40Zoai:seer.ufrgs.br:article/43367Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T20:42:40Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Perception is a Prism: body, presence and technologies
La Perception est un Prisme: corps, présence, technologies
The Perception is a Prism: body, presence and technologies
title The Perception is a Prism: body, presence and technologies
spellingShingle The Perception is a Prism: body, presence and technologies
Pitozzi (University of Bologna – Bologna, Italy), Enrico
Body
Perception
Movement
Presence
Technologies
7
Body
Perception
Movement
Presence
Technologies
Corps
Perception
Mouvement
Présence
Technologies
title_short The Perception is a Prism: body, presence and technologies
title_full The Perception is a Prism: body, presence and technologies
title_fullStr The Perception is a Prism: body, presence and technologies
title_full_unstemmed The Perception is a Prism: body, presence and technologies
title_sort The Perception is a Prism: body, presence and technologies
author Pitozzi (University of Bologna – Bologna, Italy), Enrico
author_facet Pitozzi (University of Bologna – Bologna, Italy), Enrico
author_role author
dc.contributor.author.fl_str_mv Pitozzi (University of Bologna – Bologna, Italy), Enrico
dc.subject.por.fl_str_mv Body
Perception
Movement
Presence
Technologies
7
Body
Perception
Movement
Presence
Technologies
Corps
Perception
Mouvement
Présence
Technologies
topic Body
Perception
Movement
Presence
Technologies
7
Body
Perception
Movement
Presence
Technologies
Corps
Perception
Mouvement
Présence
Technologies
description Starting from an interdisciplinary perspective of the concepts of body, perception, and technologies in the contemporary scene, this text will attempt to define the general aesthetic notion as bodyscape as an extension of the performer’s perception. Through a survey of some key practices from the contemporary scene such as choreographic compositions by Myriam Gourfink, Isabelle Choinière, and the project of motion signature by Martine Époque and Denis Poulin, the impact of technologies on redefining the process of the performer’s perception in the composition of the movement and the change of the notion of presence will be analysed. In this sense, a series of modifications that influence also the spectator’s perception is presented. Therefore, the notion of empathy is discussed, and an attempt to find out how this applies in the context of a digital image of the body is made.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/43367
url https://seer.ufrgs.br/index.php/presenca/article/view/43367
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/43367/50620
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204
Révue Brésilienne d'Études de la Présence; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204
Révue Brésilienne d'Études de la Présence; Vol. 4 No 2 (2014): maio/ago. 2014; 174-204
Revista Brasileira de Estudos da Presença; v. 4 n. 2 (2014): maio/ago. 2014; 174-204
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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