Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors

Detalhes bibliográficos
Autor(a) principal: Tavares, Luciano Correa
Data de Publicação: 2024
Outros Autores: Silva, Suzane Weber da
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/138206
Resumo: Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors – This article presents aspects of the life and professional narratives of a Black dance artist, Rubens Oliveira, and how his sensitive, poetic and creative experience as a Black man op-poses stereotypes of hegemonic masculinities. The aim of this article is to highlight the life story of a Black Brazilian man who makes dance his profession. Issues concerning the process of being a Black man in Brazil are problematised, using Conceição Evaristo’s (2020) concept of escrevivência (writexperi-ence)and Lélia Gonzalez’s (1988) concept of amefricanidade (Amefricanity). The article, mostly based on Black authors, highlights Black epistemologies as a form of representation.
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spelling Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black AuthorsNarrativas de danza de un artista negro que reflejan el conocimiento y los conceptos de los autores negrosRécits de danse d’un artiste noir reflétant les connaissances et les concepts d’auteurs noirsDance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Female Black AuthorsDanceRubens OliveiraBlack ManEscrevivênciaAmefricanityDanzaRubens OliveiraHombre negroEscrevivênciaAmefricanidadDanseRubens OliveiraHomme NoirEscrevivênciaAmefricanitéDançaRubens OliveiraHomem negroEscrevivênciaAmefricanidadeDance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors – This article presents aspects of the life and professional narratives of a Black dance artist, Rubens Oliveira, and how his sensitive, poetic and creative experience as a Black man op-poses stereotypes of hegemonic masculinities. The aim of this article is to highlight the life story of a Black Brazilian man who makes dance his profession. Issues concerning the process of being a Black man in Brazil are problematised, using Conceição Evaristo’s (2020) concept of escrevivência (writexperi-ence)and Lélia Gonzalez’s (1988) concept of amefricanidade (Amefricanity). The article, mostly based on Black authors, highlights Black epistemologies as a form of representation.Narrativas de danza de un artista negro que reflejan el conocimiento y los conceptos de autores negros - Este artículo presenta aspectos de las narrativas de vida y la profesión de un artista de danza negro, Rubens Oliveira, y cómo su experiencia sensible, poética y creativa como hombre negro se opone a los estereotipos de masculinidades hegemónicas. El objetivo de este artículo es resaltar la historia de vida de un brasileño negro que hace del baile su profesión. Se problematizan cuestiones relativas al proceso de ser hombre negro en Brasil, abarcando el concepto de escritura, de Conceição Evaristo (2020), y de africanidad, de Lélia González (1988). El artículo, cuyo referente es en su mayoría autores negros, destaca las epistemologías negras como una forma de representación.Récits de danse d’un artiste noir reflétant les connaissances et les concepts d’auteurs noirs – Cet article présente des aspects des récits de vie et de profession d’un artiste de danse noir, Ru-bens Oliveira, comment son expérience sensible, poétique et créative en tant qu’homme noir s’oppose aux stéréotypes des masculinités hégémoniques. L’objectif de cet article est de mettre en lumière l’histoire de la vie d’un Brésilien noir qui fait de la danse son métier. Il problématise des questions con-cernant le processus d’être un homme noir au Brésil, englobant le concept d’écriture, de Conceição Evaristo (2020), et d’africanité, de Lélia Gonzalez (1988). L’article, qui fait principalement référence à des auteurs noirs, met en avant les épistémologies noires comme forme de représentation.This article presents aspects of the life and professional narratives of a Black dance artist, Rubens Oliveira, and how his sensitive, poetic and creative experience as a Black man op-poses stereotypes of hegemonic masculinities. The aim of this article is to highlight the life story of a Black Brazilian man who makes dance his profession. Issues concerning the process of being a Black man in Brazil are problematised, using Conceição Evaristo’s (2020) concept of escrevivência (writexperi-ence)and Lélia Gonzalez’s (1988) concept of amefricanidade (Amefricanity). The article, mostly based on Black authors, highlights Black epistemologies as a form of representation.Universidade Federal do Rio Grande do Sul2024-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/138206Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/138206/91785Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTavares, Luciano CorreaSilva, Suzane Weber da2024-04-30T00:40:43Zoai:seer.ufrgs.br:article/138206Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-04-30T00:40:43Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
Narrativas de danza de un artista negro que reflejan el conocimiento y los conceptos de los autores negros
Récits de danse d’un artiste noir reflétant les connaissances et les concepts d’auteurs noirs
Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Female Black Authors
title Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
spellingShingle Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
Tavares, Luciano Correa
Dance
Rubens Oliveira
Black Man
Escrevivência
Amefricanity
Danza
Rubens Oliveira
Hombre negro
Escrevivência
Amefricanidad
Danse
Rubens Oliveira
Homme Noir
Escrevivência
Amefricanité
Dança
Rubens Oliveira
Homem negro
Escrevivência
Amefricanidade
title_short Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
title_full Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
title_fullStr Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
title_full_unstemmed Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
title_sort Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors
author Tavares, Luciano Correa
author_facet Tavares, Luciano Correa
Silva, Suzane Weber da
author_role author
author2 Silva, Suzane Weber da
author2_role author
dc.contributor.author.fl_str_mv Tavares, Luciano Correa
Silva, Suzane Weber da
dc.subject.por.fl_str_mv Dance
Rubens Oliveira
Black Man
Escrevivência
Amefricanity
Danza
Rubens Oliveira
Hombre negro
Escrevivência
Amefricanidad
Danse
Rubens Oliveira
Homme Noir
Escrevivência
Amefricanité
Dança
Rubens Oliveira
Homem negro
Escrevivência
Amefricanidade
topic Dance
Rubens Oliveira
Black Man
Escrevivência
Amefricanity
Danza
Rubens Oliveira
Hombre negro
Escrevivência
Amefricanidad
Danse
Rubens Oliveira
Homme Noir
Escrevivência
Amefricanité
Dança
Rubens Oliveira
Homem negro
Escrevivência
Amefricanidade
description Dance Narratives by a Black Artist Mirroring the Knowledge and Concepts of Fe-male Black Authors – This article presents aspects of the life and professional narratives of a Black dance artist, Rubens Oliveira, and how his sensitive, poetic and creative experience as a Black man op-poses stereotypes of hegemonic masculinities. The aim of this article is to highlight the life story of a Black Brazilian man who makes dance his profession. Issues concerning the process of being a Black man in Brazil are problematised, using Conceição Evaristo’s (2020) concept of escrevivência (writexperi-ence)and Lélia Gonzalez’s (1988) concept of amefricanidade (Amefricanity). The article, mostly based on Black authors, highlights Black epistemologies as a form of representation.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/138206
url https://seer.ufrgs.br/index.php/presenca/article/view/138206
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/138206/91785
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024
Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 2024
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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